| The World in a Sea Shell | |
| Type: | Album |
| Artist: | Strawberry Alarm Clock |
| Cover: | The World in a Sea Shell.jpeg |
| Released: | November 1968 |
| Recorded: | 1968 |
| Genre: | |
| Length: | 34:09 |
| Label: | Uni |
| Producer: | Frank Slay, Bill Holmes |
| Prev Title: | Wake Up...It's Tomorrow |
| Prev Year: | 1968 |
| Next Title: | Good Morning Starshine |
| Next Year: | 1969 |
The World in a Sea Shell is the third album by the American psychedelic rock band Strawberry Alarm Clock, released in November 1968 on Uni Records. The album was not a chart success, and was the final LP to include the classic Strawberry Alarm Clock lineup.
When the band's second album, Wake Up...It's Tomorrow (1968), failed to recapture the huge success of 1967's Incense and Peppermints, the band's management decided to exert more control over the recordings for the third album.[1] To this end, they pressured the band to record several compositions written by outsiders, including Carole King and "Incense and Peppermints" lyricists John Carter and Tim Gilbert. The band members bristled at this situation, but reluctantly agreed to it in the end. Thus, five of the album's 12 songs (including most of side 1 of the vinyl LP) were non-group songs.
The new direction did not pay off commercially for the band. Many of the tracks on The World in a Sea Shell featured lush orchestration and a gentle, escapist feel that stood in stark contrast to the adventurous psychedelia of the band's past work. This sudden change in direction, seen as a gross miscalculation on their managers' part by the band members, helped seal Strawberry Alarm Clock's fate. This frustrated the band, as their own compositions for this album included some adventurous moments and sound collages that fans might have expected and that weren't too far removed from the style of the previous albums.[2]
Two singles were released: "Sea Shell" (which didn't chart in the US; No. 88 in Canada[3]) and "Barefoot in Baltimore" (which reached No. 67 in the US charts during the summer of 1968, and No. 45 in Canada[4]). The latter was especially popular on local radio stations in its namesake city of Baltimore, Maryland and was used as a theme song for the city for decades afterwards.
In the wake of the album's release, original members George Bunnell and Randy Seol departed, with the lineup on the band's final album, Good Morning Starshine (1969), consisting of guitarists Lee Freeman and Ed King, augmented by Nightcrawlers singer Jimmy Pitman and previous drummer Gene Gunnels.[5]
Side one
Side two
Strawberry Alarm Clock
Additional personnel
Technical