Tlālōcān Explained

Tlālōcān (in Nahuatl languages pronounced as /t͡ɬaːˈloːkaːn̥/; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of diseases associated with the rain deity. Tlālōcān has also been recognized in certain wall paintings of the much earlier Teotihuacan culture. Among modern Nahua-speaking peoples of the Gulf Coast, Tlālōcān survives as an all-encompassing concept embracing the subterranean world and its denizens.

Aztecs

In the Florentine Codex, a set of eighteenth-century volumes which form one of the prime sources of information about the beliefs and history of Postclassic central Mexico, Tlālōcān is depicted as a realm of unending Springtime, with an abundance of green foliage and edible plants of the region.[1]

Tlālōcān is also the first level of the upper worlds, or the Aztecs' Thirteen Heavens, that has four compartments according to the mythic cosmographies of the Nahuatl-speaking peoples of pre-Columbian central Mexico, noted particularly in Conquest-era accounts of Aztec mythology. To the Aztec there were thirteen levels of the Upper Worlds, and nine of the Underworld; in the conception of the Afterlife the manner of a person's death determined which of these layers would be their destination after dying. As the place of Tlālōc, 9th Lord of the Night,[2] Tlālōcān was also reckoned as the 9th level of the Underworld, which in the interpretation by Eduard Seler was the uppermost underworld in the east.[3]

As a destination in the Afterlife, the levels of heaven were reserved mostly for those who had died violent deaths,[4] and Tlālōcān was reserved for those who had drowned or had otherwise been killed by manifestations of water, such as by flood, by diseases associated with water, or in storms by strikes of lightning. It was also the destination after death for others considered to be in Tlālōc's charge, most notably the physically deformed.[5]

Many different gods are said to inhabit this location, them being: Meztli, moon goddess (Moon), Tlazolteotl, goddess of lust and illicit affairs, patron of sexual incontinence, adultery, sex, passions, carnality and moral transgression, Tiacapan, one of the goddesses of sex, Ixcuina, one of the goddesses of sex, Tecotzin or Teicu, one of the goddesses of sex, Tlaloc, god of thunder, rain and the earth. In this layer he pierces the "clouds' bellies" to make them rain, Ehecatl, god of the wind. In this layer he blows the clouds with his breath (breezes) to make them move, The Ehecatotontli, gods of the breezes, Mictlanpachecatl, god of the north wind, Cihuatecayotl, god of the west wind, Tlalocayotl, god of the east wind, Huitztlampaehecatl, god of the south wind.[6] [7]

Contemporary Nahuas

In areas of contemporary Mexico, such as in the Sierra Norte de Puebla region, some communities continue to incorporate the concept of Tlālōcān as a netherworld and shamanic destination in their modern religious practices.[8] As described by Knab, shamanic entry into Tlālōcān, always achieved during dreams and often with the objective of curing a patient, is via underground waterways, commonly a whirlpool ("the water was whirling there and it took me in and down into the darkness around and around"[9]). Upon awakening, the shaman-dreamer will recount, to the audience during a curing-session, the itinerary traveled in Tlālōcān; to which will be added (only when instructing a trainee or in speaking to other practicing shamans, never to an audience of general public) a description of the itinerary in term of numerically counted rivers, highways, and hills : as counted in series of 14, "There are thus thirteen of each type of feature located between the center and the edges of the underworld and one of each type (p. 120) of feature located in the center of the underworld."[10]

Here is a description of the sections of Tlālōcān, as arranged in cardinal directions :-

In popular culture

In the Marvel Studios film (2022), which is set in the Marvel Cinematic Universe, the character Namor is the ruler of the underwater city of Talokan, a departure from his Atlantean roots in the comics.[16] [17]

Alternative Names

See also

References

Notes and References

  1. As described in Miller and Taube (1993, p.167)
  2. Elizabeth Hill Boone : Cycles of Time and Meaning in the Mexican Books of Fate. U of TX Pr, Austin, 2007. pp. 95–99
  3. http://www.theosophy-nw.org/theosnw/world/america/am-moff4.htm The Theosofy of Ancient America
  4. Those dying of "natural causes", i.e. the majority, would instead endure a perilous journey through the layers of the Underworld to finally reach Mictlān, the lowest layer. See Miller and Taube (1993:178).
  5. See for example the Vaticanus A Codex, per Miller and Taube (op. cit.)
  6. Web site: Divine Thirteen: The Sacred Aztec Number – 1127 Words Cram . 2023-11-16 . www.cram.com.
  7. Book: Fernández, Adela . Dioses prehispánicos de México : mitos y deidades del panteón náhuatl . 1992 . México, D.F. : Panorama Editorial . Internet Archive . 978-968-38-0306-1.
  8. See for example the investigations into religious practices of the area conducted by Timothy Knab, anthropologist at the Fundación Universidad de las Américas, Puebla, as recounted in Knab (2004).
  9. Knab, p. 69
  10. Knab, p. 119
  11. Knab, p. 107
  12. Knab, pp. 108–9
  13. Knab, pp. 109–10
  14. Knab, pp. 110–1
  15. Knab, p. 112
  16. Web site: Barnhardt . Adam . July 25, 2022 . Wakanda Forever: Marvel Confirms Major Change to Namor's Atlantis . live . https://web.archive.org/web/20220729021043/https://comicbook.com/marvel/news/black-panther-2-wakanda-forever-changing-namor-atlantis-name/ . July 29, 2022 . July 30, 2022 . ComicBook.com.
  17. Web site: October 3, 2022 . Marvel Studios Debuts ‘Black Panther: Wakanda Forever’ Trailer . live . https://web.archive.org/web/20221004162051/https://thewaltdisneycompany.com/marvel-studios-debuts-black-panther-wakanda-forever-trailer/ . October 4, 2022 . October 4, 2022 . The Walt Disney Company.