| Together Again | |
| Type: | studio |
| Artist: | Tony Bennett and Bill Evans |
| Cover: | Togetheragainbennettevans.jpg |
| Released: | 1977 |
| Recorded: | September 27–30, 1976 |
| Studio: | Columbia Studios (San Francisco) |
| Genre: | Vocal jazz |
| Length: | 35:05 |
| Label: | Improv Records Improv 7117 |
| Producer: |
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| Chronology: | Tony Bennett |
| Prev Title: | The Tony Bennett/Bill Evans Album |
| Prev Year: | 1975 |
| Next Title: | Tony Bennett with the McPartlands and Friends Make Magnificent Music |
| Next Year: | 1977 |
Together Again is a 1977 studio album by singer Tony Bennett and jazz pianist Bill Evans. It was originally issued on Bennett's own Improv Records label, which went out of business later that year, but was subsequently reissued on Concord.
Their first album together, The Tony Bennett/Bill Evans Album, had been released by Fantasy Records in 1975. Both albums plus alternate takes and additional tracks were later released as The Complete Tony Bennett/Bill Evans Recordings by Fantasy in 2009.
The album opens with a brief solo by Evans on David Raksin's theme "The Bad and the Beautiful" from the film of that title.
As with the previous collaboration, this one features a song by Leonard Bernstein, "Lucky to Be Me," that Evans had previously recorded solo for the album Everybody Digs Bill Evans (1958). He had also previously recorded a vocal version of it with Monica Zetterlund in 1964. And as with its predecessor, it contains one Evans original, in this case, "The Two Lonely People," which Evans had first presented on The Bill Evans Album (1971), although earlier live recordings of it were later issued.[1]
There are also performances of what were quickly becoming important modern jazz standards, "A Child Is Born" by Thad Jones, which Evans had recorded with a quintet just a few months earlier for the album Quintessence, and Michel Legrand's "You Must Believe in Spring," which would later be featured as the title track of one of Evans's most acclaimed trio albums.
Bennett had made the original recording of the song "Maybe September" back in 1966 for The Movie Song Album.[2] The new collaboration was rounded out by four other jazz standards.
The AllMusic reviewer William Ruhlman wrote, "If anything, Evans dominates this encounter more than he did the first, but it's still a good showcase for Bennett, too."[3] Evans biographer Peter Pettinger said, "the two artists produced a recording at least as relaxed and mutually in tune as their first" and singled out the "hushed rendering of one of Michel Legrand's finest songs, 'You Must Believe in Spring.'"[4]
Bonus tracks on CD reissue: