Thoughts of the Past explained

Thoughts of the Past
Artist:John Roddam Spencer Stanhope
Year:Exhibited in 1859
Medium:oil on canvas
Height Metric:86.4
Width Metric:50.8
Metric Unit:cm
Imperial Unit:in
City:London
Museum:Tate Britain

Thoughts of the Past is an oil painting on canvas by English Pre-Raphaelite artist John Roddam Spencer Stanhope, first exhibited in 1859 and currently housed at Tate Britain.

History

Known as one of the "second-generation" of Pre-Raphaelites, Stanhope was among Dante Gabriel Rossetti's mural-painting party at the Oxford Union in 1857, together with Arthur Hughes, John Hungerford Pollen, Valentine Prinsep, Ned Burne-Jones and William Morris (nicknamed Topsy). He was a founder member of the Hogarth Club, a direct descendant of the Pre-Raphaelite Brotherhood.[1]

This painting, with his depiction of a prostitute remorsefully contemplating her life, showed a subject typical of the Victorian era. Works such as Thoughts of the Past and Rossetti's Found (1855) allowed the genteel gallery-going public to sympathise with societal problems - from a safe distance. It was pictures such as William Holman Hunt's The Awakening Conscience (1854), illustrating a married man and his mistress, which were regarded as threatening to Victorian family life.[2]

Stanhope painted Thoughts of the Past in a studio just above one owned by Rossetti. Although his model is recognisably Pre-Raphaelite, the background of his painting hints at his own individual, artistic style, which was yet to emerge.[3] The river, boats and bridge owe more to the conventional style of the art in the Royal Academy than to that of the Pre-Raphaelite Brotherhood.see image detail below

See also

Further reading

External links

Notes and References

  1. [A.M.W. Stirling]
  2. T. Hilto, The Pre-Raphelites, Thames and Hudson (1970). Cf. also Elaine Shefer, "The 'Bird in the Cage' in the "History of Sexuality: Sir John Everett Millais and William Holman Hunt," Journal of the History of Sexuality 1 (1991), p. 475, note 48.
  3. Elise Lawton Smith, Evelyn Pickering de Morgan and the Allegorical Body, Fairleigh Dickinson University Press (2002).