| Chinese Take-Away | |||||||
| Native Name: |
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| Director: | Sebastián Borensztein | ||||||
| Producer: | Pablo Bossi Gerardo Herrero Juan Pablo Buscarini | ||||||
| Starring: | Ricardo Darín | ||||||
| Music: | Lucio Godoy | ||||||
| Cinematography: | Rolo Pulpeiro | ||||||
| Editing: | Pablo Barbieri Carrera Fernando Pardo | ||||||
| Studio: | Pampa Films Tornasol Films Telefe | ||||||
| Distributor: | Buena Vista International | ||||||
| Runtime: | 93 minutes | ||||||
| Country: | Argentina | ||||||
| Language: | Spanish | ||||||
Chinese Take-Away (Spanish; Castilian: '''Un cuento chino''') is a 2011 Argentine comedy-drama film written and directed by Sebastián Borensztein.[1] The film was the highest grossing non-US film in Argentina in 2011.[2]
Roberto is a veteran who is characterised by orderliness and a firm belief in the value of control. He runs his own hardware store accordingly. For instance, if a supplier sells him boxes with screws & there are 100 in each, he counts all the screws in the box & he files a complaint if they give him extra or if some are missing. He feels that the world around his isle of neatness has gone mad. In order to prove his point, he collects newspaper articles about grotesque mishaps originally triggered by a lack of diligence. From time to time he is visited by Mari, a woman who is in love with him and wants to live with him.
While Roberto believes he has his life under control & is safe from surprises, he is confronted by an appalling incident. A Chinese man, Jun, is thrown out of a taxi in front of Roberto's eyes. Roberto helps him & tries to put things right again, as it is his nature. The task is particularly strenuous because neither speaks the other's language & Roberto is absolutely not in the habit of asking anybody for help. Jun & Roberto encounter several mishaps in the midst of trying to resolve Jun's situation. In the end, the pair find a delivery boy from a Chinese restaurant who can translate for them.
Jun discloses to Roberto he came to Argentina to find his uncle. Roberto explains to Jun that he has become such a grumpy man because his world view has been shattered by the Falklands War. Then Roberto provides an example on what he means when he considers the whole world gone mad. He shows Jun his collection of newspaper articles and points out the article about a Chinese girl who was killed by a cow that fell out of a moving aircraft. Yet Jun knows this story already since she was his fiancée and he actually came to Argentina because everything in China reminded him of this tragedy.
Eventually, Jun is able to connect with his uncle who lives in Mendoza. Roberto drives him to the airport & Jun gets on a plane to reunite with his uncle. Roberto tries to return to his quiet & ordered life but then travels to Mari's hometown to find her.
| 60th Argentine Film Critics Association Awards[3] | 11 June 2012 | Best Director | Sebastián Borensztein | |
| Best Actor | Ricardo Darín | |||
| Best Supporting Actress | Muriel Santa Ana | |||
| Male Newcomer | Huang Sheng Huang | |||
| Best Original Screenplay | Sebastián Borensztein | |||
| Best Sound | Charly Schmukler and Eduardo Esquide | |||
| 2011 Argentine Academy of Cinematography Arts and Sciences Awards[4] [5] | 12 December 2011 | Best Film | Mariela Besuievski | |
| Best Director | Sebastián Borensztein | |||
| Best Actor | Ricardo Darín | |||
| Best Supporting Actress | Muriel Santa Ana | |||
| Best Supporting Actor | Ignacio Huang | |||
| Best New Actress | Muriel Santa Ana | |||
| Best New Actor | Ignacio Huang | |||
| Best Original Screenplay | Sebastián Borensztein | |||
| Best Cinematography | Rodrigo Pulpeiro | |||
| Best Editing | Fernando Pardo and Pablo Barbieri | |||
| Best Art Direction | Valeria Ambrosio | |||
| Best Costume Design | Cristina Menela | |||
| Best Original Music | Lucio Godoy | |||
| Best Sound | Charly Smuckler and Eduardo Esquide |