Tritonic scale explained

A tritonic scale is a musical scale or mode with three notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music, and are generally associated with indigenous and prehistoric music.[1]

Distribution

India

Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita.

Maori

In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Maori tribes he surveyed, comprising 47% of the scales used.[2]

South America

The pre-Hispanic herranza ritual music of the Andes is generally tritonic, based on a major triad, and played on the waqra phuku trumpet, violin, and singer with a tinya drum. The tritonic scale is largely limited to this ritual and to some southern Peruvian Carnival music.[3]

See also

Notes and References

  1. Onkar Prasad, "Tribal Music: Its Proper Context", in Tribal Thought and Culture: Essays in Honour of Surajit Chandra Sinha, edited by Baidyanath Saraswati, 131–49 (New Delhi: Concept Publishing Company, 1991): 131 (accessed 18 January 2020)
  2. Book: Mervyn McLean. Māori Music. 24 June 2012. 1996. Auckland University Press. 978-1-86940-144-3. 239–.
  3. Book: Raúl R. Romero. Debating the Past: Music, Memory, and Identity in the Andes. registration. 24 June 2012. 19 July 2001. Oxford University Press. 978-0-19-513881-8. 42–.