List of Carnatic composers explained

List of composers of Carnatic music, a subgenre of Indian classical music. Chronologically they can be grouped into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Trinity Era and Modern Era. Composers are listed here based on this classification and their birth years are provided to the extent available.

Pre-Trinity Era composers (17th century and prior)

These are early stage composers that created the rules and foundations of classical music.

  1. Allama Prabhu (12th century)
  2. Andal (9th century)
  3. Tirugnana sambandar (7th century)
  4. Arunagirinathar (b.1480)
  5. Bhadraachala Raama daasu (1620–1688)
  6. Jayadeva, (12th Century) - Composed Gita Govinda
    1. Prathama Vaggeyakara(First poet-composer) of Carnatic and Hindustani music forms to compose art music (in contrast to traditional bhakti poems) involving ragas; he is praised for his contributions to dance and music by his contemporary and later musicologists in their musical treatises
  7. Kanakadasa (1509–1609)
  8. Karaikkal Ammeiyar (7th century)
  9. Kshetrayya (1600–1680)
  10. Madhwacharya (12th century)
  11. Manikkavasagar (10th century)
  12. Muthu Thandavar (1525–1625)
  13. Naraharitirtha (1250–1333)
  14. Narayana Teertha (1650–1725)
  15. Padmanabha Tirtha (12th century)
  16. Papanasa Mudaliar (1650–1725)
  17. Paidala Gurumurti Sastri (17th century) - Composed over 1000 geethams
  18. Purandaradasa (1484–1564)
  19. Raghavendra Swami (1595–1671)
  20. Sarangapani (1680–1750)
  21. Sripadaraya (1404–1502)
  22. Sundaramurti (7th century)
  23. Thirunavukkarasar (7th century)
  24. Tallapaka Annamacharya (1408–1503)
  25. Vadirajatirtha (1480–1600)
  26. Vijaya Dasa (1682–1755)
  27. Vyasatirtha (1460–1539)

Trinity Era Composers (18th Century)

Composers of 18th Century started a new era in the history of Carnatic music with the introduction of new ragas, krithis and musical forms that are widely adopted and laid foundation for what we know today as Classical music. Trinity are the biggest contributors of this era even though there are a large number of musicians and composers that left their mark during this period.

  1. Arunachala Kavi (1711–1788)
  2. Ghanam Krishna Iyer (1790–1854)
  3. Gopala Dasa (1722–1762)
  4. Iraiyamman Tampi (1782–1856)
  5. Jagannatha Dasa (1728–1809)
  6. Kaiwara Sri Yogi Nareyana (1730–1840)
  7. Krishnarajendra Wodeyar III (1799–1868)
  8. Marimutthu Pillai (1717–1787)
  9. Muthuswami Dikshitar (1775–1835)
  10. Mysore Sadasiva Rao (b. 1790)
  11. Oottukkadu Venkata Kavi (1700–1765)
  12. Pacchimiriam Adiyappa (early 18th century)
  13. Sadasiva Brahmendra (18th century)
  14. Thyagaraja Swami (1767–1847)
  15. Anai Ayya brothers (1776–1857)
  16. Tiruvarur Ramaswami Pillai (1798–1852)
  17. Ramaswami Dikshitar (1735–1817)
  18. Swathi Thirunal Rama Varma (1813-1846)
  19. Syama Sastri (1762–1827)

Post-Trinity Era composers (19th century)

