Runtime: | 60 minutes |
Genre: | Drama |
Creator: | Edward Zwick Marshall Herskovitz |
Showrunner: | Edward Zwick Marshall Herskovitz |
Executive Producer: | Edward Zwick Marshall Herskovitz |
Producer: | Ann Lewis Hamilton Joseph Dougherty Richard Kramer |
Starring: | Ken Olin Mel Harris Melanie Mayron Timothy Busfield Patricia Wettig Peter Horton Polly Draper |
Composer: | W. G. Snuffy Walden Stewart Levin Jay Gruska |
Country: | United States |
Language: | English |
Company: | The Bedford Falls Company MGM/UA Television Productions |
Network: | ABC |
Num Seasons: | 4 |
Num Episodes: | 85 |
List Episodes: | List of Thirtysomething episodes |
Related: | Once and Again |
Thirtysomething is an American drama television series created by Edward Zwick and Marshall Herskovitz for United Artists Television (under MGM/UA Television) and aired on ABC from September 29, 1987, to May 28, 1991.[1]
The series focuses on a group of baby boomers in their thirties who live in Philadelphia, and how they handle the lifestyle that dominated American culture during the 1980s given their involvement in the early 1970s counterculture as young adults.[2] It premiered in the United States on September 29, 1987, and lasted four seasons. It was canceled in May 1991 by mutual agreement between the producers and the network. Zwick and Herskovitz moved on to other projects.[3] [4] [5] The series won 13 Primetime Emmy Awards, out of 41 nominations, and two Golden Globe Awards.
On January 8, 2020, ABC confirmed that a television pilot, which would serve as a sequel to the series, had been ordered. The pilot was never filmed, but was set to be directed by Zwick, written by Zwick and Herskovitz, and have four members of the original cast (Ken Olin, Mel Harris, Timothy Busfield and Patricia Wettig) reprising their roles.[6] In June 2020, ABC passed on the series.[7]
An ensemble drama, the series revolves around a married couple, Michael Steadman and Hope Murdoch, and their baby, Janie. Michael's cousin is photographer Melissa Steadman, who used to date his college friend Gary Shepherd. Gary eventually marries Susannah. Michael's business partner is Elliot Weston, who has a troubled marriage with his wife Nancy, a painter. Hope's childhood friend is local politician Ellyn Warren.
See main article: List of Thirtysomething episodes.
Season | Timeslot | Rank | Rating |
---|---|---|---|
1) 1987–1988 | Tuesday night at 10:00 pm |
| 12.1 |
2) 1988–1989 |
| 13.9 | |
3) 1989–1990 |
| 12.4 | |
4) 1990–1991 |
| 11.2 |
Shout! Factory (under license from MGM) has released all four seasons of Thirtysomething on DVD in Region 1.
Mill Creek Entertainment has rereleased the first season on DVD in two volumes. On January 18, 2011, it released Season One, Volume One, which contains the first 10 episodes of the season. Season One, Volume Two, which contains the remaining 11 episodes, was released on January 10, 2012.
In Region 2, Revelation Films released the first two seasons on DVD in the UK. Season 3 was briefly released in 2014, but was almost immediately withdrawn from sale for unspecified "contractual reasons" and has, to date, not been rereleased, nor has Season 4.
In Region 4, Shock Entertainment has released all 4 seasons on DVD in Australia.
