Three or Four Shades of Blues explained

Three or Four Shades of Blues
Type:studio
Artist:Charles Mingus
Cover:Three or Four Shades of Blues.jpg
Recorded:March 9, 10, and 29, 1977
Studio:Atlantic Studios, New York; Record Plant, Los Angeles
Genre:Jazz
Label:Atlantic
Producer:Ilhan Mimaroglu
Prev Title:Changes Two
Prev Year:1975
Next Title:Cumbia & Jazz Fusion
Next Year:1978

Three or Four Shades of Blues is a studio album by the American jazz bassist and bandleader Charles Mingus. It was recorded in sessions held on March 9 and 11, 1977, at New York City's Atlantic Studios, and on March 29 at the Record Plant in Los Angeles. The album features two new versions of Mingus's "standards" and three new compositions performed by large ensembles featuring saxophonists Ricky Ford, George Coleman, and Sonny Fortune, pianist Jimmy Rowles, guitarists Larry Coryell, Philip Catherine and John Scofield, bassists Ron Carter and George Mraz, trumpeter Jack Walrath, and drummer Dannie Richmond.

Critical reception

In a contemporary review for The Village Voice, Robert Christgau said the second side on Three or Four Shades of Blue was "the best composed bebop" he had heard in 1977, partly because Coryell and Fortune gave their most impressive performances in some time. The New Yorker found the record "subtle and funny and full of Mingus's peculiar and unmistakable authority".[1] AllMusic's Stuart Kremsky was less enthusiastic in a retrospective review, writing that it was not Mingus's "best work, but not without merit". He felt the title track was one of his most successful attempts at longer compositions, even though he said the electric guitars were out of place.[2]

Track listing

All compositions by Charles Mingus.

Personnel

double bass, piano, vocals, arranger

trumpet

tenor saxophone

alto saxophone, tenor saxophone (tracks 1–4)

alto saxophone (track 5)

piano (track 4)

guitar (tracks 1–3 & 5)

guitar (tracks 1–4)

guitar (tracks 4 & 5)

bass (track 5)

bass (tracks 1–3)

drums

arranger

Notes and References

  1. The New Yorker, Volume 53, Issues 46-52, p. 63.
  2. Kremsky, S. [{{AllMusic|class=album|id=r165253|pure_url=yes}} AllMusic Review] accessed April 15, 2009.