| U R the Best Thing | |
| Cover: | D_Ream-U_R_the_Best_Thing_1994.jpg |
| Caption: | Standard artwork for the 1994 reissue |
| Type: | single |
| Artist: | D:Ream |
| Album: | D:Ream On Volume 1 |
| Genre: |
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| Length: |
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| Label: |
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| Producer: | |
| Next Title: | Unforgiven |
| Next Year: | 1993 |
"U R the Best Thing" is the debut single of Northern Irish musical group D:Ream, included on their first album, D:Ream On Volume 1 (1993). Originally a club hit released in 1992, the song has been remixed and re-released twice: in 1993 and in 1994. The 1994 version, also known as the Perfecto mix (by Paul Oakenfold and Steve Osborne), was most successful peaking at number three in Scotland, number four on the UK Singles Chart and number six in Ireland. It also peaked at number 13 on the Eurochart Hot 100. The 1993 version reached number one on the Billboard Hot Dance Club Play chart in the US. There were made three different music videos to promote the single; the 1994 version was directed by Marcus Nispel.
The track was voted Pete Tong's 'Essential Tune' of 1992,[1] voted the "#1 Single of the Year" by BBC Radio in 1993[2] and in 1996, British magazine Mixmag ranked it number 96 in their "100 Greatest Dance Singles of All Time" list.[3]
In 1992, British Lennox Herald described "U R the Best Thing" as a "house track with hypnotic song and certain club smash."[4] Paul Mathur from Melody Maker wrote, "This sounds like nobody's business, has voices to turn nightingales green and according to the press release is, "as hard and stunning as a barren stepmother's slap". As metaphors go, that one is pretty Himalayan."[5] Mixmag named it a "heart-stopping, piano pounding epic."
A reviewer from Music Week called it "excellent", adding that it "mates well-crafted lyrics with some of this year's most essential samples and breaks".[6] James Hamilton from the Record Mirror Dance Update stated that the track is "featuring some soaring support by D'borah Asher but made most exciting by its rippling vibes breaks, husky pop singer Peter Cunnah and DJ Al McKenzie's thumping and surging jangly house bounder".[7]
In 1993, Larry Flick from Billboard wrote, "The element that sets this record apart from the pack of wolves vying for recognition is that there is a real song tucked beneath the barrage of studio tricks and house beats. Here is one that doesn't lose any of its appeal once you stop twirling; the melody and lyrics stay with long after daylight. Props to the group's masterminds, Peter Cunnah and M Mackenzie, for going the extra mile and giving us something to feel and whistle to."[8] Dave Sholin from the Gavin Report felt that "the pair blends a house sound with a just a taste of alternative."[9] In his weekly UK chart commentary, James Masterton said, "More dance crossover only it is hard to describe it as such this time, with such a strong pop chorus and vocal. This one may well emulate the current success of Robin S. and climb slowly and gradually into the 10."[10] Paul Mathur from Melody Maker wrote that "the original of this was always guaranteed to send any end-of-night dancefloor into such a frenzy". He added, "One to fall in love to."[11]
Andy Beevers from Music Week gave the song five out of five and named it Pick of the Week in the category of Dance, complimenting the "superb new Morales mixes which have been getting a great dancefloor reaction".[12] Roger Morton from NME stated, "No doubt this one, which falls somewhere between Inner City and The Tyrrel Corporation, with its marshmallow groove and flyaway female vocal, will also have both suits and longhairs piling onto the polished bit of the ballroom. There's a million remixes, of which Sasha's is the jumpiest. This is as undeniable as a waxed Porsche."[13] James Hamilton from the Record Mirror Dance Update described it as a "wriggling jangly canterer".[14] Tim Southwell from Smash Hits gave the '93 version three out of five, noting that it "brings together flutes, piano and a drumbeat that shuffles along, creating a wobbly wah-wah effect." He also highlighted its "impressive and powerful" backing singer.[15]
