Tore Vagn Lid (born 20 April 1973, in Bergen) is a Norwegian theatre director, playwright, musician, Bertolt Brecht enthusiast and artistic director of Transiteatret-Bergen. Tore Vagn Lid holds a professorship in dramaturgy at the National Academy of the Arts (KHIO) in Oslo.https://web.archive.org/web/20140815052908/http://www.khio.no/Norsk/Nyheter/Arkiv/Teaterhogskolen/Nyansettelser+p%C3%A5+Teaterh%C3%B8gskolen.b7C_xlrQWZ.ipsHe earned a PhD from the Institute for Applied Theatre Studies in Giessen, Germany (Summa cum laude). Central in what is seen as a new political turn in the contemporary Norwegian theater. He has also written numerous articles, especially focusing on the relationship between theater and music, musicdramaturgy and musical strategies for theater directing. In October 2011 Lid published his book on music theatre aesthetics and dramaturgy called "Gegenseitige Verfremdungen - Theater als kritischer Erfahrungsraum im Stoffwechsel zwischen Bühne und Musik".http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=58973&concordeid=261174https://web.archive.org/web/20151001100829/http://lydskrift.no/story/gjensidige-verfremdunger
In 2008 Lid was selected to the program "Young directors project" for the Salzburg Festival with his staging of Brecht/Eislers play The Measures Taken (in German: Die Maßnahme). The theater suite Elephant Stories (2009)http://festspillene.bergen360.no/-/event/show/55919_elephant-stories/494688?ref=checkpointhttp://www.transiteatret.com/forestillinger/testforestilling-03 was an audio-visual confrontation between the theater room and a "new naturalism" represented by the new neuro-sciences. Following up this critical discussion, he used Gerhart Hauptmanns naturalistic piece (1889) Before Sunrise (Vor Sonnenaufgang) as a prism towards an upcoming new naturalism http://intranett.dns.no/prog.asp?id=193. Under the motto "Theatre in times of crisis" Lid (re)constructed Brechts "Fatzer" for the Bergen International Festival 2012 recognized in both Norwegian and German press http://www.transiteatret.com/forestillinger/reviews-fatzer.During 2012 - 2013 Vagn Lid has developed a trilogy called "Games of sorrow" (Norwegian: Sørgespill-triologien). In his music-dramaturgical conception, Lid searches for, and tries to articulate ... "the individuals inside the systems and, the other way around, the systems inside the individuals". https://archive.today/20130407012553/http://killthemall.blog.com/ The concept attempts "to overcome the gap between the typical individualization of the "classical" theatre on the one hand, and the statistical abstractions of the "documentary" theatre, on the other".The first of Vagn Lids Games of Sorrow was STRAFF (Punishment), performed for the first time at Logen Teater in Bergen, September dato 2012. The second one was "KILL THEM ALL!"http://www.nationalteateret.no/Kill+them+all%21.b7C_wRjUZd.ips written for, and performed at Nationaltheatret http://www.nationaltheatret.com in Oslo, February 2013, both receiving outstanding reviews, and released discussions also outside Norway http://nyhederne.tv2.dk/video/index/id/65445542/. The last part of the trilogy is "JudasEvangeliet"http://www.transiteatret.com/forestillinger/judasevangeliet-sorgespill,https://archive.today/20130626191158/http://judasevangeliet.blog.com/(The Gospel of Judas) developed with Transiteatret-Bergen for The Ultima Contemporary Music Festival in Oslo with premiere at the Opera September 11, 2013 http://www.operaen.no/Forestillinger/Judas-Evangeliet/
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