| Uncle Anesthesia | |
| Type: | Album |
| Artist: | Screaming Trees |
| Cover: | Screaming Trees Uncle Anesthesia.jpg |
| Caption: | Original album artwork by Mark Ryden |
| Released: | 1991 |
| Recorded: | June 1990 |
| Studio: | London Bridge Studio, Seattle, Washington |
| Genre: | Psychedelic rock |
| Length: | 47:05 |
| Label: | Epic |
| Producer: | Terry Date, Chris Cornell |
| Prev Title: | Something About Today |
| Prev Year: | 1990 |
| Next Year: | 1991 |
Uncle Anesthesia is the fifth studio album by the American band Screaming Trees.[1] [2] It was released in 1991 via Epic Records.[3] It includes three of the four tracks from the band's previous Epic release, Something About Today.[4]
"Bed of Roses" was released as a single and peaked at No. 23 on the Modern Rock charts.[5] The band supported the album with a North American tour that included shows with Nirvana and Das Damen; Dan Peters played drums on much of the tour.[6] [7] [8]
Recorded at London Bridge Studio, Uncle Anesthesia was produced primarily by Terry Date and Soundgarden vocalist Chris Cornell.[9] Unlike in the past, the band rehearsed for a couple of weeks before recording.[10] The album took six and a half weeks to record.[11]
Uncle Anesthesia was the last to feature drumming by original member Mark Pickerel, who left on amicable terms in 1991.[12] He was replaced by Barrett Martin.[13]
The Calgary Herald noted the "strong rockin' guitars with psychedelic undercurrents and the occasional pause for the pensive cause." The St. Petersburg Times wrote that "vocalist Mark Lanegan croons fairy tale lyrics that melt through a sonic wall of guitars and percussion."[14] The Dayton Daily News concluded that "if Jim Morrison had joined a garage band instead of the jazz-trained Doors, it might have sounding something like Screaming Trees."[15]
The Province opined that "Gary Lee Conner resurrects the guitar sound of Syd Barrett and takes the band toward Interstellar Overdrive."[16] The Washington Post determined that "Gary Lee Conner can tear off a screeching lead or stomp a wah-wah pedal like any halfway-initiated Black Sabbath disciple, but he's not merely a piledriver; his atmospheric playing on tracks like 'Bed of Roses' give them unexpected delicacy."[17] The San Diego Union-Tribune stated that "Lanegan's spooky, back-from-the-crypt vocals and Gary Lee Conner's luminous guitars give this album an otherworldly glow."[18]
Singles - Billboard (North America)