| Vignettes | |
| Type: | Album |
| Artist: | Marilyn Crispell |
| Cover: | Vignettes (album).jpg |
| Released: | 2007 |
| Recorded: | April 2007 |
| Genre: | Avant-garde jazz |
| Length: | 68:23 |
| Label: | ECM ECM 2027 |
| Producer: | Manfred Eicher |
| Chronology: | Marilyn Crispell |
| Prev Title: | Storyteller |
| Prev Year: | 2004 |
| Next Title: | One Dark Night I Left My Silent House |
| Next Year: | 2010 |
Vignettes is a solo album by American jazz pianist Marilyn Crispell recorded in April 2007 and released on ECM later that same year.[1]
Writing for All About Jazz, Martin Gladu stated: "Drawing more on the tone-conscious, rubato balladeering of the Bleyian school rather than the cantankerous approach of Cecil Taylor... Crispell blends to her modernist factory a classical music informed eloquence and patina that is all her own. Mixing melodic free-ballads and spatial improvisations with all-over, gestural pieces, she maintains a high level of creativity in her playing throughout the sixty-minute plus session."
In a separate All About Jazz article, Budd Kopman remarked: "With Vignettes, Crispell continues to make beautiful music with an intensity that is breathtaking. The seventeen tracks sound of a piece, connected by a searching concentration, regardless of whether the individual piece is a free improvisation or one based on a composition... Vignettes is a new high point for Crispell as she continues her musical journey."
Another AAJ writer, John Kelman, stated: "Unerringly beautiful, Vignettes may be Crispell's most accessible recording to date. Still, with its innate lack of compromise, it's another compelling addition to a growing discography from the fearlessly open-minded Crispell that reveals new facets with each successive release."
The AllMusic review by Thom Jurek states, "Vignettes is a remarkable and moving recording—one that is timeless and honest, and communicates directly, literally, and poetically to the listener in a manner that is gentle yet pronounces its emotional weight without hesitation or self-consciousness."
In a review for Elsewhere, Graham Reid remarked: "Crispell stakes a strong claim to being one of the most daring yet considered pianists in improvised music today. Listening music, if you know what I mean."[2]
John Fordham, in an article for The Guardian, wrote: "There are hints of Paul Bley's lyrical precision and Jarrett's song motifs in this private, slow-moving, but exquisitely articulated, dreamscape. The melodies often bloom, Bley-like, in short motifs on to which asides fall and accumulate, and though there are a few jagged, more intense pieces... most of the episodes are meditative."
In a review for Point of Departure, Stuart Broomer called the music "work of stunning economy and an emotional translucence in which keyboard touch reaches rare levels of communication," and wrote: "Crispell's intensity of focus lends this CD a special aura... It's music in which architectural rigor and a slow dance of liberation seem to define a common ground, music in which emotion is free to be both complex and direct."[3]