DVD Name | Ep# | Release Dates | ||||
---|---|---|---|---|---|---|
Region 1 | Region 2 | Region 4 | ||||
The Complete First Season | 21 | August 25, 2009 | November 26, 2012 | September 18, 2013 | ||
The Complete Second Season | 17 | January 19, 2010 | March 18, 2013 | September 18, 2013 | ||
The Complete Third Season | 24 | May 11, 2010 | style="text-align:center;" | - | September 18, 2013 | |
The Complete Fourth Season | 23 | November 9, 2010 | style="text-align:center;" | - | September 18, 2013 |
Thirtysomething was influenced by the films Return of the Secaucus 7 (1980) and The Big Chill (1983).[12] The show reflected the angst felt by baby boomers and yuppies in the United States during the 1980s,[13] such as the changing expectations related to masculinity and femininity introduced during the era of second-wave feminism.[14] It also introduced "a new kind of hour-long drama, a series that focused on the domestic and professional lives of a group of young urban professionals, a socio-economic category of increasing interest to the television industry [...] its stylistic and story-line innovations led critics to respect it for being 'as close to the level of an art form as weekly television ever gets,' as the New York Times put it."[12] During its four-year run, Thirtysomething "attracted a cult audience of viewers who strongly identified with one or more of its eight central characters, a circle of friends living in Philadelphia."[12] Even after its cancellation in 1991, it continued to influence television programming, "in everything from the look and sound of certain TV advertisements, to other series with feminine sensibilities and preoccupations with the transition from childhood to maturity (Sisters), to situation comedies about groups of friends who talk all the time (Seinfeld)."[12] The show also influenced the British television series Cold Feet, which featured similar storylines and character types. The creator of Cold Feet wanted his show to be in the mould of successful American TV series like Thirtysomething and Frasier.[15]
Susan Faludi, in her bestseller Backlash (1991), argues that Thirtysomething often reinforced, rather than dismantled, gender stereotypes. She suggests that it exhibited a disdainful attitude toward single, working, and feminist women (Melissa, Ellyn, and Susannah) while at the same time "exalting homemakers" (Hope and Nancy).[16] [17] In this manner, the series was seen as "seemingly progressive but substantially conservative in its construction of reality."[18]
Almost immediately after the introduction of the show, the term "Thirtysomething" became a catchphrase used to designate baby boomers in their thirties. This cultural shift was reinforced by the Oxford English Dictionary, which added "Thirtysomething" in 1993 (under the word "thirty") and defined the term as follows:
Draft additions 1993 - n. [popularized as a catch-phrase by the U.S. television programme thirtysomething, first broadcast in 1987] colloq. (orig. U.S.) an undetermined age between thirty and forty; spec. applied to members of the ‘baby boom’ generation entering their thirties in the mid-1980s; also attrib. or as adj. phr. (hence, characteristic of the tastes and lifestyle of this group).[19]
While it aired, Thirtysomething was nominated for 41 Primetime Emmy Awards, winning 13. It also won two Golden Globe awards. Later, by 1997, "The Go Between" and "Samurai Ad Man" were listed as number 22 on TV Guides 100 Greatest Episodes of All Time.[20] Thirtysomething then placed the number 19 spot on TV Guide′s 50 Greatest TV Shows of All Time in 2002,[21] and in 2013, TV Guide placed it as No. 10 in its list of The 60 Greatest Dramas of All Time.[22]
Year | Association | Category | Recipient | Results | Ref |
---|---|---|---|---|---|
1988 | Casting Society of America | Best Casting for a TV, Dramatic Episodic | (casting director) Judith Holstra (casting director) Marcia Ross | ||
Directors Guild of America | Outstanding Directorial Achievement in Dramatic Series – Night | for episode "Pilot" (director) Marshall Herskovitz (unit production manager) Stephen McEveety (first assistant director) Peter Gries (second assistant director) Dawn Easterling | |||
Creative Arts Emmy Awards | Outstanding Achievement in Costuming for a Series | for episode "Whose Forest is This?" (men's costume supervisor) Patrick R. Norris (women's costume supervisor) Marjorie K. Chan (men's costumer) Anne Hartley (women's costumer) Julie Glick | [23] | ||
Outstanding Achievement in Costuming for a Series | for episode "Pilot" (costume supervisor) Marilyn Matthews (costumer) Patrick R. Norris | ||||
Outstanding Achievement in Main Title Theme Music | Stewart Levin W.G. Snuffy Walden | ||||
Outstanding Editing for a Series – Single Camera Production | for episode "Therapy" (editor) Victor Du Bois (editor) Richard Freeman | ||||
