Thomas Hodgson | |
Birth Name: | Thomas Hodgson |
Years Active: | 2012–present |
Associated Acts: | Stornoway (band)[1] |
Thomas Hodgson is an English musician and ethnomusicologist,[2] who studies algorithms and AI in global contexts, with a particular focus on Pakistan and the Pakistani diaspora.[3] Previously a British Academy Fellow at King's College, London, Hodgson is currently Assistant Professor Of Musicology & Music Industry at UCLA Herb Alpert School of Music,[4] [5] and performs trumpet & percussion with Stornoway (band),[6] [7] in addition to frequent collaborations with composer Edward Nesbit.[8] Hodgson has taught at Lady Margaret Hall and Magdalen College, Oxford.
Year | Title | Publication |
---|---|---|
2021 | Quantifying Music: Imagined Metrics in Digital Startup Culture | Culture, Theory and Critique |
2021 | Spotify and the Democratisation of Music | Popular Music |
2020 | The Wood of the Flute: Stories from Kashmir[9] | The Nkoda Journal |
2020 | AI: More Than Human | Sound Studies |
2016 | Music Festivals in Pakistan and England | Islam and Popular Culture |
2014 | Le Mela de Bradford | Le Cahier d’Ethnomusicologie, Festivalization(s) |
2013 | "Do what the Qur’an says and stay away from crack”: Mirpuri Muslims, Rap Music, and the City | Rescripting Religion in the City: Migration and Religious Identity in the Modern Mertropolis |
2013 | South Asian Musics, Cultures and Communities in Newcastle Upon Tyne and the North East of England | Newcastle University Report |
2013 | South Asian Musics, Multiculturalism and Communities: A Review of Literature and Key Concepts | Newcastle University Report |
2012 | Interview with Raja (Radio DJ), Walsall, Birmingham | Performing Islam |
2012 | Multicultural Harmony? Pakistani Muslims and Music in Bradford | Music, Culture and Identity in the Muslim World: Performance, Politics and Piety |
See main article: Stornoway (band).