The personal is political, also termed The private is political, is a political argument used as a rallying slogan by student activist movements and second-wave feminism from the late 1960s. In the feminist movement of the 1960s and 1970s, it was seen as a challenge to the nuclear family and family values. The phrase was popularized by the publication of feminist activist Carol Hanisch's 1969 essay, "The Personal Is Political." The phrase and idea have been repeatedly described as a defining characterization of second-wave feminism, radical feminism, women's studies, or feminism in general.[1] It has also been used by some female artists as the underlying philosophy for their art practice.
The phrase "the personal is political" was popularized by second-wave feminism in the late 1960s and was also important in the civil rights movement, student movement, and black power movement. It underscored the connections between personal experience and larger social and political structures. In the feminist movement of the 1960s and 1970s, it was a challenge to the nuclear family and family values. It forced popular social movements to challenge what was considered to be "political" and to reflect upon how lived experiences impact the perception of reality.[2] Issues that had previously been considered moral or trivial offenses in everyday actions were being acknowledged as oppressive structural norms.[2]
The idea that women were unhappy in their roles as housewives and mothers was previously seen as a private issue. However, "the personal is political" argues that women's personal issues (e.g. sex, childcare, and women not being content with their lives at home) are all political issues and that they need political intervention to generate change. "The personal is political" drew attention to this relationship, which had not been previously acknowledged. This emphasized that politics were in play even in the most personal circumstances and relationships.[3] Furthermore, the slogan tackles the perception that women enjoy a transcendent identity irrespective of ethnicity, race, class, culture, marital status, sexuality and disability by encouraging individuals to think about personal experience politically.[4]
The second wave of feminism embraced this slogan as it brought feminist issues into a politically activist mindset. Women were leaving their roles at home in pursuit of power over their lives and choices that were not subject to patriarchal control. This change affected the dynamic of families where the men were no longer in complete control of their homes and it challenged ideas of the perfect subservient wife and mother.
In 1970, the phrase was popularized by the publication of a 1969 essay by feminist Carol Hanisch under the title "The Personal Is Political".[5] Hanisch disavows authorship of the phrase, saying that "As far as I know, that was done by Notes from the Second Year editors Shulie Firestone and Anne Koedt after Kathie Sarachild brought it to their attention as a possible paper to be printed in that early collection".[6] According to Kerry Burch, Shulamith Firestone, Robin Morgan, and other feminists given credit for originating the phrase have also declined authorship. Burch writes, "Instead, they cite millions of women in public and private conversations as the phrase's collective authors."[7] Gloria Steinem has likened claiming authorship of the phrase to claiming authorship of "World War II".
The phrase originated during the women's liberation movement. Women were belittled for wanting to bring their personal issues into the public arena. Men dismissed these issues as personal problems that should be solved in private, and by the individual.[8]
The phrase has been repeatedly described as a defining characterization of second-wave feminism, radical feminism, women's studies, or feminism in general.[9] [10]
Carol Hanisch, a member of New York Radical Women and a prominent figure in the Women's Liberation Movement, drafted an article defending the political importance of consciousness-raising groups in February 1969 in Gainesville, Florida.[11] Originally addressed to the women's caucus of the Southern Conference Educational Fund in response to a memo written by SCEF staffer Dorothy Zellner, the paper was first given the title, "Some Thoughts in Response to Dottie [Zellner]'s Thoughts on a Women's Liberation Movement". At the time Hanisch was a New York City-based staffer of the Fund and was advocating for engagement in dedicated organizing for women's liberation in the American South. Hanisch sought to rebut the idea that sex, appearance, abortion, childcare, and the division of household labor were merely personal issues without political importance. To confront these and other issues, she urged women to overcome self-blame, discuss their situations amongst each other, and organize collectively against male domination of society. In her essay, Hanisch's central argument is that women's "therapy" groups should not be dismissed as "apolitical" or "navel-gazing" as some critics have argued, but instead that they are deeply political as they are discussing issues which affect the lives of women due to the organisation of the system. She takes pains to highlight the fact that these issues should not be seen as problems caused by women's failures or problems with themselves but rather by an oppressive system, and should be treated as such, even though they may appear purely personal.[6] Hanisch does not use the phrase "the personal is political" in the essay, but writes:
One of the first things we discover in these groups is that personal problems are political problems. There are no personal solutions at this time. There is only collective action for a collective solution.The essay was published under the title, "The Personal Is Political", in Notes from the Second Year: Women's Liberation in 1970. The essay's author believes that Shulamith Firestone and Anne Koedt, the book's editors, gave the essay its famous title. It has since been reprinted in Radical Feminism: A Documentary Reader.[12]
The phrase has adopted a number of meanings since first being coined in the 1960s. Hanisch herself observed in 2006 that "Like most of the theory created by the Pro-Woman Line radical feminists, these ideas have been revised or ripped off or even stood on their head and used against their original, radical intent." This highlights how feminists have interpreted the nature of the connection between the personal and political in divergent ways.
