| The Unattainable | |
| Director: | Lloyd B. Carleton |
| Producer: | Universal Bluebird Photoplays |
| Screenplay: | Eugene B. Lewis |
| Story: | Elwood D. Henning |
| Starring: | |
| Cinematography: | Roy H. Klaffki |
| Studio: | Universal |
| Distributor: | Universal |
| Runtime: | 50–75 minutes (5 reels) |
| Country: | United States |
| Language: | English intertitles |
The Unattainable is a 1916 American Black and White silent drama directed by Lloyd B. Carleton. The film is based on the story by Elwood D. Henning. The photoplay stars Dorothy Davenport and Emory Johnson.
The film opens by introducing us to Bessie Gale, a regular on the New York nightclub scene. In her circle, she's known as "the unattainable". A wealthy gentleman starts to pursue her. She finds relief from his romantic pursuits by joining a traveling theatrical company. The troupe heads out West. After Bessie misses a train connection, she meets a sheep rancher, and they get married. Then, her husband makes a major discovery which leads to a new series of adventures.
The film was released on September 4, 1916, by Universal [1] [2]
Bessie Gale is a well-known chorus girl in the New York cabaret and theater scene. Her friends lovingly nicknamed her "The Unattainable." Through the years, she has acquired the reputation for being unapproachable to potential suitors. Henry Morton is wealthy individual who also frequents the club scene. Morton, upon meeting Bessie, begins his pursuit to win her heart.
Seeking relief from the club scene and her wealthy pursuer, Bessie joins a traveling theatrical troupe. She boards the train with the rest of the performers and heads west. The train carrying the performers stops at a way station in the Sierra Nevada mountains. The stunning scenery surrounding the train amazes Bessie. She gets off the train to enjoy the view. As she takes in the breathtaking landscapes, she wanders too far and misses the departing train.Bessie asks the locals for assistance in finding shelter for the night. She attracts the attention of Robert Goodman and his mother. They recognize her situation and offer her a place to stay for the night. Eagerly, she accepts, and they head to the Goodman's sheep ranch. She informs the Goodmans that she intends to catch tomorrow's train and join her theater group. The following day, they returned to the way station. The train arrives on time, bearing a message from the manager of the stock company. According to the message, Bessie has lost her job because she failed to board the train with her coworkers yesterday.The Goodman offers comfort, assuring her that she can stay on the ranch for as long as she wants until she figures out her next moves. While staying on the ranch, Bessie makes a strong impression on Robert's mother, and Robert falls in love. Over time, Robert proposes to Bassie, and she accepts. They get married and start a peaceful life on the Goodman's sheep ranch. Bessie embraces a new life as a sheepherder's wife, leaving her past behind.
The Goodman family faces a crisis as their sheep begin to die unexpectedly. Robert traces the cause of death to the sheep eating a poisonous weed. Through hard work, Robert successfully creates a cure for the infected sheep. Unexpectedly, his recent remedy has a lucrative market. A New York company is willing to purchase the formula for a significant amount. After the agreements are finalized, the drug company asks Robert to travel to New York to sign papers and receive his royalty check. In order to avoid leaving his sheep unattended, Robert asks his mother to go instead. As she's getting ready to leave for New York, she slips and injures herself. In a last-minute decision, Robert asks if Bessie can go to New York in place of his mother. Bessie agrees to make the trip and heads to New York. After arriving, she signs the paperwork and collects the royalty check. Prior to leaving New York, she feels an inexplicable pull to revisit her old haunts.
The allure of her former glamorous life as a chorus girl pulls her back. She starts to return to her old way of life. Her previous theater manager offers her a job. Henry Morton resurfaces after getting wind of Bessie's comeback on the circuit and continues his quest for the Unattainable. Through their exchange of letters, Robert learns that Bessie has made a return to the stage and is now performing in New York. He makes a sudden decision to travel to New York without informing anyone. Without delay, he begins searching for his wife. Robert catches Bessie and Henry on a romantic dinner date. Filled with rage and anger, Goodman brutally assaults Morton. As the two men fight, Morton pulls out a gun and shoots Robert. Bleeding heavily, Goodman is rushed to the hospital in an ambulance.
Emotionally, Morton is overwhelmed by the guilt of his actions towards Goodman. Morton hurries to the hospital and offers to give blood in order to save Goodman's life. Unfortunately, Morton has the wrong blood type. Bessie becomes consumed by emotion as she watches her husband's life fade away. She takes a blood test, and the results match. Bessie is prepared for the procedure, and the transfusion starts. