| Native Name: |
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| Director: | Mamoru Hosoda | ||||
| Story: | Mamoru Hosoda | ||||
| Editing: | Shigeru Nishiyama | ||||
| Music: | Masakatsu Takagi | ||||
| Production Companies: | Studio Chizu | ||||
| Distributor: | Toho | ||||
| Runtime: | 117 minutes | ||||
| Country: | Japan | ||||
| Language: | Japanese | ||||
| Gross: | $55 million[1] |
is a 2012 Japanese animated fantasy drama film directed and co-written by Mamoru Hosoda.[2] [3] The second original feature film directed by Hosoda and the first work written by him, the film stars the voices of Aoi Miyazaki, Takao Osawa, and Haru Kuroki. The story's central theme is "parent and child",[4] depicting 13 years in the life of a young woman, Hana, who falls in love with a werewolf while in college, and following his death must raise the resulting half-wolf half-human children, Ame and Yuki, who grow and find their own paths in life.
Hosoda established Studio Chizu for production. Yoshiyuki Sadamoto, of (1990) and Neon Genesis Evangelion (1995), designed the characters. Wolf Children had its world premiere in Paris on June 25, 2012, and was released theatrically on July 21, 2012, in Japan.[5] Funimation licenses the film for North America[6] and Manga Entertainment handles UK rights.
In Tokyo, Hana falls in love with an enigmatic man during her second year of college, who eventually reveals himself to be a wolf man. They later have two children, a daughter named Yuki (Snow) and a son named Ame (Rain). Their father is killed in an accident while hunting for food shortly after Ame's birth.
Hana's life as a single mother is difficult; she has to hide the children as they constantly switch between their human and wolf forms, and they often get into fights. After she receives noise complaints and a visit from social services who are concerned that the children have not had vaccinations, Hana moves the family to the countryside away from prying neighbors. She works hard to repair a dilapidated house, but struggles to sustain the family on their own crops. With help from a strict old man named Nirasaki, she learns to farm sufficiently and befriends some of the locals.
One day, Ame almost drowns in a river while trying to hunt a kingfisher. Yuki rescues him, and Ame becomes more confident in his wolf abilities. Yuki begs her mother to enroll her in a public school, and Hana accepts on the condition that Yuki keeps her wolf nature secret. Yuki soon makes friends at school while Ame is bullied by his school peers. Meanwhile, Ame often skips school and becomes more interested in the forest and takes lessons from an elderly fox about survival in the wild.
In fourth grade, Yuki's class receives a new transfer student, Sōhei, who realizes something is unusual about her. When he pursues the matter by cornering her, Yuki gets increasingly angry, leading her to transform into a wolf and inadvertently injuring his ear. At the meeting with their parents and teachers, Sōhei claims a wolf attacked him, absolving Yuki of the blame, and the two become friends.Yuki chastises Ame for not going to school. When he refuses, they get into a physical fight.
Two years later, the elementary school is let out early due to treacherous weather. As Hana is about to leave to retrieve her, Ame disappears into the forest to help his dying fox teacher, and Hana follows him. Yuki and Sōhei are left alone at school. Yuki reveals her ability to Sōhei and confesses that it was really her who attacked him. He tells her he already knew, and promises to keep her secret.
While searching for Ame, Hana slips and falls off a cliff. She sees a vision of the children's father telling her that Yuki and Ame will find their own paths in life, and that she raised them well. Ame finds Hana and carries her to safety. She awakens to see him fully transform into an adult wolf and run off into the mountains. Realizing he has found his own path, she happily but tearfully accepts his goodbye.
One year later, Yuki leaves home to move into a middle school dormitory. Ame's wolf howls are heard far and wide in the forest. Hana, now living alone, reflects that raising her wolf children was like a fairy tale, and feels proud of the way she raised them.
