Tony Pierce-Roberts (born in Birkenhead, England) is a British cinematographer most known for his work on the Merchant-Ivory film productions, A Room with a View (1986), Mr. & Mrs. Bridge (1990), Howards End (1992), and The Remains of the Day (1993).
Short film
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1973 | Arabian Time-Machine | Helga Graham | Documentary short | |
| 1999 | Blackadder Back & Forth | Paul Weiland | ||
| 2001 | The Glow | Marcus Dillistone | With John de Borman and Thierry Arbogast | |
| 2006 | Lights2: Return of the Shadow | With Ian Wilson | ||
| 2012 | The Equestrian | Sybil H. Mair | With Will Humphris |
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1973-1978 | Play for Today | Mike Leigh Herbert Wise Stephen Frears Brian Gibson | 4 episodes (Including "Hard Labour") | |
| 1975 | Greece: The Seven Black Years | Peter Levi | Documentary special | |
| 1976 | Brensham People | Brian Parker Peter Smith | 2 episodes | |
| 1978 | Life at Stake | Lawrence Gordon Clark | Episode "Mayday for Pisces III" | |
| Americans | Desmond Wilcox | 2 episodes | ||
| 1977-1978 | Premiere | Brian Tufano Frederic Raphael Peter Ellis | 3 episodes | |
| 1978 | Everyman | Episode "Paul's Children" | ||
| 1979 | Shoestring | Peter Smith | Episode "Listen to Me" | |
| 1980 | BBC2 Playhouse | Peter Duffell | Episode Caught on a Train | |
| 2002 | Dinotopia | Mario Philip Azzopardi David Winning Thomas J. Wright Mike Fash | 6 episodes |
Miniseries
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1975 | Days of Hope | Ken Loach | With John Else | |
| 1976 | The Glittering Prizes | Waris Hussein | Episode "A Country Life" | |
| 1978 | Connections | Mick Jackson | Documetary series | |
| 1979 | Tinker Tailor Soldier Spy | John Irvin | ||
| 1982 | Nobody's Hero | John Goldschmidt | ||
| 1988 | The Bourne Identity | Roger Young | ||
| 2002 | Dinotopia | Marco Brambilla |
TV movies
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1975 | Orders from Above | Robert Vas | Documentary film; With Malcolm Kipling and Bill Matthews | |
| 1979 | Timothy West as Beecham | Robin Lough | ||
| 1981 | The Good Soldier | Kevin Billington | ||
| 1982 | A Voyage Round My Father | Alvin Rakoff | ||
| P'tang, Yang, Kipperbang | Michael Apted | |||
| 1984 | The Cold Room | James Dearden | ||
| 1989 | No Place Like Home | Lee Grant |
Academy Awards
| Year | Category | Title | Result | Ref. |
|---|---|---|---|---|
| 1986 | Best Cinematography | A Room with a View | [1] | |
| 1992 | Howards End | [2] |
American Society of Cinematographers
| Year | Category | Title | Result | Ref. |
|---|---|---|---|---|
| 1986 | Outstanding Achievement in Cinematography | A Room with a View | [3] | |
| 1992 | Howards End |
BAFTA Awards
| Year | Category | Title | Result | Ref. |
|---|---|---|---|---|
| 1986 | Best Cinematography | A Room with a View | [4] | |
| 1992 | Howards End | [5] | ||
| 1993 | The Remains of the Day | [6] |
British Academy Television Craft Awards
| Year | Category | Title | Result | Ref. |
|---|---|---|---|---|
| 1980 | Best Film Cameramen | Tinker Tailor Soldier Spy | [7] | |
| 1981 | BBC2 Playhouse | [8] | ||
| 1983 | P'tang, Yang, Kipperbang / A Voyage with My Father | [9] |
British Society of Cinematographers
| Year | Category | Title | Result | Ref. |
|---|---|---|---|---|
| 1986 | Best Cinematography in a Theatrical Feature Film | A Room with a View | [10] | |
| 1992 | Howards End |
Camerimage
Evening Standard British Film Awards
New York Film Critics Circle