| Tin Ujević | |
| Birth Name: | Augustin Josip Ujević |
| Birth Date: | 5 July 1891 |
| Birth Place: | Vrgorac, Kingdom of Dalmatia, Austria-Hungary |
| Death Place: | Zagreb, PR Croatia, FPR Yugoslavia |
| Occupation: | Poet |
| Language: | Croatian |
| Notableworks: | Lelek sebra Kolajna Auto na korzu Ojađeno zvono Žedan kamen na studencu |
Augustin Josip "Tin" Ujević (pronounced as /auɡǔstin tîːn ûːjeʋitɕ/; 5 July 1891 – 12 November 1955) was a Croatian poet, considered by many to be the greatest poet in 20th century Croatian literature.[1] [2]
From 1921, he ceased to sign his name as Augustin, thereafter using the signature Tin Ujević.
Ujević was born in Vrgorac, a small town in the Dalmatian hinterland, and attended school in Imotski, Makarska, Split and Zagreb. He completed Classical Gymnasium in Split, and in Zagreb he studied Croatian language and literature, classical Philology, Philosophy, and Aesthetics.
In 1909, while studying literature, his first sonnet "Za novim vidicima" (Towards New Horizons) appeared in the journal Mlada Hrvatska (Young Croatia). After the assassination attempts on the ban Slavko Cuvaj in 1912, Ujević became active in the Nationalist youth movement and was repeatedly imprisoned. On the eve of the First World War, he lived briefly in Dubrovnik, Šibenik, Zadar, Rijeka and for a longer time in Split. The crucial period for his political and poetic consciousness was his visit to Paris (1913–19).
After the death of A.G. Matoš in 1914, Ujević published an essay about his teacher in the literary magazine Savremenik. That same year the anthology of poetry inspired by Matoš, "Hrvatska mlada lirika" (Croatian Young Lyrics) brought together the work of 12 young poets, including 10 poems by Tin Ujević. Also in that year, Ujević joined the French Foreign Legion, though he left again after 3 months at the urging of Frano Supilo.
In 1919, Ujević returned to Zagreb. Around that time he wrote two autobiographical essays "Mrsko Ja" (Hateful Me, 1922) examining his political beliefs, which he described as disenchanted, and "Ispit savjesti" (Examination of Conscience, published in 1923 in the journal Savremenik), which he himself called a "sleepwalking sketch". It is considered to be one of the most moving confessional texts in Croatian literature, in which an author mercilessly examines their own past.
Ujević lived from 1920 to 1926 in Belgrade, then he moved between Split and Zagreb, back to Belgrade, then to Split again. In 1920 his first anthology of poetry "Lelek sebra" (Cry of a slave) was published in Belgrade, and in 1922 his poem "Visoki jablani" (High Poplars) appeared in the journal Putevi (Roads).
He was well known in bohemian circles in Belgrade and a frequent guest at Hotel Moskva and Skadarlija.[3] [4]
During the years 1930–37, Ujević lived in Sarajevo, then 1937–1940 in Split, finally moving back to Zagreb, where he lived until his death in 1955.
From 1941 to 1945 he did not publish a single book, earning his living as a journalist and translator. Ujević held a post in the Independent State of Croatia as a translator, and continued to publish some material. For this reason, he was forbidden by the Yugoslav government from continuing with his literary career for several years.[5] [6] In the last days of 1950 a selection of his work was published in Zagreb, under the title "Rukovet" ("Handful"). Ujević died on 12 November 1955 and is buried at Mirogoj Cemetery in Zagreb.[7]
In addition to his poetry, Tin Ujević also wrote essays, short stories, serials (feuilletons), studies on foreign and domestic authors, and he translated philosophical discussions from many foreign languages.
He translated numerous works of poetry, novels and short stories into Croatian (Edgar Allan Poe, Walt Whitman, Marcel Proust, Joseph Conrad, Benvenuto Cellini, George Meredith, Emile Verhaeren, Arthur Rimbaud, André Gide, among others[8]).
He wrote more than ten books of essays, poetry in prose and meditations — but his enduring strength lies chiefly in his poetic works. At first a follower of Silvije Strahimir Kranjčević and more especially A.G. Matoš, Ujević soon moved on and developed his own independent voice.
He preferred the French and American modernists such as Charles Baudelaire, Arthur Rimbaud and Walt Whitman, whose work he translated. His first collections Lelek sebra, and Kolajna, inspired by his years in Paris, are considered the peak of modern Croatian lyrical poetry.
From those original first books grew a body of work that is a classic of Croatian literature, and according to the British poet Clive Wilmer, "Tin Ujević was one of the last masters of European Symbolism".[8] Poet and writer Anne Stevenson says his "melancholy, turn-of-the-century lyricism" is comparable to that of Thomas Hardy, of Edward Thomas, and of early Yeats".[8]
British poet Richard Berengarten, who has translated some of Ujević's best works into English,[8] writes
"Although Tin's major achievement is as a lyricist, his oeuvre is much broader than lyric alone. He was a writer of profound and discerning intellect, broad and capacious interests, inquisitive appetite and eclectic range."There are some 380 records about Tin Ujević's works in the catalogue of the National and University Library in Zagreb, and part of his literary heritage is preserved in the Library's Manuscripts and Old Books Collection. Ujević published his writings in all renowned newspapers and journals, in which numerous articles about Ujević were published, and part of that material in digital format is available at the Portal of Digitized Croatian Newspapers and Journals.[1]
The Tin Ujević Award is the most prestigious poetry award in Croatia.[9] In 2003, the Jadrolinija ferry, MV Tin Ujević was named for the poet. In 2005, Hrvatska Pošta issued a stamp in their series of Famous Croats: Tin Ujević on the 50th anniversary of his death.[10] By 2008, a total of 122 streets in Croatia were named after Ujević, making him the ninth most common person for whom streets were named in Croatia.[11] Six streets in Serbia are named after Ujević .[12]
His collected works, Sabrana djela (1963–1967) were published in 17 volumes. Individually and within selected works, Izabrana djela, numerous editions of his poems, essays and studies were published.