Trio Matamoros Explained

Trío Matamoros
Landscape:Yes
Background:group_or_band
Origin:Santiago, Cuba
Years Active:1925-1961
Label:Victor, Seeco
Past Members:Miguel Matamoros
Rafael Cueto
Siro Rodríguez

The Trío Matamoros was a Cuban trova group. It was formed in 1925 by Miguel Matamoros (8 May 1894 in Santiago de Cuba  - 15 April 1971; guitar), Rafael Cueto (14 March 1900 in Santiago de Cuba  - 7 August 1991; guitar) and Siro Rodríguez (9 December 1899 in Santiago de Cuba  - Regla, 29 March 1981; maracas and claves). All three were singers and composers. The group was originally called Trio Oriental, but changed their name to Trio Matamoros in 1928 after finding that a group called Trio Oriental already existed.[1]

The Trío Matamoros played boleros and son. They toured all Latin America and Europe and recorded in New York. In 1940 Guillermo Portabales performed with the trio. Matamoros expanded the trio into a conjunto (Conjunto Matamoros) for a trip to Mexico and hired the young Beny Moré as singer from 1945 to 1947.[2] They recorded many 78 rpm records and LPs; some of their output is available on CDs. The group were critically acclaimed for the harmony of their voices, and the quality of the lyrics.

The group is considered an important act in the rise of son music.[3] Throughout the nearly four decades that it was active, the group re-configured itself into many musical variations and acts as a quartet, septet, orchestra, etc.[4]

Miguel Matamoros was one of the most prolific composers of Cuban son. His first hit was "El que siembra su maíz" (He who sows his corn), followed by songs including "Lágrimas negras" (Black tears) and "Son de la Loma."[5] The group, whose members stayed together for 35 years, announced their disbandment in May 1961.[6] [7] Their last concert had taken place in New York the year before.[8]

External links

Notes and References

  1. Web site: Firing Miguel Matamoros: Chapter 3, Renaming the Trio. 2019-09-01. Latino Music Cafe. en-US. 2020-05-21.
  2. Web site: Benny Moré: cien años del bárbaro del ritmo. Lenore. Víctor. 2019-08-19. Vozpópuli. es-ES. 2020-05-22.
  3. News: Jelly-Schapiro. Joshua. 2019-09-28. Opinion Listen to the Storm Songs of the Caribbean. en-US. The New York Times. 2020-05-21. 0362-4331.
  4. Web site: Firing Miguel Matamoros: Chapter 5, Birth of a Legend. 2019-11-25. Latino Music Cafe. en-US. 2020-05-22.
  5. Sublette, Ned 2004. There is a double entendre in the title, because "Son" can mean "They are" or the genre of music "Son". The title can thus mean either They are from the hill or The music of the hills. Double entendre is a typical characteristic of Cuban music and an important part of its charm and inherent humor.Cuba and its music: from the first drums to the mambo. Chicago, p367.
  6. Web site: Magaña S.. Walter G.. Matamoros y su música. Herencia Latina. July 26, 2017. July 2006.
  7. Rodríguez Domínguez, Ezequiel. (1985). El Trío Matamoros: treinta y cinco años de música popular. La Habana: Editorial Arte y Cultura.
  8. Web site: Díaz Ayala. Cristóbal. Trío Matamoros. Encyclopedic Discography of Cuban Music 1925-1960. Florida International University Libraries. 16 April 2015. Fall 2013.