UBI Theatre Leipzig was a bilingual (English and German) theatre company based in Leipzig (Germany). Established in Birmingham (England) in 2002, it moved to Leipzig in 2005 along with its founder Gareth Knapman. In 2012, German theatre educator and actress Claudia Jessat joined the company and the two of them managed the company together until Knapman's passing in early 2016, after which Jessat assumed the role of the owner. The name of the company was then changed from Ubiquity Theatre Company to UBI Theatre Leipzig. UBI seeks to produce socially conscious theatre projects in both performance and in workshop projects with children, youngsters and adults. UBI follows the British tradition of 'Theatre in Education' and 'Community Theatre', and is influenced by Bertolt Brecht, Keith Johnstone and Augusto Boal in its ideals of using theatre for social gain. Projects used to take place in their Leipzig premises and various local theatres.
Adapted for the stage and directed by Laura Shann
A piece of devised theatre by Claudia Jessat and the UBI Youth group. A thriller-esque comment on growing up, peer pressure and group dynamics
A modern take on Alice, performed by a young, mostly female cast,
with a twist on the gender roles of some major characters.
Set in a home for vulnerable adults, the play focuses on the daily personal and professional challenges of the home's foster-mother Beth and deals with
how the inhabitants are perceived by the local community.
UBI Youth performed Thiek's version of Charles Perrault's sinister fable.
The UBI Performance Group performed this ancient comedy which follows two friends trying to convince earth's birds to build a city in the sky in German.
At the Rumore in Pace Festival in Italy, UBI Youth performed an anthology of original scenes dealing with the events of World War II and the impact it had Europe.
UBI Youth performed the play in English for their contemporaries.
The UBI Performance Group delivered a faithful performance of Sherriff's World War I-retrospective.
UBI Youth performed a German translation of Campbell's fast-paced clown play.
A cast consisting of both professionals and amateurs performed Dürrenmatts pungent comedy in its original German language.
A mixed group of native and non-native speakers performed the play in the original 16th century language. This underlines Knapman's ambition to bridge the gaps between languages.
Performed amid passengers in the streets of Leipzig, FEEL! was an attempt at making statistical insights into poverty, abuse and crime palpable through acting.
The company offered a range of theatre-related courses for educational purposes as well as fun and personal growth.
| Name | Capacity | |
|---|---|---|
| Claudia Jessat | Owner, Director of German productions & courses | |
| Laura Shann | Director of English productions & courses | |
| Ellen Stobbe | Public relations, social media, props & stagecraft | |
| Jerome Ebeling | Assistant to Jessat & Shann, videographer |
Website: http://www.ubi-leipzig.de http://www.ubi-leipzig.de
Courses: http://www.ubitheatre.com/our-courses/
Facebook: https://www.facebook.com/ubitheatre/
Instagram: https://www.instagram.com/ubi_theatre_leipzig/
http://www.visionbakery.com/deutschland-england-italien
http://www.leipzig.de/detailansicht-adresse/ubiquity-theatre-company/