Usha Ganguly Explained

Usha Ganguly
Birth Place:Jodhpur, Rajasthan
Death Date:23 April 2020
Death Place:Kolkata
Known For:Founder-director Rangakarmee theatre group (1976)
Years Active:1970–2020
Occupation:theatre director, actor, activist

Usha Ganguli (1945 – 23 April 2020) was an Indian theatre director-actor and activist, most known for her work in Hindi theatre in Kolkata in the 1970s and 1980s. She founded Rangakarmee theatre group in 1976, known for its productions like Mahabhoj, Rudali, Court Martial, and Antaryatra.[1] [2] [3] Apart from thespian Shyamanand Jalan of Padatik (established 1972), she was the only other theatre director to practise Hindi theatre in Kolkata, which is largely Bengali speaking.[4] [5]

She was awarded the Sangeet Natak Akademi Award for Direction, given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama in 1998.[6] She was also honoured by the West Bengal Government as the best actress for the play Gudia Ghar.[1]

Early life and education

Born in Jodhpur, Rajasthan, into a family from the village of Nerva in Uttar Pradesh, Usha Ganguly learnt Bharatanatyam dance and later moved to Kolkata, where she studied at Shri Shikshayatan College, Kolkata and did her master's degree in Hindi literature.[7]

Career

Ganguly began her career as a teacher at Bhowanipur Education Society College, Calcutta, an undergraduate college affiliated with the University of Calcutta, in 1970. Also in the same year, she started acting with Sangit Kala Mandir and also started work for her first play Mitti Ki Gadi (based on Mrichchakatikam by Shudrak) (1970), where she played the role of Vasantsena.[8] She continued teaching as a Hindi Lecturer at Bhowanipur Education Society College, until her retirement in 2008 and practised theatre all the while.[9]

She formed a theatre group, Rangakarmee, in January 1976.[8] Initially, since she was trained as a dancer, the group invited outside directors, like M.K. Raina, who directed Mother, Tripti Mitra directed Gudia Ghar, an adaptation of Ibsen's A Doll's House, besides Rudra Prasad Sengupta and Bibhash Chakravorty, before she started directing herself, having trained under Tripti Mitra and Mrinal Sen.

Ganguly started directing in the 1980s and soon her energetic style and disciplined ensemble work with young, large casts brought a resurgence of Hindi theatre in the city. Her important productions included Mahabhoj (Great Feast) in 1984, based on Mannu Bhandari novel, Ratnakar Matkari's Lokkatha (Folktale) in 1987, Holi by playwright Mahesh Elkunchwar in 1989, and Rudali (1992), her own dramatised version of a story by Mahashweta Devi, Himmat Mai, an adaptation of Brecht's Mother Courage and notably Court Martial written by playwright Swadesh Deepak.[9] She wrote a play Kashinama (2003), based on a story, Kaane Kaun Kumati Lagi from the Kashinath Singh's classic work, Kashi Ka Assi and an original play Khoj.

She also worked on the script of Raincoat (2004) a Hindi film based on O Henry's The Gift of the Magi, directed by Rituparno Ghosh.

In the coming years, she also translated and adapted plays into Hindi. Rangakarmee started its education wing in the 1990s, today it regularly takes its repertoire on tours across India and undertakes education extension activities in theatre with underprivileged people.[10]

In 2005, Rangkarmee was the only Indian theatre group to perform at the Theatre der Welt Festival in Stuttgart, Germany.[8] It staged the play Rudali at "Punj Pani festival" at Lahore in 2006.[11] The group staged its first multilingual production, Bhor about the minds of inmates of a drug rehab centre in August 2010.[12]

Plays

[13]

Works

Works

Further reading

References

External links

Notes and References

  1. News: Using theatre to voice her deepest concerns . . 20 September 2004 .
  2. News: Calcutta, home to Hindi Theatre . The Hindu . 29 October 1997 . 16 December 2015 . https://web.archive.org/web/20110725211658/http://www.cscsarchive.org:8081/MediaArchive/advertise.nsf/%28docid%29/70B426B140A9AA74652569420029534A . 25 July 2011 . dead . dmy-all .
  3. Web site: Panelist: Usha Ganguly – South Asian Theater Festival, 2009 . https://web.archive.org/web/20110727235144/http://www.satf2010.org/2009/panelist.html . dead . 2011-07-27 . 2009 . South Asian Theater Festival.
  4. [#Dh|Dharwadker, p. 440]
  5. News: The language of expression. . 1 March 2011 . Chennai, India . Prabalika M. . Borah.
  6. Web site: SNA: List of Akademi Awardees. Sangeet Natak Akademi Official website. 17 February 2012. https://web.archive.org/web/20120217185616/http://www.sangeetnatak.org/sna/awardeeslist.htm. 17 February 2012. dead. dmy-all.
  7. News: Change-makers to beat bias . https://web.archive.org/web/20060524081658/http://www.telegraphindia.com/1060422/asp/calcutta/story_6131589.asp . dead . 24 May 2006 . . 22 April 2006 . Calcutta, India.
  8. News: Everyone is not going to sit silent...? . https://web.archive.org/web/20060910013102/http://www.telegraphindia.com/1050723/asp/calcutta/story_5025280.asp . dead . 10 September 2006 . The Telegraph (Kolkata) . 23 July 2005 . Calcutta, India.
  9. Web site: Usha Ganguly:Profile and Interview at Prithivi Theatre Festival 2006. November 2006 . mumbaitheatreguide.com. https://web.archive.org/web/20070221132259/http://www.mumbaitheatreguide.com/dramas/interviews/usha_ganguly.pdf. 21 February 2007.
  10. News: Theatre adapts to changes . https://web.archive.org/web/20110709011435/http://www.deccanchronicle.com/tabloids/theatre-adapts-changes-780 . dead . 9 July 2011 . Deccan Chronicle . 26 February 2011 .
  11. News: Samaaj, Rudali and Sassi Punnoo at Punj Pani festival . . 6 April 2006 .
  12. News: Waiting for a new dawn. . 6 August 2010 .
  13. News: Drama: March 12 . https://web.archive.org/web/20110629130451/http://www.telegraphindia.com/1110310/jsp/calcutta/story_13694069.jsp . dead . 29 June 2011 . The Telegraph (Kolkata) . 10 March 2011 . Calcutta, India.