Thoroughbred (film) explained

Thoroughbred
Producer:Ken G. Hall
Starring:Helen Twelvetrees
Frank Leighton
John Longden
Music:Hamilton Webber
Cinematography:George Heath
Editing:William Shepherd
Studio:Cinesound Productions
Distributor:British Empire Films
Runtime:89 minutes
Country:Australia
Language:English
Budget:£25,000[1] or £21,000[2] [3]
Gross:£25,000[4]

Thoroughbred is a 1936 Australian race-horse drama film directed by Ken G. Hall, partly based on the life and career of Phar Lap. Hollywood star Helen Twelvetrees was imported to Australia to appear in the film. The film also stars Frank Leighton and John Longden.

Plot summary

A Canadian horse trainer, Joan, is the adopted daughter of horse trainer and breeder Ma Dawson. She buys an unwanted thoroughbred colt named Stormalong. Joan nurses the horse back to health with the help of Ma's son Tommy, and Stormalong starts to win races. He becomes the favourite to win the Melbourne Cup which attracts the interest of a gambling syndicate who try to dope the horse and kill it in a stable fire. They then kidnap Tommy prior to the race.

Stormalong manages to participate in the Cup, and although is mortally wounded by a sniper, lives long enough to come first place. Tommy escapes and helps the police capture the gangsters.

Cast

Production

The film was the first made by Cinesound after the studio ceased production in 1935 enabling Hall to visit Hollywood for a number of months. While in Hollywood there he signed contracts with American star Helen Twelvetrees and writer Edmond Seward to work on the film. (Sally Blane and Norman Foster had been originally considered).[6]

He also purchased a rear-projection unit which was used extensively in the film.[7] The budget was originally announced as £25,000.[8]

Twelvetrees was paid £1,000 a week, reportedly the highest salary ever paid by the Australian film industry to an actor.[9] (Another source said £200 a week.[10])

Her co-stars would be Australian leading man Frank Leighton and English actor John Longden who was having an extended stay in Australia. According to Ken G. Hall, Twelvetrees and Leighton had an affair during filming, despite the actress having been accompanied to Australia by her husband and baby. Her husband found out and threatened to kill Leighton. Hall told Stuart F. Doyle who arranged for some detective friends to force Twelvetrees' husband to leave Australia.[11]

This was the first movie with Cinesound for actor Ron Whelan, who joined the company as assistant director and also worked as an actor in several films.[12]

Australia's Prime Minister Joseph Lyons visited the set during filming.[13]

The horses races were shot in part by a camera man being towed on a sled.[14]

The climax is similar to the 1934 Frank Capra film, Broadway Bill. Hall claimed he was unaware of this and blamed it on Seward.[15]

Release

The film was popular[16] although reviews were mixed, with some criticism of the script.[17] According to one account the film's box office "was a drop from the big figures of earlier days, but was still satisfactory, considering that an American programme picture will make only from £3,000 to £4,000 in Australia, a special feature up to £10,000, and a super-feature from £20,000 to £25,000, and American pictures cost four or five times as much to produce, compared with Australian. "[4]

The film received a release in the UK, but was subject to cuts from the censor on the grounds of scenes depicting cruelty to animals, in particular the stable fire.[18] The movie was not a success at the English box office.[16]

A novelised version of the screenplay sold out within three days, at a rate of 1,000 copies a day.[19]

See also

Notes

Hall, Ken G. Directed by Ken G. Hall: Autobiography of an Australian Filmmaker, Lansdowne Press, 1977

External links

Notes and References

  1. News: HELEN TWELVETREES. . . 4 December 1935 . 11 August 2012 . 20 . National Library of Australia.
  2. ABC Weekly. Sydney. Tomholt. 30. 23 September 1950. FILMS Cost of Australian Productions .
  3. Web site: Australian National University. The History of an Australian Film Production Company: Cinesound, 1932-70. Andrew Franklin. Pike. 245.
  4. CINESOUND CAVALCADE. 60. The Home : an Australian quarterly. 18. 6 . 1 June 1937.
  5. News: CINESOUND FILMS. . . 30 October 1935 . 10 August 2012 . 17 . National Library of Australia.
  6. Web site: Variety. Prod Starts at Cinemsound. 27 November 1935.
  7. News: DEMAND FOR LOCAL FILMS. . . Launceston, Tas. . 11 October 1935 . 10 August 2012 . 9 Edition: DAILY . National Library of Australia.
  8. News: RACING FILM. . . 25 October 1935 . 10 August 2012 . 11 . National Library of Australia.
  9. http://nla.gov.au/nla.news-article11851990 "Notes on the Screen." The Argus (Melbourne) 6 Nov 1935: 10
  10. Web site: Australian National University. The History of an Australian Film Production Company: Cinesound, 1932-70. Andrew Franklin. Pike. 79.
  11. Hall p 105-108
  12. http://nla.gov.au/nla.news-article55934039?searchTerm=%22lovers%20and%20luggers%22&searchLimits=l-category=Article%7Ccategory%3AArticle|||sortby=dateAsc 'Versatile Ronald Whelan', The Mail (Adelaide), Saturday 29 May 1937 p 12
  13. News: CINESOUND FILMS. . . 14 December 1935 . 10 August 2012 . 12 . National Library of Australia.
  14. News: AUSTRALIAN INGENUITY MEETS PROBLEM IN MAKING "THOROUGHBRED". . . Hobart, Tas. . 18 April 1936 . 11 August 2012 . 17 . National Library of Australia.
  15. Hall p108
  16. Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 172.
  17. News: FILM REVIEWS. . . 11 May 1936 . 11 August 2012 . 4 . National Library of Australia.
  18. News: AUSTRALIAN FILM. . . 18 July 1936 . 11 August 2012 . 17 . National Library of Australia.
  19. "'Thoroughbred' Novel into Third Edition", Everyones, Wednesday, 25 March 1936, p7