Time on Fire explained
Time on Fire |
Author: | Thomas Shapcott |
Country: | Australia |
Language: | English |
Genre: | Poetry collection |
Publisher: | Jacaranda press |
Release Date: | 1961 |
Media Type: | Print |
Pages: | 88 pp |
Preceded By: | – |
Followed By: | The Mankind Thing |
Time on Fire (1961) is the debut collection of poems by Australian poet Thomas Shapcott. It won the Grace Leven Prize for Poetry in 1961.[1]
The collection includes 61 poems by the author that are reprinted from various sources, although some are published here for the first time.
Contents
- "Sonnet"
- "River Scene"
- "Denmark Hill"
- "The Fifth of November"
- "Late Winter, Queensland"
- "Lake Swans"
- "At Night, Footsteps"
- "The Sleeping Trees"
- "Columbine"
- "Mt. Flinders"
- "Hawk"
- "Water Skier"
- "Mt. Glorious"
- "Blue Mountains After Rain"
- "Virgin Forest, Southern New South Wales"
- "The Waves"
- "Beyond My Love"
- "Time on Fire"
- "The Finches"
- "Evergreen"
- "Skin Diver"
| - "Winter Westerlies"
- "Autumn Grasses"
- "White Cedar in Winter"
- "Idyll"
- "Dead House in the Hills"
- "The Lake in Winter"
- "Rhapsody on the Shortest Day"
- "Stranger in the City"
- "Woman in the Bar"
- "American Sailor in Hyde Park"
- "Aspect of Truth : A Small City Park"
- "Suburb"
- "New Australian in the Park"
- "At Neutral Bay"
- "La Glutton, in Suburb"
- "Lullaby"
- "Song"
- "Traditional Song"
- "Secrecy"
- "Spring"
| - "Music at Night"
- "High Tide"
- "At the Bay"
- "Lonely Bay"
- "Beyond Any Bright Dexterity"
- "Goodbye Message"
- "Message to London"
- "Return"
- "Car Journey"
- "Reunion (Nocturne)"
- "Sheep Country in Spring"
- "In Your Lands
- "Windy Hill"
- "Sonnet for an Engagement"
- "Genesis"
- "At North Head, Late Spring"
- "Love Poem Written after Rain"
- "On the Beach"
- "Bells (Three extracts from a Marriage Sequence)"
- "Content"
| |
Critical reception
While reviewing a subsequent volume of poems in The Canberra Times, the critic T. Inglis Moore noted: "In his initial Time on Fire he emerged as a fresh and lively lyricist, with a flexibility of rhythms that reminded one of Dylan Thomas. He tackled urban and rural themes alike with sensitivity and a sharp, reflective intelligence. In his first book and its successors there were, however, certain weaknesses – sometimes the fluidity fell into facility or looseness, the originality into word play for its own sake, the search for meanings into obscurity."[2]
The Oxford Companion to Australian Literature referred to the collection as being "largely autobiographical, reflecting the country boy's distaste for the garish city environment; the wakening of young love; courtship, marriage, parenthood; and a preoccupation with transience."[3]
See also
Notes and References
- http://www.austlit.edu.au/austlit/page/C22210 Austlit Time on Fire by Thomas Shapcott
- http://nla.gov.au/nla.news-article106981889 "Disciplined clarity in poet's new work" by T. Inglis Moore, The Canberra Times, 11 November 1967, p13
- The Oxford Companion to Australian Literature, 2nd edition, p689