| Chakravakam |
Chakravakam or Chakravaham (pronounced chakravākam) is a rāgam in Carnatic music (musical scale in South Indian classical music). It is the 16th Melakarta rāgam (parent rāgam) in the 72 melakarta rāgam system. According to the Muthuswami Dikshitar school, this rāgam is called Tōyavēgavāhini.[1] Chakravakam is similar to Raga Ahir bhairav in Hindustani music.[2]
Chakravakam is a raga that is known to incite feelings of devotion, sympathy and compassion in the listeners.
It is the 4th melakarta in the 3rd chakra- Agni. The mnemonic name is Agni-Bhu. The mnemonic phrase is sa ra gu ma pa dhi ni. Its structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes in this scale are shadjam, shuddha rishabham, anthara gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham and kaisiki nishadham.
It is a sampoorna rāgam - rāgam having all 7 swarams. It is the suddha madhyamam equivalent of Ramapriya, which is the 52nd melakarta.
Chakravakam is different from Mayamalavagowla in some ways, while playing. The Ri Ga ma notes are played a bit flatter than Mayamalavagowla, making it sound more restrained than Mayamalavagowla. The Da and Ni are played somewhat like Hari Kambhoji, giving the overall tune, to be restrained and devotional essence
Tōyavēgavāhini is the 16th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same and the ascending scale and descending scale are same.[3]
Chakravakam has quite a few janya rāgams (derived scales) associated with it, of which Bindumalini, Malayamarutam and Valaji are popular.
See List of Janya Ragas for a full list of its janyas.
Etula Brotuvo teliya and Sugunamule by Thyagaraja
Kānakkankoti vendum by Koteeswara Iyer
Gajānanayutham By Muthuswami Dikshitar
Mullu Koneya Mele By Purandara Dasa
Kada Beladingalu By Sripadaraja
Sarojanabha by Maharaja Swathi Thirunal
Sri Amruta Phalâmbike by Kalyani Varadarajan
Pibare Ramarasam (version by Balamuralikrishna) by Sadashiva Brahmendra
"Albela Sajan" from "Hum Dil De Chuke Sanam" (Hindi), "Poochho Na Kaise Maine Rain Bitai" from "Meri Surat Teri Ankhen" (Hindi) and "Raakkili Than" from "Perumazhakalam" (Malayalam).
| Song | Movie | Composer | Singer |
|---|---|---|---|
| Amuthe Tamizhe | Koyil Puraa | Illayaraja | P. Susheela, Uma Ramanan |
| Neela Kuyile | Magudi | ||
| Konathu Sengarumbu(Folkish Style) | Padikatha Pannaiyar | ||
| Ethilum Ingu | Bharathi |
This section covers the theoretical and scientific aspect of this rāgam.
Chakravakam's notes when shifted using Graha bhedam, yields 2 other major melakarta rāgams, namely, Sarasangi and Dharmavati. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rāgam. For an illustration refer Graha bhedam on Dharmavati.