| The Voice of the Turtle | |
| Type: | Album |
| Artist: | John Fahey |
| Cover: | Voice_of_the_turtle_cover.jpg |
| Released: | 1968 |
| Recorded: | 1968 |
| Genre: | Folk |
| Length: | 39:45 |
| Label: | Takoma |
| Producer: | John Fahey |
| Prev Title: | Requia |
| Prev Year: | 1967 |
| Next Title: | The Yellow Princess |
| Next Year: | 1968 |
The Voice of the Turtle is the seventh album by American guitarist John Fahey. Recorded and released in 1968, it is considered one of his more experimental albums, combining elements of psychedelia, early blues, country fiddles, ragas, and white noise with folk music. The album had many reissues with various track listings, jacket designs and mismatched titles.
The mythical bluesman named Blind Joe Death, first introduced by Fahey on his debut album Blind Joe Death, appears again in the liner notes of The Voice of the Turtle. For years Fahey and Takoma continued to treat the imaginary guitarist as a real person, including booklets with their LPs containing biographical information about him and that he had taught Fahey to play.[1] [2] [3]
The conceit that the blues guitarist Blind Joe Death was an actual person and contemporary of Fahey is carried further with some tracks credited to being performed by Death and Fahey. There is debate that Fahey never actually appears on some of the tracks and that they are instead old, little-known recordings.[4] Fahey has been quoted as saying "That whole record was a hoax. On all the songs that say it's me it isn't and vice versa." Barry Hansen, a friend and collaborator of Fahey's albums told Rolling Stone reporter David Fricke that three of the tracks were old 78s that Fahey copied to tape and credited to Blind Joe Death.[5] The first track "Bottleneck Blues" is a 1927 recording made by Sylvester Weaver and Walter Beasley.[6] The tracks with fiddlers Hubert Thomas and Virgil Willis Johnston were made with Fahey during his 1966 trip to the South with Barry Hansen.[7]
The Voice of the Turtle was reissued on CD in 1996. It was reissued on vinyl on the Four Men With Beards label in 2012. Both reissues use the second track listing.
The original LP release was a gatefold with the cover designed by Tom Weller. The original liner notes are extensive (the first sentence alone is 561 words long)[8] [9] and were included in a 12-page booklet, including photos in an old-time scrapbook format. Later pressings did not include the gatefold and booklet.
Voice of the Turtle has three quasi-subtitles on the cover. Directly underneath the main title is "Being a Musical Hodograph & Chronologue of the Music of John Fahey, including his most recent composition, The Story of Dorothy Gooch." On the right side of the cover appears "The Volk Roots & Hiart Leaves of John Fahey, Blind Joe Death, Hubert Thomas, Virgil Willis Johnston, L. Mayne Smith, Mark Levine." and directly below that "The Fahey Picture Album: Genuine photographs of Blind Joe Death, Knott's Berry Farm Molly, The Adelphi Rolling Grist Mill, Etc." When the gatefold was no longer produced, the "Fahey Picture Album" was replaced with a picture of a turtle.
The photograph labeled Blind Joe Death is actually a retouched old Vocalion Records advertisement of Blind Joe Taggart who recorded in the late 20s and 30s under several different names.[10]
The back cover quotes a "Song of Solomon" verse "... and the voice of the turtle is heard in our land." After his death, the verse was printed in Fahey's funeral program.[11]
The original 1968 release is the only version that has the correct match of the songs on the label, the actual songs on the vinyl, and on the back cover.
Q stated in its December 1996 review: "Half of this 1968 album...is made up of pleasant, traditionally styled instrumentals... But it's the three lengthy improvisational pieces that dominate, pointing forward to his later, more elliptical work..." In a November 1996 review in DownBeat it was rated 4.5 Stars — Very Good/Excellent — "...has to be the strangest folk trip of the '60s... it's Fahey's loopy sound collages and odd sonic touches that make this largely instrumental album a treasure." It received three-and-a-half stars in The New Rolling Stone Album Guide.
In his AllMusic review, music critic Richie Unterberger called the album "One of his more obscure early efforts, Voice of the Turtle is both listenable and wildly eclectic, going from scratchy emulations of early blues 78s and country fiddle tunes to haunting guitar-flute combinations and eerie ragas." and its "...undercurrent of dark, uneasy tension that gives much of Fahey's '60s material its intriguing combination of meditation and restlessness."
The credits given on the original album cover are shown in italics below. Two versions of the track listing were released. The notes on the songs are from The John Fahey Handbook, Vol. 1.
Track changes, if any, are noted below the song title.