Track of Thunder explained

Track of Thunder
Director:Joseph Kane
Producer:E. Stanley Williamson
Starring:Tommy Kirk
Ray Stricklyn
H. M. Wynant
Brenda Benet
Faith Domergue
Chet Stratton
Majel Barrett
James Dobson
Cinematography:Alan Stensvold
Editing:Verna Fields
Studio:Ambassador Films
Distributor:United Artists
Runtime:83 mins
Country:United States
Language:English
Gross:$2,500 (US)[1]

Track of Thunder is a 1967 action drama film directed by Joseph Kane and starring Tommy Kirk.[2] The film also stars Ray Stricklyn, H. M. Wynant, Brenda Benet, Faith Domergue, and Majel Barrett.

Plot

Gary and Bobby are two stock car drivers who grew up together and both love the same girl, Shelley. Fake newspaper articles by Georgina Clark start appearing highlighting a feud between them. At first Bobby and Gary ignore the reports but eventually the rivalry becomes genuine.

It turns out Georgina is in cahoots with Maxwell Carstairs, manager of the racetrack, who has been hired by a syndicate to turn the sport into a lucrative gambling venture; the articles are to increase attendances.

Bobby's mechanic, Bowser Smith, exposes the truth. Bobby refuses to drive Carstairs' car in the big race so Bowser replaces him and is killed.

Bobby quits racing and settles down on a farm with Shelley. Gary becomes a champion stock car racer. Gary's father marries Bobby's mother and Carstairs is arrested for embezzlement.

Cast

Production

Filming started in October 1966 and mostly took place around Nashville, Tennessee.[3]

In real life, Tommy Kirk was a go-karting enthusiast.[4] However he did not remember the movie fondly:

James Dobson was the other big star and he was a complete jerk... as far as I'm concerned, one of the most obtuse and insensitive people I've ever known in my life. I was fooling around with drugs at the time so I was about half awake in that film. I just sort of walked through it and took the money. I don't think it's a completely useless piece of trash like some of the other things I did, but it's not much of a film.[5]

Reception

Critical response

Film critic Renata Adler of The New York Times called it a "tired, cliché-ridden little movie" which should "discourage any similar projects about stock-car racing for some time to come" and "probably will dampen the hopes of any youngsters intending to make a career of slamming around a speedway in a churning mass of autos. The film is that dull." However it did allow some of the racing footage was "okay. The cars move, in fact, miles ahead of the plot and most of the performances" and that "there is some quite, steady acting, in the standard role of a worried mother, by Faith Domergue—more real acting than the lady ever achieved in her glamour-girl heyday."[6]

See also

References

Sources

Notes and References

  1. "Computer Tally of 729 Films, 1968", Variety, 7 May 1969 p 213. Please note this figure is taken from the twenty-odd cities included in Varietys box office reports and consists of total gross.
  2. Diabolique Magazine. Stephen. Vagg. The Cinema of Tommy Kirk. 9 September 2019.
  3. News: Betty Martin. MOVIE CALL SHEET: BRIDGES WILL SWIM AGAIN. Los Angeles Times. Oct 20, 1966. D19.
  4. News: Tommy Kirk is Not Jaded. Ottawa Citizen Staff. Ottawa Citizen. February 16, 1963. August 2, 2012.
  5. Minton, Kevin, "Sex, Lies, and Disney Tape: Walt's Fallen Star", Filmfax Issue 38, April 1993 p 71
  6. News: The Screen: Mrs. Alfie Confronts a Vinyl World:Working-Class London Depicted in 'Poor Cow' Day-Glo Mural Stars Young Carol White. Renata. Adler. Renata Adler. The New York Times. February 1, 1968. July 16, 2012.