The World in a Sea Shell explained

The World in a Sea Shell
Type:Album
Artist:Strawberry Alarm Clock
Cover:The World in a Sea Shell.jpeg
Released:November 1968
Recorded:1968
Genre:
Length:34:09
Label:Uni
Producer:Frank Slay, Bill Holmes
Prev Title:Wake Up...It's Tomorrow
Prev Year:1968
Next Title:Good Morning Starshine
Next Year:1969

The World in a Sea Shell is the third album by the American psychedelic rock band Strawberry Alarm Clock, released in November 1968 on Uni Records. The album was not a chart success, and was the final LP to include the classic Strawberry Alarm Clock lineup.

Background

When the band's second album, Wake Up...It's Tomorrow (1968), failed to recapture the huge success of 1967's Incense and Peppermints, the band's management decided to exert more control over the recordings for the third album.[1] To this end, they pressured the band to record several compositions written by outsiders, including Carole King and "Incense and Peppermints" lyricists John Carter and Tim Gilbert. The band members bristled at this situation, but reluctantly agreed to it in the end. Thus, five of the album's 12 songs (including most of side 1 of the vinyl LP) were non-group songs.

The new direction did not pay off commercially for the band. Many of the tracks on The World in a Sea Shell featured lush orchestration and a gentle, escapist feel that stood in stark contrast to the adventurous psychedelia of the band's past work. This sudden change in direction, seen as a gross miscalculation on their managers' part by the band members, helped seal Strawberry Alarm Clock's fate. This frustrated the band, as their own compositions for this album included some adventurous moments and sound collages that fans might have expected and that weren't too far removed from the style of the previous albums.[2]

Singles from the album

Two singles were released: "Sea Shell" (which didn't chart in the US; No. 88 in Canada[3]) and "Barefoot in Baltimore" (which reached No. 67 in the US charts during the summer of 1968, and No. 45 in Canada[4]). The latter was especially popular on local radio stations in its namesake city of Baltimore, Maryland and was used as a theme song for the city for decades afterwards.

Aftermath

In the wake of the album's release, original members George Bunnell and Randy Seol departed, with the lineup on the band's final album, Good Morning Starshine (1969), consisting of guitarists Lee Freeman and Ed King, augmented by Nightcrawlers singer Jimmy Pitman and previous drummer Gene Gunnels.[5]

Track listing

Side one

  1. "Sea Shell" (John Carter, Tim Gilbert) – 3:02
  2. "Blues for a Young Girl Gone" (Carole King, Toni Stern) – 2:31
  3. "An Angry Young Man" (Bob Stone) – 2:28
  4. "A Million Smiles Away" (Lee Freeman, Ed King) – 2:37
  5. "Home Sweet Home" (Carter, Gilbert) – 2:39
  6. "Lady of the Lake" (King, Stern) – 3:00

Side two

  1. "Barefoot in Baltimore" (Roy Freeman, King, Mark Weitz) – 2:23
  2. "Wooden Woman" (L. Freeman) – 2:07
  3. "Heated Love" (George Bunnell, Randy Seol) – 1:58
  4. "Love Me Again" (L. Freeman, King) – 3:31
  5. "Eulogy" (Bunnell, Roy Freeman, Seol) – 1:48
  6. "Shallow Impressions" (Weitz) – 3:22

Personnel

Strawberry Alarm Clock

Additional personnel

Technical

Notes and References

  1. Web site: The World in a Sea Shell liner notes . Unterberger . Richie . www.richieunterberger.com . Richie Unterberger.
  2. http://www.unwindwithsac.com/i/The-World-In-A-Sea-Shell The World in a Sea Shell essay
  3. Web site: RPM Top 100 Singles - December 16, 1968.
  4. Web site: RPM Top 100 Singles - September 16, 1968.
  5. Web site: Good Morning Starshine liner notes . Unterberger . Richie . www.richieunterberger.com . Richie Unterberger.