Theophilus Freeman (after 1858?) was a 19th-century American slave trader of Virginia, Louisiana and Mississippi. He was known in his own time as wealthy and problematic. Freeman's business practices were described in two antebellum American slave narratives—that of John Brown and that of Solomon Northup—and he appears as a character in both filmed dramatizations of Northrup's Twelve Years a Slave.
According to a United States census record, Freeman was born about 1800 in the U.S. state of Georgia. Freeman may have been the son of Daniel Freeman of Jasper County, Georgia, as a Theophilus Freeman is named as a son and heir in Daniel Freeman's will and testament of January 30, 1840. Daniel Freeman was a pensioned veteran of the American Revolutionary War.[1] Theophilus Freeman appears in the 1830 census of Prince William County, Virginiawhich is just outside the District of Columbia in northern Virginiawith one enslaved man in his household.[2] There was a letter waiting for Theophilus Freeman at the Monticello, Georgia post office in 1831.[3] There was a letter waiting for Freeman at the Augusta, Georgia post office in 1832.[4] In the 1830s, Freeman seems to have been a partner with N. C. Finnall in the trading firm Finnall & Freeman, which exported slaves from the Virginia area to New Orleans for sale. In December 1833, he placed a runaway slave ad in the Washington Intelligencer looking to recover a teenager named Henry Johnson whom he had recently purchased from George Washington Parke Custis (step-grandson of George Washington and father-in-law of Robert E. Lee).[5] Frederic Bancroft found that Freeman was one of the consignees whose name appeared most frequently in records of the coastwise slave trade for 1834–1835. It is through a newspaper ad placed during the period of Freeman's partnership with Benjamin Eaton[6] at the Forks of the Road slave market in Natchez, Mississippi that we know that an early name for that place was Niggerville,[7] "which meant Slaveville, but was more contemptuous." Eaton and Freeman may have remained in partnership until the 1840s.[8] According to historian Calvin Schermerhorn, Freeman ran a multi-state slave-trading network beginning the late 1830s. He worked with freelance or contract traders to collect enslaved people from across the Upper South, including in Virginia, Maryland, and North Carolina, and then deliver them to the lower Mississippi River valley, often by way of a shipping company called Haskins & Libby. Once in New Orleans, Freeman and his partner, a cotton merchant named John Goodin, resold the "cargo" to planters and other capitalists of the Delta region.
Freeman appears in the 1842 city directory of New Orleans, occupation "trader," as one of at least 200 traders operating in the city that year. Also in 1842, the Northern abolitionist newspaper The Liberator published a cache of letters written by and to Theophilus Freeman about his slave-trading business. Excerpts from this tranche of correspondence were later reprinted in William I. Bowditch's Slavery and the Constitution,[9] A Key to Uncle Tom's Cabin,[10] Five Thousand Strokes for Freedom,[11] and an anti-slavery tract by Samuel Wilberforce.[12] The initial publication of three columns of text in The Liberator began as follows:[13]
In his 1855 memoir dictated from freedom in London, fugitive slave John Brown described Theophilus Freeman's slave jail as home to "three tiers of rooms with heavily barred windows. On the top floor of the building was a 'flogging room' in which obstreperous articles of property might be subdued. Young, handsome female slaves were given a separate room, for they were to be sold for use as concubines. The other slaves were quartered indiscriminately."[14] [15] According to Brown, the pen could hold 500 enslaved people at a time and "was usually full." Brown recalled being surprised by the number of people per coffle delivered by slave speculators connected with Freeman, including "Williams from Washington, and Redford and Kelly from Kentucky, and Mac Cargo from Richmond, Virginia."
For his part, Northrup characterized Freeman with the sarcastic designation "the very amiable, pious-hearted Mr. Theophilus Freeman."[16]
In recounting the story of Freeman's involvement with a woman named Sarah Conner, historian Alexandra Finley said of Freeman: "...a less reliable narrator is difficult to find...Freeman was willing to do just about anything to protect his economic interests, and this often meant lying to courts, creditors, and customers. He knowingly sold free men of color as slaves, stabbed business partners in the back, and hid assets from creditors." At the time of 1850 census, Freeman lived in a household, likely a boarding house, with several other slave traders and with Sarah Conner.
Freeman was seemingly beset by lawsuits and legal troubles.[17] [18] [19] In 1852 the Natchez Free Trader reported on one of these cases (involving Sarah Conner) and described Freeman as "a celebrated negro-trader who once fixed his head quarters or African harem at the forks of the road Natchez...He has a large fortune, a fortune safely concealedthe lawyers will enjoy the benefits of it."[20]
In 1858 the New Orleans Crescent reported that charges had been dismissed in the case of Theophilus Freeman, who had been "charged with assault and battery on Susan McNally."[21]
Bob Freeman (fl. 1840s–1850s) was a mixed-race man who worked as the jailor of Theophilus Freeman's slave pen in New Orleans, Louisiana, in the antebellum United States. He is described in the slave narratives of both John Brown and Solomon Northrup. Brown spent a fair amount of time accompanying Freeman on errands, such as taking enslaved people to and from the blacksmith to have fetters put on or removed. Northrup also encountered this jailor, whom he knew only as Bob.
Both Northrup's and Brown's narratives mention his violin playing and assess it critically. Brown recalled: "Bob, who had a fiddle, used to play up jigs for us to dance to. If we did not dance to his fiddle, we used to have to do so to his whip, so no wonder we used our legs handsomely, though the music was none of the best." Northrup recalled, "Standing near him, I made bold to inquire if he could play the 'Virginia Reel.' He answered he could not, and asked me if I could play. Replying in the affirmative, he handed me the violin. I struck up a tune, and finished it. [Theophilus] Freeman ordered me to continue playing, and seemed well pleased, telling Bob that I far excelled him—a remark that seemed to grieve my musical companion very much."
J. Don Ferguson played the role of Freeman in the 1984 telefilm Solomon Northup's Odyssey.[22]
Paul Giamatti played the role of Theophilus Freeman in 12 Years a Slave, the 2013 film adaptation of Northrup's memoir.[23]