Theresa Secord Explained
Theresa Secord (born 1958) is an artist, basketmaker, geologist and activist from Maine. She is a member of the Penobscot nation, and the great-granddaughter of the well-known weaver Philomene Saulis Nelson.[1] She co-founded, and was the director of, the Maine Indian Basketmakers Alliance (MIBA) in Old Town, Maine.[2]
When apprenticing with basketmaker Madeline Tomer Shay, Secord learned that at the time she was one of few young Wabanaki people being taught to make brown ash and sweet-grass baskets.[3] After Shay's death, Secord founded MIBA in 1993 as a way to preserve Wabanaki language and culture.[4] In 2003, the MIBA received the International Prize for Rural Creativity in part for lowering the average age of basketmakers in Maine from 63 to 43.[5]
Her work has been shown at the Hudson Museum at the University of Maine, at the National Museum of the American Indian in New York, and at the Southwest Museum of the American Indian in Los Angeles.[6] She is the great niece of the renowned Penobscot dancer, actress and writer Molly Spotted Elk, and her great-grandmother is Philomene Saulis Nelson, considered an "acclaimed weaver."
Education
Secord earned a B.A. in geology from the University of Southern Maine in 1981 and an M.S. in Economic Geology from the University of Wisconsin-Madison in 1984.[1] She served as Staff Geologist for the Penobscot Nation.[7] Secord studied weaving and Penobscot language with Madeline Tomer Shay from 1988 to 1993.
Personal life
Secord has two sons, Caleb Hoffman and Will Hoffman. Caleb is a basketmaker apprenticing with Jeremy Frey.[2]
Awards and honors
Published works
Notes and References
- Book: Encyclopedia of Native American Artists. Everett. Deborah . Zorn . Elayne . Theresa Secord (b. 1958), Penobscot Basketmaker . https://books.google.com/books?id=amlLBr62bYMC&pg=190. 2008. Greenwood Press. 9780313080616. Westport, Connecticut . 190–192. 328280157.
- January–February 2006. Theresa Secord: Weaving New Life into a Dying Art . Krol . Debra Utacia . Native Peoples Magazine . 19 . 1 . 36–37 . 0895-7606.
- Web site: Masters and apprentices. My Maine Stories. en. 2019-08-15.
- Neuman. Lisa K.. 2010-11-07. Basketry as Economic Enterprise and Cultural Revitalization: The Case of the Wabanaki Tribes of Maine. Wíčazo Ša Review. en. 25. 2. 89–106. 10.1353/wic.2010.0015. 162947995 . 1533-7901.
- Book: Mundell, Kathleen. North by northeast: Wabanaki, Akwesasne Mohawk, and Tuscarora traditional arts. 2008. Tilbury House, Publishers. 9780884483052. 1st paperback. Gardiner, Me.. 221960560.
- News: Contemporary - Hudson Museum - University of Maine. Hudson Museum. 2018-10-11. en-US.
- Baron. Robert. 2010. Sins of Objectification? Agency, Mediation, and Community Cultural Self-Determination in Public Folklore and Cultural Tourism Programming. The Journal of American Folklore. 123. 487. 63–91. 10.5406/jamerfolk.123.487.0063. 0021-8715. 10.5406/jamerfolk.123.487.0063.
- Web site: Dawnland Voices Wabanaki News. 2004. 2018-10-11.
- 2010. Theresa Secord. Textile Fibre Forum. 29. 26.
- News: Theresa Secord: Penobscot Nation Ash/Sweetgrass Basketmaker . n.d. . www.arts.gov . National Endowment for the Arts . February 21, 2021 . en.
- News: Penobscot basketmaker wins nation's highest honor in the traditional arts. Keyes. Bob . 2016-06-30. Press Herald. February 21, 2021 . https://web.archive.org/web/20160701132728/https://www.pressherald.com/2016/06/30/penobscot-basketmaker-wins-nations-highest-honor-in-the-traditional-arts/ . July 1, 2016 . dead.
- Web site: Maine Gallery Guide. cafedesartistes.mainegalleryguide.com. en-US. 2018-10-11.