| Vanished Garden | |
| Type: | studio |
| Artist: | Charles Lloyd, The Marvels, and Lucinda Williams |
| Cover: | Vanished Gardens.jpg |
| Alt: | A sepia-toned photo of the musicians leaning against a wall |
| Studio: | EastWest (Hollywood, California) |
| Genre: | Jazz |
| Language: | English |
| Label: | Blue Note |
| Chronology: | Charles Lloyd |
| Prev Title: | Passin' Thru |
| Prev Year: | 2017 |
| Next Year: | 2020 |
Vanished Gardens is a studio album made in collaboration between jazz saxophonist Charles Lloyd, the backing band The Marvels, and roots music singer-songwriter Lucinda Williams, released on June 29, 2018, by Blue Note Records. The album has received positive critical reception.
The editorial staff of AllMusic Guide gave the release 3.5 out of five stars, with reviewer Thom Jurek praising the performance: "they create a music that draws on the sum total of experience and shared emotion". In Rolling Stone, Hank Shteamer gave the same score, noting the "savvy stylistic blend", summing up, "As diverse as the material here is, there’s no sense that Lloyd is putting on different hats. Like his career as a whole, Vanished Gardens shows how the many currents of American music all flow into a single stream." NPR's Nate Chinen found emotional resonance in the collaboration, with Lloyd and Williams "open[ing] windows to each other's souls".
Will Layman of PopMatters situated the recording in Lloyd's musical evolution, as part of his exploration of Americana, with praise for the instrumentals but a special attention to the five vocals tracks where Williams appears. Writing for All About Jazz, Mike Jurkovic gave the album 4.5 out of five stars, with positive assessments of each track, noting the competing lyrical content of mortality and hope. Neil Spencer of The Guardian calls the collaboration an "odd couple" considering the musicians' distinct backgrounds but writes that "this unexpected collaboration doesn’t miss a trick"; he gave it four out of five stars. The Associated Press' Pablo Gorondi also noted the blending of styles, calling this "a dynamic ensemble’s testament to creativity, musicianship and independence" and in The Boston Globe, Jon Garelick emphasized the somber tone of the music and the uplifting benediction of the musicians' cover of "Angel".
Credits adapted from the album's liner notes.[1]
Charles Lloyd & The Marvels
Additional personnel