| Train Station | |
| Director: | Xavier Agudo Ryan Bajornas Surya Balakrishnan Nicola Barnaba Petras Baronas Juliane Block Leroux Botha Julia Caiuby Gregory Cattell Therese Cayaba David Cerqueiro Diane Cheklich Violetta D'Agata Felix A. Dausend Tiago P. de Carvalho Hesam Dehghani Giovanni Esposito Todd Felderstein Ingrid Franchi Yango Gonzalez Vania Ivanova Yosef Khouwes George Korgianitis Joycelyn Lee Craig Lines Michael Vincent Mercado Athanasia Michopoulou Daniel Montoya Omer Moutasim Marc Oberdorfer Aditya Powar Tony Pietra Adam Ruszkowski Andrés Sandoval Guillem Serrano Marty Shea Nitye Sood Wilson Stiner Amirah M. Tajdin Dzenan Tarakcija Adrian Tudor John Versical Kresna D. Wicaksana Kevin Rumley Bruno Zakarewicz Rafael Yoshida |
| Starring: | Alan Madlane, Patrick O'Connor Cronin, Lance Alan, Chris Korte, Robert Skrok, Patrick Gorman, Judith Hoersch, Yoann Sover, Daymon Britton, Vivid Wang, Matt Broman, Bryan Carmody, Georg Anton, Paul Howard, Jim Kitson, Alessandro Luci, Alba Ferrara, Alejandro Leon, Senen Selim |
| Music: | David Alonso Garzón, Martin Thornton |
| Language: | English, Persian, Indonesian, Spanish, Italian, German, Greek, Chinese, Hindi, Portuguese, Arabic, Romanian, Filipino, Malay |
Train Station is a multi-director feature film from CollabFeature, the filmmaking team that created The Owner.[1] [2]
Train Station follows a single character, referred to as "The Person in Brown," portrayed by 40 different actors varying in age, gender, ethnicity, and sexual orientation. Throughout the character's journey, they encounter a series of choices, ranging from minor to life-altering. With each decision made, the film transitions to a new cast and location, continuing the narrative under the direction of a new filmmaker. The cities featured include Berlin, Bogota, Dubai, Jakarta, Los Angeles, Singapore, Tehran and several others across five continents. The film explores themes of cultural diversity, decision-making, and the shared human experience.
The film has received a generally positive response from critics. For instance, PopCultureBeast described the film as "the definition of collaborative experimentation in cinema".[3]