  1. Ajjada Adibhatla Narayana Dasu (1864–1945)
    1. Primary contribution is in the area of Hari katha. Also created several krithis as part of the hari kathas he authored
  2. Ambi Dikshitar (1863–1936)
    1. Propagated Muthuswami Dikshitar compositions and helped bring them into modern era
    2. Also used the mudra of guruguha for about 10 compositions we have available at this time
  3. Annamalai Reddiyar (1865–1891)
  4. Cheyyur Chengalvaraya Sastri (1810–1900)
  5. Chittor Subrahmanya Pillai (1898–1975)
  6. Dharmapuri Subbarayar
    1. Composed more than 50 Javalis
  7. Ennappadam Venkatarama Bhagavatar (1880–1961)
  8. Gopalakrishna Bharathi (1811–1896)
  9. Jayachamaraja Wodeyar (1919–1974)
  10. Kavi Kunjara Bharati (1810–1896)
  11. Koteeswara Iyer (1870–1940)
    1. Composed in all 72 melakarta raagas
  12. Kotthavaasal Venkatarama Ayyar (1810–1880)
  13. Maha Vaidyanatha Iyer (1844–1893)
    1. Composed Mela raga maalika
  14. Manambuchavadi Venkatasubbayyar
  15. Mayuram Viswanatha Sastri (1893–1958)
  16. Muthiah Bhagavatar (1877–1945)
  17. Mysore T. Chowdiah (1894–1967)
  18. Mysore Vasudevacharya (1865–1961)
  19. Neelakanta Sivan (1839–1900)
  20. Pallavi Seshayyar (1842–1905)
  21. Papanasam Sivan (1890–1973)
  22. Patnam Subramania Iyer (1845–1902)
  23. Pattabhiramayya (b. 1863)
  24. Poochi Srinivasa Iyengar (1860–1919)
  25. Rallapalli Anantha Krishna Sharma (1893–1979)
  26. Subbarama Dikshitar (1839–1906)
  27. Subbaraya Sastri (1803–1862)
    1. Son of Shyama Shastri and First generation disciple of Tyagaraja
  28. Mahakavi Subramanya Bharathiyar (1882–1921)
  29. Shuddhananda Bharati (1897–1990)
  30. Thanjavur Quartet (1801–1856)
  31. Tiger Varadachariar (1876–1950)
  32. Tiruvottriyur Tyagayya (1845–1917)
    1. Son of Veena Kuppayya
  33. Veena Kuppayya (1798–1860)
    1. First generation disciple of Tyagaraja
  34. Veene Sheshanna (1852–1926)

Modern Era composers (20th century and beyond)

Pre-Trinity composers (born in 17th century or earlier)

Years Languages Approx. number of compositions Signature
(Insignia)
Other Info
1250? – 1333) Sanskrit Narahari Composed Dasara Padas
1404–1502 Ranga Vittala Composed Dasara Padas
1408–1503 Telugu, Sanskrit 36,000 compositions were composed, out of which around 12,000 are only available as of today Venkatachala, venkatagiri, venkatadhri, venkatesu Called as Telugu pada-kavita pitamaha; composed in themes srungara (love), adhyatma (bhakti) and philosophical in 100 ragas; also the author of the musical text Sankeertana Lakshana
1480–1600) hundreds Hayavadana Composed Dasara Padas in his Ramagadya, Vaikunthavarnane and Lakshmisobanehadu
1480– Tamil 760 Composed Tiruppugazh
1484–1564 Kannada, Sanskrit 475,000, of which only around 2000 have come down to us Purandara Vittala Set the Carnatic music in its present form; composed basic exercises for practice like sarali and janta varisai, and thus known as 'Karnataka Sangeetha Pithamaha', meaning the Grandfather of Carnatic music.
1509–1609 Kannada300 Adi Keshava Composed Dasara Padas in native metrical forms such as Suladi and Ugabhoga and wrote 5 classical Kavya epics poems in Shatpadi
1525–1625 Tamil 165
Kshetrayya or Kshetrajna or Varadayya1600–1680 Telugu 100 Muvvagopala Composed immortal padams which are even popular today in Bharathanatyam & Kuchipudi. Also the oldest composer whose tunes are available
1620–1688 Telugu 500 Bhadradri Composed devotional songs
Narayana Teertha or Tallavajjhala Govinda Sastry 1650–1745 Telugu, Sanskrit 200 Vara Naaraayana Teertha Composed Krishna leelaa Tarangini
1650–1725 Tamil
1680–1750 Telugu 220 Venugopalu
17th century Telugu, SanskritComposed mainly geetams, many of which have since been lost
1682–1755 Kannada 25,000 Vijaya Vittala Composed Dasara Padas in native metrical forms such as Suladi and Ugabhoga
1700–1765 Tamil, Sanskrit 600 Composed in complex talas like Sankeerna Matyam and Misra Ata. Also an early composer of Navavarana kritis. He was the pioneer of the Madhyama Kala Prayoga. Had knowledge of ancient Tamil tags system too. His Sapta Ratnas were the precursors to Thyagaraja's pancharatnas. His kritis often used complicated madhyamakala systems.
1711–1788 Tamil 320
1717–1787 Tamil 42
1722–1762 Kannada 10,000 Gopala Vittala Composed Dasara Padas in native metrical forms such as Suladi and Ugabhoga
early 18th century Telugu Composed the immortal Viriboni bhairavi ata tala varnam
18th century Sanskrit 95
1728–1809 Kannada 260 Jagannatha Vittala Composed Dasara Padas, and the Kavya poems Harikathamritasara in the native shatpadi and Tattva suvvali in the native tripadi meters
1730–1840 Kannada & Telugu172AmaranareyanaComposed 20 Kannada Keerthanam and 152 Telugu Padas, and the Kavya poems on various gods
Ramaswami Dikshitar1735–1817Telugu, SanskritThyageshwaraComposed many varnams, padams, and kirtanas; popularly considered the inventor of Hamsadwhani

