| Unity | |
| Type: | studio |
| Artist: | Larry Young |
| Cover: | Unity Larry Young.jpg |
| Released: | [1] |
| Recorded: | November 10, 1965 |
| Studio: | Van Gelder Studio Englewood Cliffs |
| Genre: | Jazz |
| Label: | Blue Note |
| Producer: | Alfred Lion |
| Prev Title: | Into Somethin' |
| Prev Year: | 1965 |
| Next Title: | Of Love and Peace |
| Next Year: | 1966 |
Unity is an album by jazz organist Larry Young, released on the Blue Note label in August, 1966. The album features trumpeter Woody Shaw, tenor saxophonist Joe Henderson and drummer Elvin Jones. While not free jazz, the album features experimentation that was innovative for the time. Young chose the title because, "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together."[2] The album was Young's second for Blue Note, and is widely considered a "post-bop" classic.
Three of the six tracks were composed by Woody Shaw. The first, "Zoltan", starts with part of a march from the Háry János suite of Zoltán Kodály and continues in the Lydian mode. The fourth, "The Moontrane", is dedicated to John Coltrane, "as can be heard in the harmonic cycles in it", explained Shaw. The last, "Beyond All Limits", has a difficult harmonic progression, but, in Shaw's words, "once the inherent difficulties of the tune are solved, there are no limits as to where you can go with it". "If" is a 12-bar Joe Henderson composition; "Monk's Dream" (played mainly by Young and drummer Elvin Jones) is by Thelonious Monk; and "Softly, as in a Morning Sunrise" is a Hammerstein and Romberg composition.
Elvin Jones played "a standard 4-piece drum kit with two cymbals and hi-hat".[3]
Scott Yanow states that Unity "is considered Larry Young's finest recording".[4] Billboard Magazine called the album "a sureshot for jazz fans".[5] The Penguin Guide to Jazz included the album in its suggested “core collection”, and awarded it a rare crown and four-star rating, describing it as "Quite simply a masterpiece."[6] Also, saxophonist Michael Brecker referred to the album as a favourite of his.[7]
The album's cover art, by Reid Miles, has also become well known. In 2008, graphic designer Mike Dempsey picked it as one of his favorite album covers, stating that it shows "Ultimate simplicity [...] Put in an album rack today it would still raise an eyebrow as it looks remarkably fresh".[8]