There Are No False Undertakings Explained

There Are No False Undertakings
Native Name:
Director:Olivier Godin
Producer:Jean-Sébastien Beaudoin Gagnon
Johannie Deschambault
Starring:Tatiana Zinga Botao
François-Simon Poirier
Leslie Mavangui
Fayolle Jean
Music:Ana Tapia Rousiouk
Cinematography:Renaud Després-Larose
Editing:Olivier Godin
Studio:Chez Sport
Distributor:La Distributrice de films
Runtime:104 minutes
Country:Canada
Language:French

There Are No False Undertakings (French: Il n'y a pas de faux métier) is a Canadian comedy film, directed by Olivier Godin and released in 2020.[1]

The film stars Tatiana Zinga Botao as Marie-Cobra Tremblay, a writer who is working on a screenplay she hopes that Denzel Washington will star in; however, her work is complicated by the disapproval of her ex-husband Rosaire (François-Simon Poirier) and her best friend Mélusine (Leslie Mavangui), Washington's (Fayolle Jean) lack of interest in the project as he is more focused on the goal of getting cast as Angel in a new Buffy the Vampire Slayer reboot, and the discouraging feedback of professional screenwriter Croquette (Éric K. Boulianne).[2]

The film's cast also includes Florence Blain Mbaye, Alexis Martin, Ève Duranceau, Schelby Jean-Baptiste, Jean-Marc Dalpé and Emery Habwineza. Habwineza's character, Ducarmel, appeared in only a minor capacity in There Are No False Undertakings, but was the central character of Godin's next film Ireland Blue Book (Irlande cahier bleu).[3]

The film premiered on October 7, 2020 at the 2020 Festival du nouveau cinéma.[4]

Critical response

Alex Rose of Cult MTL reviewed the film positively, writing that it "goes in every direction at once, a dialogue-dense comedy of manners that subscribes to no particular sense of genre or comedic timing. Though somewhat of a meta-deconstruction of the process of writing a film (with copious jabs at the wonderfulness of grants) and of the invisible borders of intellectualism (prompting the immortal line “Pasolini, y’est-tu sur Netflix?!”), it’s also just fucking weird from top to bottom. It’s rare to see a film that’s so playful and yet so comfortable with alienating the majority of people who might lay eyes on it, which puts it in its own category on the Quebec cinematic landscape." He additionally noted that "it's also extremely rare to see this many people of colour in a Quebec movie that isn’t about street gangs or refugees."[2]

For Screen Anarchy, Shelagh Rowan-Legg wrote that "At nearly two hours, it could have probably trimmed its time a bit; absurdism can get tiring when the audience has to keep up with all the complicated connections, and perhaps a few of the vignettes didn't quite find their feet. Yet overall, There Are No False Undertakings is a bizarre journey into the oddities of a collective imagination, one in which you will likely find your own thoughts (ones you thought to never speak aloud) reflected in delightful characters and their deadpan yet whimsical understakings [sic]."[5]

Notes and References

  1. André Duchesne, "Quatre films québécois en première mondiale au FNC". La Presse, August 25, 2020.
  2. https://cultmtl.com/2020/10/week-one-five-films-to-watch-at-festival-du-nouveau-cinema-2020-last-and-first-men-judy-versus-capitalism-il-ny-a-pas-de-faux-metier-caught-in-the-net-undine/ "WEEK ONE: Five films to watch at Festival du Nouveau Cinéma 2020"
  3. Jason Paré, "«Irlande cahier bleu»: onirisme et poésie". Métro, July 27, 2023.
  4. François Lévesque, "Horizons virtuels". Le Devoir, October 7, 2020.
  5. Shelagh Rowan-Legg, "Montreal Nouveau 2020 Review: THERE ARE NO FALSE UNDERTAKINGS, Vignettes of the Odd and Surreal". Screen Anarchy, October 19, 2020.