The Young Kabbarli | |
Type: | Chamber opera |
Composer: | Margaret Sutherland |
Librettist: | Maie Casey |
Language: | English |
Premiere Location: | Theatre Royal in Hobart |
The Young Kabbarli is a one-act chamber opera written in 1964 by the Australian composer Margaret Sutherland; it is her only work in the operatic genre. The libretto was by Maie Casey, based on poetry by Judith Wright and Shaw Neilson.[1]
The plot is based on an episode in the life of the Irish-Australian welfare worker and anthropologist Daisy Bates. Bates was given the affectionate name 'Kabbarli', meaning 'grandmotherly person'.[2]
The Young Kabbarli has four singing roles (soprano, mezzo-soprano, tenor, bass) and three non-singing roles.
It is scored for 2 flutes, 2 clarinets, bassoon, horn, percussion (castanets, wood block, sticks, flints, wooden shaker), piano, viola, and double bass.[3]
The Young Kabbarli was premiered in August 1965 at the Festival of Contemporary Opera and Music, at the Theatre Royal in Hobart, as a companion piece to Larry Sitsky's The Fall of the House of Usher. Sitsky's piece was well-received, Sutherland's less so.[4] [5]
It received performances by the State Opera of South Australia in Adelaide and in Melbourne in 1972.[6]
The Young Kabbarli was recorded in 1973 at Flinders University, Adelaide. It was the first Australian opera recorded in Australia,[1] and it was the first quadraphonic disc made in Australia.[7] The singers were Genty Stevens, mezzo-soprano, Daisy Bates/Kabbarli; Dean Patterson, baritone, Goondowell; Carol Kohler, soprano, Goondowell's wife Yoolbian;[8] John McKenzie, bass-baritone, Trappist Brother; David Gulpilil (as David Gumpilil), Aboriginal singer; New Opera of South Australia, conducted by Patrick Thomas.[9] [10] [11]