Trinity-Age composers (born in 18th century)

These composers lived during the time of the Trinity and there are recorded instances of their interaction with the Trinity.

Years Languages Signature(Insignia)Approx. Number of Compositions Other Info
1762–1827 Telugu, Sanskrit Shyama Krishna400 Eldest of the trinity. He came from a family of priests at the Bangaru Kamakshi temple in Thanjavur, he composed on many devi temples in the region. He is famous for his use of chitta swara sahityam and complicated talams, as well as modernizing Ananda Bhairavi raga
Thyagaraja Swami1767–1847 Telugu, Sanskrit Thyagaraja24000 of which only 700 are available today Most famous of the trinity, composed many kritis on lord Rama, and also a few group kritis at temples for Shiva and Parvati. He composed the famous ghanaraga pancharatna kritis, and was famous for the use of ragas such as Kharaharapriya and Ritigowla.
1775–1835 SanskritGuruguha400 Youngest of the trinity, famous for his use of madhyamakala sahityams, raga mudra, and Sanskrit rhyming. He composed multiple group kritis.
1782–1856 Malayalam, Sanskrit Padmanabha40
1790–1854 Tamil Muthu Kumara85
1798–1852 Tamil Vedapura
1801–1856 Telugu, Tamil, Sanskrit
1810–1896 Tamil Kavi Kunjaran200
Cheyyur Chengalvaraya Sastri1810–1900Sanskrit, TeluguChengalvarayadasa1000
1813–1846Padmanabha, Sarasinabha, etc. 300+

19th-century composers

Years Languages Approx. Number of Compositions Signature(Insignia)Other Info
1882–1921 Tamil 230
Annamalai Reddiyar 1865–1891 Tamil 40
Anai Ayya brothers19th century Telugu, Tamil20 Umadasa
Dharmapuri Subbarayar19th centuryTelugu50DharmapuriComposed many javalis
Ennappadam Venkatarama Bhagavatar1880–1961Venkataramana[1]
Gopalakrishna Bharathi1811–1896Tamil395Balakrishnan
Koteeswara Iyer1870–1940Tamil, Sanskrit200KavikunjaradasanComposed in all 72 Melakarta raagas
Krishnarajendra Wodeyar III1799–1868Sanskrit
Jayachamaraja Wodeyar1919–1974Sanskrit70Srividya
Maha Vaidyanatha Iyer1844–1893Sanskrit, Tamil100GuhadasaComposed 72-Melakarta raaga maalika
Manambuchavadi Venkatasubbayyar19th centuryTelugu, Tamil50VenkatesaCousin and disciple of Thyagaraja
Mayuram Viswanatha Sastri1893–1958Tamil, Sanskrit160Vishwam, Vedapuri
Muthiah Bhagavatar1877–1945Tamil, Kannada Sanskrit390HarikeshaComposed many famous songs, including a set of 108 songs on goddess Chamundeshwari at the behest of the kings of Mysore
Mysore Sadasiva Raob. 1790Telugu, Sanskrit100Sadashiva
Mysore Vasudevacharya1865–1961Telugu, Sanskrit250Vasudeva
Neelakanta Sivan1839–1900Tamil300Nilakantha
Pallavi Seshayyar1842–1905Telugu75Shesha
Papanasam Sivan1890–1973Tamil535Ramadasan
Patnam Subramania Iyer1845–1902Telugu100Venkatesha
Pattabhiramayyac. 1863TamilComposed javalis
Poochi Srinivasa Iyengar1860–1919Telugu100SrinivasaComposed varnams,javalis and krithis including the famous mohanam raga varnam ninnu kori.
Shuddhananda Bharati1897–1990Tamil, Sanskrit1090
Subbarama Dikshitar1839–1906Telugu50Grandson of Baluswami Dikshitar, younger brother of Muthuswami Dikshitar. Author of the important Telugu musical treatise Sangeetha sampradaya pradarshini
Subbaraya Sastri1803–1862Telugu12KumaraSon of Syama Sastri
1845–1917 Telugu 80 VenugopalaSon of Veena Kuppayya
1798–1860 Telugu 100 GopaladasaDisciple of Thyagaraja
Ajjada Adibhatla Narayana Dasu 1864–1945 Telugu 100 Composed in all 72 melakarthas and a geetha-malika in 90 ragas in manjari meter called Dasha Vidha Raga Navati Kusuma Manjari; also composed in rare talams like Sankeerna chapu

