| Vasil Bykaŭ | |||||||||||
| Native Name: | Васіль Уладзіміравіч Быкаў | ||||||||||
| Native Name Lang: | be | ||||||||||
| Birth Date: | 19 June 1924 | ||||||||||
| Birth Place: | Byčki, Byelorussian SSR, Soviet Union (now Belarus) | ||||||||||
| Death Place: | Belarus | ||||||||||
| Language: | Belarusian, Russian | ||||||||||
| Genre: | War novel | ||||||||||
| Subject: | World War II | ||||||||||
| Movement: | Lieutenant prose | ||||||||||
| Years Active: | 1960–2003 | ||||||||||
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Vasil Uladzimiravič Bykaŭ (also spelled Vasil Bykov, Belarusian: Васі́ль Уладзі́міравіч Бы́каў, Russian: Василь Влади́мирович Быков; 19 June 1924 – 22 June 2003) was a Belarusian dissident and opposition politician, junior lieutenant, and author of novels and novellas about World War II. A significant figure in Soviet and Belarusian literature and civic thought, his work earned him endorsements for the Nobel Prize nomination from, among others, Nobel Prize laureates Joseph Brodsky and Czesław Miłosz.
Vasil Bykaŭ was born in the village Byčki, not far from Viciebsk in 1924. In 1941 he was in Ukraine when Operation Barbarossa began. Seventeen-year-old Bykaŭ was drafted into the Red Army, where he was assigned to digging trenches. As the war progressed, he later joined the fight against the Germans, rising to the rank of junior lieutenant.[1] After the war, Bykau was demobilized, but later returned to the Red Army, serving from 1949 to 1955. He then began work as a journalist for the Hrodna Pravda newspaper. In the same decade his first novellas began to be published, of which the most famous are "The Ordeal", "The Obelisk", "To Go and Not Return", and "To Live Till Sunrise". "The Ordeal" inspired director Larisa Shepitko's film The Ascent, released in 1977 and winner of the Golden Bear award at the 27th Berlin International Film Festival.[2] During and after Perestroika, he participated in the Belarusian Popular Front. In October 1993, he signed the Letter of Forty-Two.[3]
Bykaŭ's literary achievement lies in his sternly realistic, albeit touched by lyricism, depictions of World War II battles, typically with a small number of characters. In the ferociousness of encounter they face moral dilemmas both vis-a-vis their enemies and within their own Soviet world burdened by ideological and political constraints. This approach brought vicious accusations of "false humanism" from some Red Army generals and the Communist Party press. Other reviews praised the uncompromising writing. "Vasil Bykov is a very courageous and uncompromising writer, rather of the Solzhenitsyn stamp," wrote Michael Glenny in Partisan Review in 1972. Bykaŭ was one of the most admired writers in the Soviet Union. In 1980 he was awarded the honorific title of People's Writer of the Byelorussian SSR.
Several of Bykaŭ's novellas are available in English, such as "The Dead Feel No Pain" (1965), "The Ordeal" (1970), "Wolf Pack" (1975) and "Sign of Misfortune". However, most of the translations were done on the basis of Russian rendering. Bykaŭ wrote all of his works in his native Belarusian language, and translated several of them into Russian by himself. Vasil Bykaŭ's status in his home country remains enormous. An opponent of Alexander Lukashenko's regime and a supporter of the Belarusian Popular Front, he lived abroad for several years (first in Finland, then in Germany and the Czech Republic), but returned to his homeland a month before his death in 2003. The memory of his turbulent life and uncompromising stance on the war have only enhanced his reputation at home and abroad ever since.