| Thomas Pitfield | |
| Birth Date: | 5 April 1903 |
| Death Date: | 11 November 1999 |
| Death Place: | Bowdon |
| Occupation: | Composer |
Thomas Baron Pitfield (5 April 190311 November 1999)[1] was a British polymath, primarily remembered as a composer, but also a poet, artist, engraver, calligrapher, master craftsman, furniture builder and teacher.[2]
He was born at 57 New Road Bolton to elderly parents whose strict Victorian values and lack of support for his creative interests led his withdrawn from school at 14 for a seven-year engineering apprenticeship with Hick, Hargreaves & Co. Ltd. His designs for transmission machinery for the cotton industry survive with ink and watercolour paintings of railway engines.[3]
Although he was essentially self-taught as a composer, he studied piano, cello and harmony at the Royal Manchester College of Music, where his teachers were Thomas Keighley, Kathleen Moorhouse, Frank Merrick and Carl Fuchs.[4] He also received early advice on composition from Eric Fogg.[2] In 1930 he won a scholarship to study art and cabinet-making at the Bolton School of Art.[4] After training as a teacher, he became art master at Tettenhall College, Wolverhampton. Whilst there, as a pacifist, he joined the Peace Pledge Union. In the Second World War he registered as a conscientious objector, with a condition that he continue teaching. He taught composition at the Royal Manchester College of Music from 1947 to 1973, where his pupils included David Ellis, John Golland, John McCabe, John Ogdon, Philip Spratley and Ronald Stevenson.[2]
Pitfield was a lifelong vegetarian.[4] Between 1986 and 1993 he wrote a three volume autobiography,[5] and also wrote more than 260 poems.[6] His collection The Poetry of Trees combines poetry and illustration.[7] In 1957 he designed his house, ‘Lesser Thorns’, in Bowdon near Manchester, and made its furnishings.[6] He continued to create art and music until his nineties.
Pitfield married his wife Alice Astbury, a pianist, on 26 December 1934. He died in Bowdon in November 1999, aged 96. Alice Pitfield died on 11 October 2000. Their house was sold and has since been demolished.[8]
As a composer Pitfield was influenced by Ralph Vaughan Williams, Percy Grainger and Frederick Delius. He was a prolific composer and his compositions are typically "light-hearted and small scale", referencing folk music and often including irregular rhythms.[6] However there are also large scale works, including concertos for piano, violin, recorder and percussion as well as a five-movement Sinfonietta (1947), and over a dozen stage works with music, such as The Devil in White (1939) and Adam and the Creatures (1968), both described as morality plays. His Piano Concerto No. 1 was performed several times at the Festival of Britain in 1951. The paired choral cantatas A Sketchbook of Men and A Sketchbook of Women (both 1953), achieved some popularity.[6]
Substantial chamber works include the Cello Sonata in D minor (1937-8, his own instrument), two Piano Trios (1930 and 1948/9), a Trio for flute, oboe and piano, an Oboe Sonata (1948) and a Xylophone Sonata (1965).[9] There are also collections of miniatures for students and amateurs and solo works for accordion, clarsach, and harmonica. He also invented an instrument called “patterphone” to produce rain-like sounds.[8]
He wrote for many notable artists, such as Léon Goossens, Evelyn Rothwell, Archie Camden, Dolmetsch, and Osian Ellis.
His music was published by more than 50 publishers. Hubert J. Foss of the Oxford University Press published many of his compositions, illustrations, frontispieces and cover-designs, which he made for various publications, including the one for Benjamin Britten's Simple Symphony.[1]