Outstanding Guest Actress in a Drama Series | for episode "The Parents Are Coming" Shirley Knight | ||||
Golden Globes | Best Television Series — Drama | thirtysomething | [24] | ||
Humanitas Prize Awards | 60 Minute Category | Paul Haggis Marshall Herskovitz | |||
People's Choice Awards | Favorite New Television Program — Dramatic | thirtysomething | |||
Primetime Emmy Awards | Outstanding Drama Series | (producer) Scott Winant (supervising producer) Paul Haggis (executive producer) Marshall Herskovitz (executive producer) Edward Zwick | |||
Outstanding Writing in a Drama Series | for episode "Business as Usual (aka Michael's Father's Death" (writer) Paul Haggis (writer) Marshall Herskovitz | ||||
Outstanding Supporting Actor in a Drama Series | Timothy Busfield | ||||
Outstanding Supporting Actress in a Drama Series | Polly Draper | ||||
Outstanding Supporting Actress in a Drama Series | Patricia Wettig | ||||
TCA Awards | Outstanding Achievement in Drama | thirtysomething | |||
1989 | American Cinema Editors Awards | Best Edited Episode from a Television Series | for episode "Accounts Receivable" (editor) Victor Du Bois (editor) Steven Rosenblum | ||
Creative Arts Emmy Awards | Outstanding Achievement in Costuming for a Series | for episode "We'll Meet Again" (men's costumer) Patrick R. Norris (women's costumer) Julie Glick | |||
Outstanding Editing for a Series – Single Camera Production | for episode "First Day/Last Day" (editor) Steven Rosebaum | ||||
Outstanding Achievement in Hairstyling for a Series | for episode "We'll Meet Again" (hairstylist) Carol Pershing | ||||
Outstanding Achievement in Special Visual Effects | for episode "Michael Writes A Story" (associate producer) Jeanne Byrd (supervising editor) Victor Du Bois (visual effects artist) Simon Holden (visual effects supervisor) Steve Wyskocil | ||||
Outstanding Art Direction for a Series | for episode "Michael Writes A Story" (art director) Brandy Alexander (set director) Mary Ann Biddle | ||||
Outstanding Sound Mixing for a Drama Series | for episode "Michael Writes A Story" (music re-recording mixer) Tim Philben (music re-recording mixer) Scott Millan (effects re-recording mixer) Clark Conrad (production mixer) Will Yardbrough | ||||
Outstanding Guest Actor in a Drama Series | for episode "The Mike Van Dyke Show" Jack Gilford | ||||
Directors Guild of America | Outstanding Directorial Achievement in Drama Series – Night | for episode "Michael's Brother" (director) Edward Zwick | |||
Outstanding Directorial Achievement in Drama Series – Night | for episode "Therapy" (director) Marshall Herskovitz (unit production manager) Lindsley Parsons III (first assistant director) Craig Beaudine (second assistant director) Roger E. Mills | ||||
Golden Globes | Best Television Series — Drama | thirysomething | |||
Humanitas Prize Awards | 60 Minute Category | for episode "In Re: The Marriage Of Weston" Susan Shiliday | |||
60 Minute Category | for episode "Elliot's Dad" Joseph Dougherty | ||||
Primetime Emmy Awards | Outstanding Drama Series | (executive producer) Marshall Herskovitz (executive producer) Edward Zwick (supervising producer) Scott Winant (producer) Richard Kramer (co-producer) Ellen S. Pressman (coordinating producer) Lindsley Parsons III | |||
Outstanding Directing in a Drama Series | for episode "We'll Meet Again" (director) Scott Winant | ||||
Outstanding Writing in a Drama Series | for episode "First Day/Last Day" (writer) Joseph Dougherty | ||||
Outstanding Supporting Actor in a Drama Series | Timothy Busfield | ||||
Outstanding Supporting Actress in a Drama Series | Melanie Mayron | ||||
TCA Awards | Outstanding Achievement in Drama | thirtysomething | |||
Viewers for Quality Television Awards | Best Quality Drama Series | thirtysomething | |||
Writers Guild of America | Episodic Drama | for episode "Nice Work If You Can Get It" (teleplay) Paul Haggis (story) Jean Vallely | |||
Episodic Drama | for episode "Therapy" (writer) Susan Shilliday | ||||
Episodic Drama | for episode "Thirtysomething" (writer) Marshall Herskovitz (writer) Edward Zwick | ||||
Young Artist Awards | Best Young Actor Under Nine Years of Age | Luke Rossi | |||
1990 | Creative Arts Emmy Awards | Outstanding Costuming for a Series | for episode "Strangers" (supervising costumer) Patrick R. Norris (women's costumer) Julie Glick | ||
Outstanding Hairstyling for a Series | for episode "Strangers" (hairstylist) Carol Pershing | ||||
Outstanding Art Direction for a Series | for episode "Michael's Campaign" (production designer) Brandy Alexander (set decorator) Mary Ann Biddle | ||||
Outstanding Guest Actor in a Drama Series | for episode "Strangers" Peter Frechette | ||||
Outstanding Guest Actress in a Drama Series | for episode "Arizona" Shirley Knight | ||||
Directors Guild of America | Outstanding Directorial Achievement in Dramatic Series – Night | for episode "Love & Sex" (director) Michael Herskovitz | |||