| Character | Cast | |
|---|---|---|
| Japanese | English | |
| Aoi Miyazaki | Colleen Clinkenbeard | |
| Takao Osawa | David Matranga | |
| Haru Kuroki (child) | Jad Saxton Lara Woodhull (child) | |
| (child) | Micah Solusod Alison Viktorin (child) | |
| Jason Liebrecht | ||
| Megumi Hayashibara | Lydia Mackay | |
| Bunta Sugawara | Jerry Russell | |
| Kenny Green | ||
| Wendy Powell | ||
| Shota Sometani | Sonny Strait | |
| Tadashi Nakamura | R. Bruce Elliott | |
| Tamio Ōki | Bill Flynn | |
| Kent Williams | ||
| Mike McFarland | ||
| Kumiko Asō | Jamie Marchi | |
| Uncle Horita | Mark Stoddard | |
| Aunt Horita | Melinda Wood Allen | |
| Mitsuki Tanimura | Kate Oxley | |
| Uncle Doi | Bob Magruder | |
| Aunt Doi | Linda Leonard | |
| Leah Clark | ||
| Felecia Angelle | ||
| Fūka Haruna | Alexis Tipton | |
| Mone Kamishiraishi | Kristi Kang | |
| Tensei Matsuoka | Eric Vale | |
(Nippon TV announcer) | Jason C. Miller | |
One of Hosoda's motivations for working on this film was that people around him had started raising children, and he "saw them shining as they became parents." In an interview with Anime! Anime! in February 2013, Hosoda explained why he chose the setting of Wolf Children despite the fact that it is a story about raising a child: "It is generally taken for granted that children are raised and then grow up. But for the actual people involved, it is not natural at all. In order for the audience to share this feeling, I thought it would be good if we all shared an experience that no one else had (raising a werewolf child)."[7]
In an interview with Famitsu, Hosoda said, "I used to take it for granted that people would have children. However, after getting married, I began to realize that raising children in the city is a hardship in terms of the environment, such as public support, and that living in the countryside is not necessarily easy, and that there is a hardship of not having anyone of the same age. I wanted to make a film about such endurance." Human parenting cannot be done in complete isolation, and the reason for choosing wolves as the material for the project was that "wolves are very family-oriented, and they are disciplined animals that have a leader who leads the pack and lives with the whole group in mind."[8] The setting of the early part of the story, "a national university on the outskirts of Tokyo," is modeled after Hitotsubashi University in Kunitachi, Tokyo.[9] [10] In addition, the countryside where Hana moves to is modeled after the undeveloped woodland in Toyama Prefecture. The backdrop of the film depicts the landscape of Nakaniikawa District's Kamiichi, Hosoda's hometown, and the neighboring town of Tateyama, and it was divulged that the former mayor of Kamiichi, Naoshi Itō, approached Hosoda to "make a film based on the town". The old house that served as the model for Hana's house was a private home owned by Masao Yamazaki, who lived in Kamiichi. In 2007, five years before the movie was released, Yamazaki passed away, and the house was considered for demolition, but it was chosen as the model for Hana's house, and after the movie became a big hit, it was opened to the public by the owners (relatives of Yamazaki) and volunteers (as of 2015).[11] The elementary school that Ame and Yuki attended was modeled after Tanaka Elementary School (only the gymnasium is still in existence). The yakitori with sauce that appears in the film is oidare yakitori, a local dish from Ueda, Nagano, where Hosoda's wife's parents live.
At a press conference held on June 18, 2012, the director Mamoru Hosoda announced that Wolf Children would be released in 34 countries and territories.[12] This film's premiere was in France on June 25, 2012, marking its international debut.
It was subsequently released in Japan on July 21, 2012.[13] The film's Blu-ray and DVD release date for Japan was February 20, 2013. The film had a limited release in the United States on September 27, 2013.
Wolf Children was screened at Animefest 2013 in May in the Czech Republic[14] and at Animafest Zagreb 2013 in June in Croatia.[15]
In addition to the film, two novelizations and a manga written by Hosoda (with art by) were released by Kadokawa Shoten.[16] The manga was translated into English by Yen Press and was nominated for the Best U.S. Edition of International Material—Asia category at the 2015 Eisner Awards.[17] As tie-ins to the film, a film picture book, an art book, and a storyboard book were released from Kadokawa, Media Pal, and Pia.
Wolf Children was the second-highest-grossing film in Japan on its debut weekend of July 21–22, 2012, beating Pixar's animation Brave, which debuted in Japan on the same weekend.[18] It attracted an audience of 276,326 throughout the weekend, grossing 365.14 million yen. The film subsequently surpassed Hosoda's previous work Summer Wars gross of around 1.6 billion yen during the weekend of August 12–13, 2012.[19] In total, Wolf Children grossed 4.2 billion yen, making it the fifth-highest-grossing movie in Japan in 2012.[20]
The review aggregator website Rotten Tomatoes reports that 95% of critics have given the film a positive review based on 19 reviews, with an average rating of 8.5/10.[21] On Metacritic, the film has a weighted average score of 76 out of 100 based on 8 critics, signifying "generally favorable reviews".[22]
Mark Schilling of The Japan Times gave the film three out of five stars and wrote that "The Miyazaki influence on Hosoda's own work seems obvious, from his cute-but-realistic style to his concern with pressing social issues and the messy emotions of actual human beings". He felt the film was "on the conventional and predictable side ... appealing to Jane Eyre fans in one scene, Call of the Wild fans in the next" and criticized its "well-worn, stereotypical rails".[23]
Thomas Sotinel of Le Monde gave the film five out of five stars.[24] Dave Chua of Mypaper also praised the film's "magnificent understated eye for detail, from the grain of wood on doors to the lovingly captured forest scenes, that help lift the movie above regular animation fare".[25] Chris Michael of The Guardian gave the film four out of five, writing that "telling the story through the eyes of the harried, bereaved but indomitable mother gives this calm, funny, only occasionally schmaltzy family film a maturity Twilight never reached".[26] Kenneth Turan of the Los Angeles Times described it as "an odd story, told in a one-of-a-kind style that feels equal parts sentimental, somber and strange", and felt the English language performances were inappropriately sweet and simplistic.[27] Steven D. Greydanus, writing in the National Catholic Register, named the film a runner-up in its list of the best films of 2013, writing: "Despite brief early problematic content and an ambiguous climactic letdown, the main story is magic".[28]
Wolf Children won the 2013 Japan Academy Prize for Animation of the Year,[29] the 2012 Mainichi Film Award for Best Animation Film,[30] and the 2013 Animation of the Year award at TAF.[31] It won two awards at the Oslo Films from the South festival in Norway: the main award, the Silver Mirror, and the audience award.[32] It won an Audience Award at 2013 New York International Children's Film Festival[33] and the 2014 Best Anime Disc award from Home Media Magazine.[34]