| Things I Know To Be True | |
| Characters: | Fran Price, Bob Price, Rosie Price |
| Setting: | Adelaide South Australia |
| Premiere: | May 2016 |
| Place: | Adelaide South Australia |
| Orig Lang: | English |
| Genre: | Family drama |
Things I Know To Be True is a play by Andrew Bovell that premiered in May 2016 and was performed by The State Theatre Company South Australia. It has also been performed in Britain by Frantic Assembly, in Sydney at the New Theatre (2022), in the United States in a co-production with the Milwaukee Repertory Theatre and the Arizona Theatre Company (2019), in Canada at the CAA Theatre [Mirvish and Company Theatre co-production (2023)], and in translation in Spain. The play is naturalistic but features great use of non-naturalistic physical movement to emphasise the emotional connection between the characters - following the story of the Price Family and their problems.
The play is set in Adelaide, Australia, which is where the play held its World Premiere in May 2016. For the American production, Bovell adapted the action of the drama to take place in the Midwestern United States. [1]
Things I Know To Be True follows the story and the many struggles of the Price Family. The play begins with a monologue from Rosie Price on a European getaway during her gap-year. She reveals that she had met a man called Emmanuel while she was in Berlin, but found that he'd stolen most of her valuables and run away when she woke up one night, forcing her to return to Australia.
When Rosie returns home, the rest of the family come to meet her. We learn that Pip, Rosie's elder sister, has decided to leave her husband and two children behind to live in Vancouver; her mother, Fran, disapproves, especially after she found out that Pip had been cheating. Later in the play, Pip has moved to Vancouver and had written a letter to Fran, finally emotionally connecting with her after a rather abusive childhood.
The Price's second child, Mia (previously referred to as Mark,) comes out as transgender and announces her plans for her transition, which include her plan to move to Sydney to begin transgender hormone therapy. This comes as a shock to the rest of the family, with Fran again being particularly displeased. This scene is the last time in which we see Mia present as male, with her presenting as a woman in her later appearances.
Fran had been saving around $250,000 as a get-out fund for her relationship with Bob, stating that it is "hard to love someone for 30 years straight." She admits to Bob that she once thought of running away - as Pip had just done - but stayed together for the sake of their children. Fran then says that she now saves it for them to treat themselves. She asks Bob where he'd most like to go and he replies Kruger National Park. To his surprise, she agrees to go, yet they never do.
The final sub-plot of this play is centered around the younger son, Ben, and his father, Bob. Bob finds a European car parked outside; it turns out to be Ben's and Bob wants to know how he found the money, with Ben answering that he worked hard for it. This appears to be insignificant, until later in the play Ben returns home, and reveals that he had been skimming, and that's where he'd received the money for the drugs and flashy car.
As all this is happening, however, tragedy strikes. It is revealed that Fran had been involved in a car crash and was pronounced dead on arrival. She passes away without reconciling with Mia, emotionally connecting with Pip in person, forgiving Ben and taking Bob to South Africa. The children return to Adelaide to meet Bob and Rosie for Fran's funeral.
| Role | Adelaide | UK | USA | USA East Coast | Spain | Canada | Melbourne | Character notes | |
|---|---|---|---|---|---|---|---|---|---|
| Fran Price | Eugenia Fragos | Imogen Stubbs | Jordan Baker | Corinna May | Seana Mckenna | Belinda McClory | Fran Price is the mother of the Price Family. Fran is a senior nurse and is the only working parent in the Price Family. During the play, she reveals that she has a secret stash of cash hidden away for post-retirement, but, in a revelation, she revealed that it was originally a 'get-out clause' for her relationship with Bob. During the same speech, she admits that she loved another man, but never slept with him and stuck with Bob for the sake of her children. It is revealed that she died in an MVC in the final scene of the play. | ||
| Bob Price | Paul Blackwell | Ewan Stewart | Bill Geisslinger | John Wojda | Tom McCamus | Ben Grant | Bob Price is the father of the Price Family and is retired. He has retired earlier than anticipated, due to his taking of a redundancy package that the car company he was previously working for offered him. He is perhaps best known for his comedic interruptions in what is otherwise a more serious play, such as asking Fran if she had used his secateurs during a heated argument. Due to his unemployment, Bob has become a very keen gardener and is also a family man. His prized possessions are his children and his plants, in particular, his roses, which are a subject of a few satirical arguments between him and his wife. Bob is distraught when Fran dies and tears the plants that he has spent so long nurturing from the ground in a fit of anger. | ||
