Ultra (magazine) explained

Editor Title:Editor-in-chief
Founder:Elmer Diktonius
Category:Avant-garde magazine
Publisher:Daimon
Founded:1922
Firstdate:September 1922
Finaldate:December 1922
Country:Finland
Based:Helsinki
Oclc:828891243

Ultra was an avant-garde bilingual art and literature magazine which appeared in Finland in 1922. Its subtitle was tidskrift för ny konst och litteratur (Swedish: Magazine for New Art and Literature).[1] Although it produced only eight issues, it played a significant role in the introduction of avant-garde literary approach in the region.

History and profile

Ultra was launched by Elmer Diktonius in September 1922. It was published by a small company named Daimon and was edited by Hagar Olsson.[2] The company was founded and run by the Finnisg poet L. A. Salava.[2] In the first four issue Raul af Hällström also served as the editor.[3] The magazine had a Finnish edition which was edited by Lauri Haarla and a Swedish edition. In fact, Finnish-language material was dominant in the magazine which contained two-thirds of its content.[4] It featured essays on literature, music, theater, art, and poetry.[2] Major contributors included Eino Palola, Edith Södergran, Ormi Arp, Gunnar Björling, Rabbe Enckell, Uuno Kailas, Viljo Kojo, Katri Vala, and artist Uuno Eskola.[2] Elmer Diktonius also published articles in Ultra criticizing nationalist and narrow approaches in modern poetry.[5] To this end he tried to develop collaborations with international writers for the magazine, but his efforts were not fruitful.[5]

The magazine ceased publication in December 1922 following its eighth issue. Ultra was succeeded by Quosego magazine which existed between 1928 and 1929.[6]

See also

Notes and References

  1. Web site: Ultra: kirjallistaiteellinen aikakauslehti= tidskrift för ny konst och litteratur. WorldCat. 19 September 2022.
  2. Web site: Ultra. Monoskop. 19 September 2022.
  3. Book: Mats Jansson. Peter Brooke. et. al.. The Oxford Critical and Cultural History of Modernist Magazines. 2013. Oxford University Press. Oxford. 9780199659586. 673. III. https://books.google.com/books?id=bvsfioiQ8k8C&pg=PA673. Crossing Borders: Modernism in Sweden and the Swedish-Speaking Part of Finland.
  4. Book: Fredrik Hertzberg. 2019. Benedikt Hjartarson. et. al.. A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950. Brill Rodopi. Leiden. 9789004388291. 196. Quosego – Final Blow, Starting Shot. 36. 10.1163/9789004388291_010. 187040614. https://doi.org/10.1163/9789004388291_010.
  5. Book: Stefan Nygård. Hubert van den Berg. et. al.. A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925. 2012. Rodopi. Amsterdam; New York. 9789401208918. 343–344. The National and the International in Ultra (1922) and Quosego (1928). 28. 10.1163/9789401208918_022. https://doi.org/10.1163/9789401208918_022.
  6. Book: Fredrik Hertzberg. Vesa Haapala. Janna Kantola. Hubert van den Berg. et. al.. A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925. 2012. Rodopi. Amsterdam; New York. 9789401208918. 448. The Finland-Swedish Avant-Garde Moments. https://doi.org/10.1163/9789401208918_031. 28. 10.1163/9789401208918_031.