| Three Friends | |
| Type: | Album |
| Artist: | Gentle Giant |
| Cover: | Threefriendscover.gif |
| Released: | 14 April 1972 |
| Recorded: | December 1971 |
| Studio: | Advision
|
| Genre: | Progressive rock |
| Length: | 35:24 |
| Label: | Vertigo (UK) Columbia (US/Canada) |
| Producer: | Gentle Giant |
| Prev Title: | Acquiring the Taste |
| Prev Year: | 1971 |
| Next Title: | Octopus |
| Next Year: | 1972 |
Three Friends is the third studio album by British progressive rock band Gentle Giant, released in 1972. It was the band's first release to chart in America, peaking at #197 on the Billboard 200. It is the only album by Gentle Giant to feature drummer Malcolm Mortimore following the departure of Martin Smith.
A concept album, Three Friends deals with three childhood friends whose lives take them very different places. However, each of the three friends are unsatisfied with their new lives. The closing song ends the story on a cliffhanger; whether or not the three friends ever reunite is never revealed. The album is predominantly instrumental, with some tracks having only brief vocal interludes.
Three Friends was the band's first self-produced album. The two former albums were produced by David Bowie and T.Rex producer Tony Visconti.
Gary Green's guitar solo on "Peel the Paint" uses an echoplex belonging to Mike Ratledge that Green's brother Jeff, a roadie with Ratledge's band Soft Machine, had borrowed.
The song "Schooldays" starts off with the sounds of a schoolyard playground in England. Ray Shulman told Songfacts about the song: "We started off using the sound effects of the schoolyard so it would be very nostalgic, and that's a whole song about being at school together, and how these friends went their own different ways. One goes into manual labour, one goes into white-collar work, and one is an artist."[1]
For the U.S. and Canadian edition, on Columbia Records, the album cover was changed to a modified version of the design from the self-titled UK debut Gentle Giant. The album title and band name were added over the forehead of the giant image and the colour tinting of the cover was changed.
The US edition on Columbia also has the marker for track 6 in the wrong place. On this version, track number 5 ends early at 3:23 instead of 5:51 while incorrectly extending the length of track six from 3:04 to 5:32. This mistake remained in place on US releases of the album for decades, being carried over to the CD releases and even to online digital music distributors such as iTunes and Spotify. It has since been corrected.