The phrase has heavily figured in black feminism, such as "A Black Feminist Statement" by the Combahee River Collective, Audre Lorde's essay "The Master's Tools Will Never Dismantle the Master's House", and the anthology , edited by Gloria E. Anzaldúa and Cherríe Moraga. More broadly, as Kimberlé Crenshaw observes: "This process of recognizing as social and systemic what was formerly perceived as isolated and individual has also characterized the identity politics of African Americans, other people of color, and gays and lesbians, among others."[19] Black feminists expanded "the personal is political" by dealing with the intersections of race, class and sex.[20]
Other authors such as Betty Friedan (best known for her book The Feminine Mystique)[21] have also been seen to adapt the political argument: 'The personal is political'. Betty Friedan broke new ground as she explored the idea of women finding personal fulfilment outside of their traditionally seen roles. In addition, Friedan helped further advance the women's rights movement as she was one of the founders of the National Organization for Women.[22] Betty Friedan influenced the author Susan Oliver to write the biography: 'Betty Friedan: The personal is political'.[23] In this, Oliver attempts “to pull Friedan from the shadow of her most famous work and invites us to examine her personal life in order that we may better understand and appreciate 'the impact and influence' of her activities on the women's rights movement”.[24]
The centrality of the "personal is political" to the second-wave feminist movement means that it is the impetus behind many policy and law changes, including the following in England:
It also led to many non-state political action, including women's strikes, women's protests (including protests against Miss World 1970), Women's Liberation Movement (WLM) conferences, and the setting of women's refuges, rape crisis centres, and women's communes.
Both third-wave feminism and postfeminism hold the argument of "the personal is political" as central to their beliefs, "the second-wave' understanding of 'the personal is political' quickly evolved away from its explanatory and analytical power to become a prescription for feminism living - a shift that ultimately collapsed the terms together."[28] Thus the argument continues to impact modern feminism.
Third-wave feminists tend to focus on 'everyday feminism' for example, combining feminist values and statements with fashion, relationships and reclaiming traditional feminised skills . They increased the importance assigned to such practices and openly declared them to be political. Some believe this is an example of combining the person with the political, however this, like the meaning of the term, is contested. Some second wave feminists believe that declaring personal choices to be political, like whether to wear nail polish, does not focus enough on how political structures shape "the personal".[29] Some feminists argue that viewing the personal as political the way everyday feminists do does not necessarily mean ignoring how second wave feminists used the term, and that both interpretations and applications are compatible.[17]
Artists such as the Australian Ann Newmarch, founding member of the Women's Art Movement in Adelaide in 1976,[30] [31] used the philosophy to underpin her work, such as in her screenprint, Women Hold Up Half the Sky.[32]
The Personal Is Political: Feminist Art from the Sara M. and Michelle Vance Waddell Collection was an exhibit in Cincinnati that showed how feminist artists connect their daily lives to the politics around their bodies. These artists used their creative expression to reveal connections between the personal and political realms of their lives.[33]
Martha Wilson is a New York artist whose work reveals how her identity as a woman has been shaped by forces around her, like power relationships, culture and predominantly gender. Her work in the Portrait Society in 2009 made use of self portraits to explore how the personal is political.[34]
Liberal feminists argue that the phrase is dangerous because it erodes necessary political boundaries. This is because it is said to take away the importance of the public aspect of politics.[35] It is further criticised by Hannah Arendt that, in this process of eroding political boundaries, the public space of politics is transformed into a pseudo-space of interaction in which individuals no longer 'act' but merely behave as economic producers and consumers.[36]
Furthermore, according to some critics, the interpretation of the phrase to be about women being oppressed in the home has a very narrow focus on middle-class white women.[14] This excludes women who work, lesbian couples, women who can not afford childcare and the experiences of other cultures.
The phrase "the personal is political" has given rise to cultural feminism, which many female activists see as a hindrance to political action and reform. It is argued that cultural feminism encourages activists to move away from politics and give in to traditional roles of the patriarchy.[3]
As argued by Frances Rogan and Shelley Budgeon in The Personal Is Political: Assessing Feminist Fundamentals in the Digital Age, technology has broken down the distinction between what is private and public even further. Private items, like smartphones, become products of connectivity and public communication. This technology can be seen as oppressive or as an opportunity for women. Social media grants a larger amount of visibility to women's experiences which in turn can increase social surveillance, scrutiny and self-monitoring, and can be harmful.[8]
They assert that at the same time, social media can act in a way that portrays women's bodies and appearance as signifiers of worth. Digital spaces like social media can give their user the ability to empower themself through the platform. These platforms are also useful in bringing awareness to important gendered issues, and communicating experiences to a larger audience.[8]