| 24 Hours to Kill | |
| Director: | Peter Bezencenet |
| Screenplay: | Peter Yeldham |
| Story: | Harry Alan Towers |
| Producer: | Bernard Coote |
| Cinematography: | Ernest Steward |
| Editing: | John Trumper |
| Music: | Wilfred Josephs |
| Studio: | Grixflag Films |
| Distributor: | Warner-Pathe |
| Runtime: | 83 minutes |
| Country: | United Kingdom |
24 Hours to Kill is a 1965 British thriller film[1] shot in Techniscope and Technicolor that was filmed in the Lebanon.[2] It was directed by Peter Bezencenet, and stars Lex Barker, Mickey Rooney and Walter Slezak.
A Transcontinental Airlines airliner on an international flight develops engine trouble en route to Athens. Pilot Jamie Faulkner is forced to land in Beirut, where the aircraft is to layover for 24 hours. Although the crew look forward to rest and relaxation in the then glamorous tourist hot spot, one of the crew members is in fear of his life due to his being a target of a criminal organisation based in the city.
Purser Norman Jones, on the run from a gang of gold smugglers headed by Malouf, a smuggler, gains the sympathy of the flight's captain and other members of the crew who believe that Jones has been wrongly associated with the syndicate.
The gang twice attempts to kill Jones and tries to kidnap air hostess Louise Braganza, the captain's girl friend. Jamie learns that Jones is a member of Malouf's gang and has actually stolen £40,000 worth of bullion from the syndicate.
Although the gangsters kidnap air hostess Françoise Bertram to propose an exchange. Françoise, however, after a fight, is rescued by the airline crew. Jones is captured by Malouf but saved by Jamie and the crew, but just as the airliner takes off, Jones is killed by one of Malouf's men.
24 Hours to Kill was written by Peter Yeldham who travelled to Beirut to research the film's plot.[3]
The aircraft in 24 Hours to Kill included:
24 Hours to Kill was released in March 1965.
From contemporary reviews, the Monthly Film Bulletin stated the film was pleasantly photographed but "slackly directed" that mostly worked due to the "two bizarre characterizations" by Mickey Rooney and Walter Slezak.
Andy Webb, writing in The Movie Scene noted the beauty of Beirut before Mid-East strife destroyed the once glamorous capital. Webb considered 24 Hours to Kill "quite entertaining and has a touch of 60s spy movie about it with a few moments of action, drinks laced with drugs, shady people following Norman around and of course some danger."[5]