Modern-age composers (born in 20th century and beyond)

Years Languages Approx. Number of Compositions Signature(Insignia)Other Info
1910–1965 Telugu, Sanskrit, Tamil 250NoneDid not use a mudra; Ranjani Niranjani, Saraswati Namostute, and Sri Chakra Raja Nilaye are popular compositions.
1917–1989 600NoneDid not use a mudra; Her songs have been set to tune by leading Carnatic musicians.
1923–1984 Telugu, Sanskrit, Tamil, Malayalam 300 varadasaComposed in all popular ragas; Used signature "Varada dasa"; Disciple of Tiger Varadachariar
Kalyani Varadarajan1923–2003Telugu, Sanskrit, Tamil1000 +kalyaniComposed in all 72 Melakarta raagas; Used signature "Kalyani"Composed songs on many deities, mainly Sholinganallur Narasimhar, Sholinganallur Anjaneyar, Thayars, and most all Devis.
K. Ramaraj1936-2009Telugu, Tamil, Sanskrit200+ragamudraDid not use a composer mudra; Vaggeyakkara who composed both the lyrics and the tune; specialised in less popular and vivaadhi ragas
1930–2016 Telugu, Kannada, Sanskrit, Tamil 400 muraliComposed in all 72 Melakarta raagas; Used signature "Muraligana"; Created several ragas, with 4 notes and 3 notes; Invented a new Tala system;

Disciple of Parupalli Ramakrishnayya Pantulu,

a direct descendant of the shishya parampara (lineage of disciples) of Tyagaraja.

1930–2013 Telugu, Sanskrit, Tamil 100NoneHis sparkling thillana are especially popular and a staple of Carnatic music concerts.
Mahesh MahadevpresentSanskrit, KannadaSri SkandaCreated many new ragas [2] and composed kritis, varnams and devaranama [3] [4] [5]
Mysore ManjunathpresentInstrumentalManjunath has created many New ragas including Yaduveera Manohari, Bharatha.[6]

Other composers

Other composers in Mysore Kingdom

See also: Musicians of Mysore Kingdom.

Other composers—Bhakti Saints

In addition to the above composers, various Bhakti saints of medieval India also composed devotional hymns, verses and songs. First six composer used ancient Tamil music [pannicai] which later evolved to the Carnatic musical tradition over the centuries.

See also

External links

Notes and References

  1. News: Music — different perspectives. The Hindu . 2 January 2009. 21 April 2018. www.thehindu.com.
  2. News: Mary . S. B. Vijaya . 2021-08-05 . Mahesh Mahadev's experiments with ragas . en-IN . The Hindu . 2023-01-20 . 0971-751X.
  3. Web site: Pinto . Arun . 2023-01-19 . Sri Tyagaraja - a New Raga in Carnatic Music by Mahesh Mahadev . 2023-01-20 . News Karnataka . en-US.
  4. Web site: 2021-08-10 . Bengaluru composer creating new ragas . 2023-01-20 . Deccan Herald . en.
  5. News: Balachandran . Logesh . Mahesh Mahadav and Priyadarshini salute Saint Tyagaraja with a new raga named after him . The Times of India . 2023-02-27 . 0971-8257.
  6. Web site: p. shilpa. 2016-06-26. 'Yaduveer raga' for Mysuru royal wedding. 2020-09-05. Deccan Chronicle. en.
  7. Web site: rallapallisharma. sites.google.com. 21 April 2018.