In 1994, Scottish Dundee Courier named "U R the Best Thing" a "standout" track from the album.[16] Ian Gittens from Melody Maker stated, "D:Ream are the best E-shaped pop band to emerge from the dance explosion to date."[17] A reviewer from Music & Media wrote, "Yep, it's them again with their umpteenth rerelease. Remixed by Paul Oakenfold and Steve Osborne, it's another step up the stairs to stardom for the pop dance duo."[18] The magazine's Maria Jimenez constated that the track's "longevity is assisted by this wide spectrum of new remixes".[19] Alan Jones from Music Week rated the remix four out of five, naming it Pick of the Week and "a bankable follow up" to their number one hit, "Things Can Only Get Better".[20] John Kilgo from The Network Forty commented, "Looking for a flavorful uptempo dance track? Look no further than this techno jammer that has scored the #1 position on the dance charts."[21] Paul Moody from NME commented, "Peter Cunnah has come up with something here that will assail you in supermarkets, unnerve you when it bursts from car stereos and scare the charts rigid. Love it from the off and your life will be a whole lot easier."[22]
In an retrospective review, Pop Rescue noted the "big" vocals from D’Borah Asher and the house piano, adding, "This song does feel somewhat more mellow though, giving Peter plenty of space to show off his vocals in the verse."[23] Tim Jeffery from the Record Mirror Dance Update said, "These new Perfecto mixes keep the attractive flute part while adding strings and a piano sound to make the song an anthem once again. Stylish, commercial and probably a hit second time around."[24] Another Record Mirror editor, James Hamilton, deemed it an "attractive huskily crooned throbbing 122.9bpm" Perfecto remix.[25] Adam Higginbotham from Select described it as a "perfect feelgood pop-dance record" and felt it "left no one in any doubt about where they were coming from."[26] Pete Stanton from Smash Hits gave it four out of five, writing, "It's as good now as it was then with its anthem-like chorus and plinkety pianos. This is even better than "Things Can Only Get Better"."[27] Darren Ressler from Vibe viewed it as a "buoyant" smash.[28]
There were made three different music videos for the song, one for each year; in 1992, 1993 and 1994. The 1994 version was directed by German director and producer Marcus Nispel[29] and filmed in New York City on Royalton New York Hotel.[29] It features Peter Cunnah and the band performing the song at a rooftop, in an urban setting, surrounded by skyscrapers. Sometimes Cunnah performs while hanging from a crane, other times he sends paper planes. Soap bubbles are bubbling in the air and occasionally old newspapers are seen blowing by in the wind over the rooftop. The video was later made available by Vevo in 4K format on YouTube platform 22 november 2018 and as of December 2023, it had generated more than 1.5 million views.[30]
Personnel
| Chart (1992) | Peak position | |
|---|---|---|
| UK Singles (OCC) | 72 | |
| UK Dance (Music Week)[31] | 4 |
| Chart (1993) | Peak position | |
|---|---|---|
| Belgium (Ultratop Flanders) | 50 | |
| Europe (Eurochart Hot 100)[32] | 62 | |
| Europe (European Dance Radio)[33] | 11 | |
| Ireland (IRMA) | 6 | |
| UK Singles (OCC) | 19 | |
| UK Airplay (Music Week)[34] | 15 | |
| UK Dance (Music Week)[35] | 1 | |
| UK Club Chart (Music Week)[36] | 1 | |
| US Hot Dance Club Play (Billboard) | 1 |
| Chart (1994) | Peak position | |
|---|---|---|
| Europe (Eurochart Hot 100)[37] | 13 | |
| Finland (IFPI)[38] | 18 | |
| Ireland (IRMA) | 6 | |
| Scotland (OCC)[39] | 3 | |
| UK Singles (OCC) | 4 | |
| UK Dance (Music Week)[40] | 7 | |
| UK Club Chart (Music Week)[41] | 7 |
| Region | Version | Date | Format(s) | Label(s) | |
|---|---|---|---|---|---|
| United Kingdom | Original | 22 June 1992 | [43] | ||
| United Kingdom (re-release) | 12 April 1993 | [44] | |||
| United Kingdom | Perfecto mix | 14 March 1994 | [45] |
