| The Weather | |
| Type: | studio |
| Artist: | Pond |
| Cover: | The Weather Pond.jpg |
| Released: | 5 May 2017 |
| Studio: | Kevin Parker's home studio (Fremantle, Western Australia) |
| Genre: | |
| Length: | 39:44 |
| Label: | Marathon Artists |
| Producer: | |
| Prev Title: | Man It Feels Like Space Again |
| Prev Year: | 2015 |
| Next Title: | Tasmania |
| Next Year: | 2019 |
The Weather is the seventh studio album by Australian psychedelic rock band Pond. It was released on 5 May 2017 by Marathon Artists.[1] As with previous Pond albums, it is also produced by former member and Tame Impala frontman Kevin Parker. It features 10 tracks, led by its first single "Sweep Me Off My Feet".
Pond frontman Nicholas Allbrook has described the album as a "concept album, not completely about Perth, but focusing on all the weird contradictory things that make up a lot of colonial cities around the world. Laying out all the dark things underneath the shimmering exterior of cranes, development, money and white privilege. It’s not our place, but it is our place. British, but Australian, but not REAL Australian. On the edge of the world with a hell of a lot of fucked things defining our little city, still we try and live a wholesome respectful life, while being inherently disrespectful. At the end of all this confusion in our weird little white antipodean world, there’s the beach, purity and nature that brings us all together".[2]
The album cover shows a photograph of the Carillon City mall in Hay Street, Perth, taken in the early 1980s (Google Street View).
The Weather received positive reviews from music critics, holding an average critic score of 80, based on 16 reviews, indicating "generally favorable reviews". Saby Reyes-Kulkarni of Pitchfork wrote that "For all its disjointedness, the album never wanders more than a few inches away from the sublime. It’s a document of a band knocking loudly on the door of greatness."[3] Marcy Donelson for Allmusic described the album as "trippy and shambolic". Donelson also praised its "epic, sometimes otherworldly luster".[4] Gwilym Mumford in The Guardian wrote that the album is "Accessible but still absolutely out there, this is prog, but not as we know it."[5]
Pond
Additional musicians
Production