| Rosie Price | Tilda Cobham-Hervey | Kirsty Oswald | Aubyn Heggie | Raya Malcolm | Candela Salguero | Eva Rees | Rosie Price is the youngest daughter of the Price Family, aged 19. She does not know who she wants to be yet and begins the play stating that she had just come back from a European adventure in Berlin, where she met a man called Emmanuel and was walked out on. As she uncertain about her future, Fran and Bob see her as the opportunity to carry on their legacy the way they want to, keeping her close and always in contact. However, she reveals that she wants to move to Brisbane, thus breaking Bob's heart. She starts the play. | ||
| Pip Price | Georgia Adamson | Natalie Casey | Kelley Faulkner | Liz Hayes | Brigid Gallacher | Pip Price is the eldest child in the Price Family and is an education bureaucrat. She had two daughters with her partner, Steve, but later reveals that she has fallen in love with another man whom she met at a conference in Vancouver, who is also married. She feels distanced from her mother as she always felt like she was the least favoured sibling, linked to the fact that her mother pulled her hair when she was fourteen. | |||
| Mark Price | Tim Walters | Matthew Barker | Kevin Kantor | Jo Michael Rezes | Tomáš Kantor | Mark Price is the eldest son and the second child of the Price Family and is an IT Specialist. Mark comes out as transgender in the second half of the play and announces an intention to move to Sydney for hormonal treatment, announcing that her name is Mia instead of "Mark". Bob and Fran greet the news with shock and hostility. Rosie helps Mia pack and they exchange watches: at this point, it appears that Rosie is the only one who sympathises. Mia appears as a woman in the end scene ready for the funeral of her mother, with whom she never reconciled. Both Kevin Kantor and Jo Michael Rezes have performed the role of Mia as openly non-binary actors[2] [3] within the American adaptation. | |||
| Ben Price | Nathan O'Keefe | Richard Mylan | Zach Fifer | David Keohane | Joss McClelland | Ben Price is the youngest son in the Price Family. He is a financial services officer. At first, he appears to be the highest achieving of the family, but as the play continues it is revealed that Bob sees a great deal of himself within Ben. This relationship crumbles, however, as Bob discovers that Ben has been skimming, amounting to a total of $250,000. The two characters end up in a physical fight, removing both characters of their innocence. |
The UK production of Things I Know to Be True featured a soundtrack composed by Nils Frahm. Frahm's pieces, selected from his catalogue by directors Scott Graham and Geordie Brookman in conjunction with sound designer Andrew Howard, have one prominent instrument; the piano. Frahm ensures that the piano's chords reflect the mood of the current scene, using minor keys for sadder scenes and slightly jazzier tones for happier ones.
Aside from Frahm's soundtrack, the work of Leonard Cohen is mentioned many times; coincidentally he died just a few days before the first performance at the Chichester Minerva Theatre. His song 'Famous Blue Raincoat' is featured during Pip's letter to Fran, where she explains that it used to be Fran and Bob's song that they loved. Here are the lyrics from Cohen's hit that were adapted to fit the letter:
I hear that you're building your little house deep in the desert.You're living for nothing now, I hope you're keeping some kind of record.
Yes, and Jane came by with a lock of your hairShe said that you gave it to herThat night that you planned to go clearDid you ever go clear?
The following is a list of mediums that Andrew Bovell has named as inspirations when writing, or rehearsing Things I Know to Be True: [4]
| Medium | Produced By | Type of Medium | Inspiration Within the Plot |
|---|---|---|---|
| Araby | James Joyce | Short Story | Rosie's trip to Europe |
| Twilight | Gregory Crewdson | Visual Art | The relationship between Pip, Rosie and Fran |
| Beneath the Roses | |||
| Muhammad Ali vs Sonny Liston | Neil Leifer | Image | Bob's fight with Ben |
| Just, Radiohead | Jamie Thraves | Music Video | Pip sitting in the garden |
| Ozymandias | Percy Bysshe Shelley | Sonnet | Bob's Roses |
| The Birthday | Chagall | Painting | Bob and Fran's Dance |
| Witness | Peter Weir | Film | Not Said |
| Stop Making Sense | Talking Heads | Song | |
| Krapp's Last Tape | Samuel Beckett | Play |
Things I Know to Be True has widely received good reviews, with the average rating at around three and a half stars out of five. The US East Coast premiere of the play, directed by Judy Braha at Great Barrington Public Theater in July 2022, received regional acclaim[5] [6] garnering two Berkshire Theatre Critics Awards nominations for Outstanding Supporting Actress (Corinna May as Fran) and Outstanding Supporting Actor (Jo Michael Rezes as Mia).[7]
The Guardian described the Frantic Assembly production as "a pleasure to watch", and the Radio Times stated that "It is a rare thing for a suburban family drama to resonate quite as acutely and uncomfortably as Things I Know to Be True", describing it as an "understated gem".[8] [9] What's On Stage praised Bovell's writing ability as "good on the daily frictions of life".[10]