| Tigerlily | |
| Type: | studio |
| Artist: | Natalie Merchant |
| Cover: | Natalie Merchant - Tigerlily.png |
| Released: | June 20, 1995 |
| Recorded: | December 1994–March 1995 |
| Studio: |
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| Genre: | Alternative rock |
| Length: | 52:06 |
| Label: | Elektra |
| Producer: | Natalie Merchant |
| Next Title: | Ophelia |
| Next Year: | 1998 |
Tigerlily is the debut studio album by American singer-songwriter Natalie Merchant, released on June 20, 1995, following her departure from the alternative rock band 10,000 Maniacs.
Tigerlily peaked at No. 13 on the Billboard 200 album chart and was certified five-times platinum by the Recording Industry Association of America in 2001. It contained three singles that charted on the Billboard Hot 100: "Carnival" (No. 10), "Wonder" (No. 20), and "Jealousy" (No. 23).
Tigerlily was re-released in 1996 as a 2-CD set, with the second CD containing a remix of the song "Jealousy" and live performances from her tour.
In 2015, to commemorate the album's 20th anniversary, Merchant rerecorded the songs from the album and released them as .[1]
The song "River" is a tribute to River Phoenix.
Aileen Wuornos had requested that Merchant's song "Carnival" be played at her funeral, and the song later appeared in the credits of the 2003 documentary . Merchant later commented:
Among positive reviews, J. D. Considine commented in Musician that Tigerlily shows "a far greater stylistic range than the Maniacs" and "Merchant conveys more passion and personality than in the past",[2] while Mark Cooper of Mojo highlighted "her flair for narrative songwriting and that habitual chafing between the sober and the sensual, sense and sensibility."[3] Los Angeles Times critic Jean Rosenbluth wrote that Tigerlily "presents Merchant as considerably more mature and womanly than the Maniacs gave her room to be" and "marks positive progress for a talent that is still in bloom." In The Guardian, Caroline Sullivan opined that Merchant had surpassed her work in 10,000 Maniacs with an album of "11 moving lyrics, sung with great grace", singling out "Beloved Wife" as possibly "the most touching thing committed to disc this year." Writing for Entertainment Weekly, David Browne observed that, "with its unadorned, keyboard-based arrangements, Tigerlily is more sparely produced than anything Merchant did with 10,000 Maniacs, yet the starkness works in her favor... The hooks on this album are subtler, and ultimately Merchant sounds both more natural and affecting." While Browne expressed a desire for Merchant to "lighten up," he also praised her "uncompromising vision." Brad Webber of the Chicago Tribune felt that Merchant's "characteristic trills and unique vocal stylism paint Tigerlily with bravura and make amends for some tepid songwriting."
Al Weisel, however, said in Rolling Stone that Merchant's voice had "nearly deteriorated into self-parody", adding, "With its surfeit of blindly self-obsessed lyrics and lulling lite-rock arrangements, the bulk of Tigerlily provides a perfect soundtrack for the Prozac nation." Elysa Gardner panned it in Spin as a "predictably tasteful effort" that "makes 10,000 Maniacs actually sound like ten thousand maniacs", while Qs Phil Sutcliffe found it lacking in "conviction or soul", and NMEs Mark Sutherland deemed it "nice" yet mostly "routine reflection". Critic Robert Christgau left no comment beyond an indifferent grade of "neither".[4]
In a retrospective review for AllMusic, Stephen Thomas Erlewine concluded that "the added emphasis on rhythmic texture works, creating an intimate but not exclusive atmosphere that holds throughout the record, even when her occasionally sophomoric, sentimental poetry threatens to sink the album in the weight of its own preciousness". Tom Moon, in the 2004 Rolling Stone Album Guide, compared the songs on Tigerlily to the "ambitious, unconventional material" Merchant wrote as a member of 10,000 Maniacs, "which made good use of her porcelain voice and exotic lyrical imagery."
Additional musicians
Technical
| Chart (1995) | Position | |
|---|---|---|
| US Billboard 200[5] | 57 | |
| Chart (1996) | Position | |
| New Zealand Albums (RMNZ)[6] | 36 | |
| US Billboard 200[7] | 25 |