| Tom Horn | |
| Director: | William Wiard |
| Screenplay: | Thomas McGuane Bud Shrake |
| Starring: | Steve McQueen Linda Evans Richard Farnsworth |
| Music: | Ernest Gold |
| Cinematography: | John A. Alonzo |
| Color Process: | Technicolor |
| Editing: | George Grenville |
| Studio: | First Artists Solar Productions |
| Distributor: | Warner Bros. |
| Runtime: | 98 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $9 million[1] |
Tom Horn is a 1980 American Western film directed by William Wiard and starring Steve McQueen as the legendary lawman, outlaw and gunfighter Tom Horn. It was based on Horn's own writings.[2] [3] [4]
Tom Horn, a legendary frontier scout and tracker who helped capture Geronimo, drifts around the quickly-disappearing Western frontier. The story begins as he rides into a small town and provokes prizefighter Jim Corbett, ending up in a livery stable, unconscious and badly bruised.
Cattle company owner John Coble finds Horn in the livery, and offers him the use of his ranch to recuperate. He also offers him work investigating and deterring cattle rustlers who steal from the grazing association to which Coble belongs. He implies that the association will support Horn in implementing vigilante justice. Horn accepts the offer, and receives the approval of U.S. marshal Joe Belle at an association picnic, where he also catches the eye of Glendolene, the local schoolteacher.
Calling himself a "rural detective", Horn confronts cowboys at an auction whose cattle bear Coble's brand. After giving them fair warning, he goes on a one-man crusade to kill or otherwise drive off anyone who rustles the cattle of his benefactors.
Horn's methods are brutal but effective. After a public gunfight, the local townspeople become alarmed at his violent nature, and public opinion turns against him. The owners of the large cattle companies realize that, although he is doing exactly what they hired him to do, his tactics will ultimately tarnish their image, so they begin to plot his demise. Joe Belle, who has political ambitions, wants Horn out of the way for the same reasons. Their conspiracy is set in motion when a young boy tending sheep is shot by a .45–60, the same caliber rifle Tom Horn is known to use.
Horn is slow to realize that he is being set up. Proud and convinced of his own innocence, he refuses to leave the county nor avoid the town. Glendolene and Coble warn him to be careful, but Horn ignores the warning. Joe Belle coaxes Horn from a saloon back to his office, where a man transcribing their conversation is hidden in the next room. Horn does not admit to the murders, but states, "If I did shoot that boy, it was the best shot I ever made." Based on this conversation, Horn is taken prisoner.
Unaccustomed to being unable to come and go as he pleases into his beloved hills, Horn seems lost. He breaks out of jail and attempts to flee. He is recaptured and convicted based on the testimony of the newspaperman who skewed the conversation between Belle and Horn.
As his execution nears, Horn accepts his fate, and remains resolved in the moments before he is hanged.
Since the troubled production and disastrous release of An Enemy of the People, Steve McQueen had once again struggled to find work. He priced himself out of roles in a Towering Inferno sequel, Raise the Titanic, was rejected for the Salkinds' Superman film due to his growing weight, turned down a role in Close Encounters of the Third Kindand walked out on Richard Fleischer's planned adaptation of Tai-Pan when the second $1 million installment of his announced $10 million fee failed to arrive (the actor had earned $1 million for no work already).
After his divorce from Ali MacGraw, though, McQueen decided to get back into films. Initially, he wanted to adapt Harold Pinter's play Old Times, but First Artists insisted that he instead film Tom Horn, a script it had owned for some time, as the final film in the star's three-picture deal he had signed with Warner Bros.[4]
The film would go into production in 1978, but it faced stiff competition, with United Artists planning a film about Horn as a vehicle for Robert Redford. The latter dropped out, and the film about Horn's younger years was made by CBS as a four-hour TV movie, entitled Mr. Horn, with David Carradine. It aired just as the Warner Bros.-First Artists film went into production, receiving poor ratings.
McQueen ordered several rewrites to the script, while original director Don Siegel left, to be replaced by first Elliot Silverstein, then James William Guercio, who was fired by McQueen after three days.
McQueen wanted to direct, but the Directors Guild of America's rules forbidding actors from taking over direction once filming had begun scotched these plans, and TV movie director William Wiard was brought in to finish the film. This was Wiard's only credit for directing a feature film. The press book accompanying the release of the film did not mention Wiard in the filmmakers section or give a biography.[4]
Post-production was similarly fraught; the producers attempting both a linear version of the film, then another telling the story in flashback, before settling on the former approach. The film was still being edited ahead of its March 1980 release date.
During production, McQueen had trouble breathing and later was found to have a rare form of lung cancer, malignant mesothelioma.[5]
Jim Harwood of Variety called it "a sorry ending to the once high hopes of the star-studded founding of First Artists Prods."[4]