GLAAD Media Awards | Outstanding Drama Episode | thirtysomething | |||
Golden Globes | Best Television Series — Drama | thirtysomething | |||
Best Performance by an Actor in a Television Series — Drama | Ken Olin | ||||
Best Performance by an Actress in a Television Series — Drama | Mel Harris | ||||
Humanitas Prize Awards | 60 Minute Category | Joseph Dougherty | |||
Primetime Emmy Awards | Outstanding Drama Series | (executive producer) Edward Zwick (executive producer) Marshall Herskovitz (supervising producer) Scott Winant (producer) Richard Kramer (co-producer) Ellen S. Pressman (coordinating producer) Lindsley Parsons III | |||
Outstanding Directing in a Drama Series | for episode "The Go-Between" (director) Scott Winant | ||||
Outstanding Writing in a Drama Series | for episode "The Go-Between" (writer) Joseph Dougherty | ||||
Outstanding Lead Actress in a Drama Series | Patricia Wettig | ||||
Outstanding Supporting Actor in a Drama Series | Timothy Busfield | ||||
Outstanding Supporting Actress in a Drama Series | Melanie Mayron | ||||
TCA Awards | Outstanding Achievement in Drama | thirtysomething | |||
Viewers for Quality Television Awards | Best Quality Drama Series | thirtysomething | |||
Best Actress in a Quality Drama Series | Mel Harris | ||||
Best Supporting Actor in a Quality Drama Series | Timothy Busfield | ||||
Best Supporting Actress in a Quality Drama Series | Patricia Wettig | ||||
Young Artists Awards | Best Young Actor Supporting Role in a Television Series | Luke Rossi | |||
1991 | American Society of Cinematographers | Outstanding Achievement in Cinematography in Regular Series | for episode "The Go-Between" (cinematographer) Kenneth Zunder | ||
Creative Arts Emmy Awards | Outstanding Achievement in Costuming for a Series | for episode "A Wedding" (costume supervisor) Patrick R. Norris (women's costume supervisor) Linda Serijan | |||
Outstanding Guest Actress in a Drama Series | for episode "Sifting The Ashes" Eileen Brennan | ||||
Directors Guild of America | Outstanding Directorial Achievement in Dramatic Series – Night | for episode "The Go-Between" (director) Scott Winant | |||
Golden Globes | Best Television Series — Drama | thirtysomething | |||
Best Performance by an Actress in a Television Series — Drama | Patricia Wettig | ||||
Humanitas Prize Awards | 60 Minute Catgegory | for episode "Fighting The Cold" Joseph Doughterty | |||
60 Minute Category | Ann Lewis Hamilton | ||||
Primetime Emmy Awards | Outstanding Drama Series | (executive producer) Edward Zwick (executive producer) Marshall Herskovitz (supervising producer) Scott Winant (producer) Ellen S. Pressman (producer) Richard Kramer (producer) Ann Lewis Hamilton (producer) Joseph Dougherty (co-producer) Lindsley Parsons III | |||
Outstanding Writing in a Drama Series | for episode "Second Look" (writer) Ann Lewis Hamilton | ||||
Outstanding Lead Actress in a Drama Series | Patricia Wettig | ||||
Outstanding Supporting Actor in a Drama Series | Timothy Busfield | ||||
Outstanding Supporting Actor in a Drama Series | David Clennon | ||||
Outstanding Supporting Actress in a Drama Series | Melanie Mayron | ||||
TCA Awards | Outstanding Achievement in Drama | thirtysomething | |||
Viewers for Quality Television Awards | Best Quality Drama Series | thirtysomething | |||
Best Writing in a Quality Drama Series | writers | ||||
Best Actor in a Quality Drama Series | Ken Olin | ||||
Best Actress in a Quality Drama Series | Patricia Wettig | ||||
Best Supporting Actor in a Quality Drama Series | Timothy Busfield | ||||
Best Supporting Actress in a Quality Drama Series | Melanie Mayron | ||||
Specialty Player | David Clennon | ||||
Writers Guild of America | Episodic Drama | for episode "I'm Nobody, Who Are You?" (writer) Winnie Holzman | |||
Episodic Drama | for episode "Strangers" (writer) Richard Kramer | ||||
Young Artists Awards | Best Young Actor Starring in a Television Series | Luke Rossi | |||
1992 | Writers Guild of America | Episodic Drama | for episode "Photo Opportunity" (writer) Racelle Rosett Schaefer | ||
Episodic Drama | for episode "Guns and Roses" (writer) Liberty Godshall |
A sequel to the series, thirtysomething(else), was pitched in September 2019. The pilot was a co-production between MGM Television and Bedford Falls Productions, which was behind the original series, and ABC Studios, and producers were casting its four original main roles at the time of the announcement.[6]
In February 2020, Chris Wood was cast as Leo Steadman, the show's male lead.[25] Over the next few weeks, Odette Annable was cast as Janey Steadman and Patrick Fugit and Auden Thornton as Ethan and Brittany Weston.[26] [27] [28] Melanie Mayron and Polly Draper agreed to appear as Melissa Steadman and Ellyn Warren.[29] On June 29, ABC decided not to move forward with the sequel.[30]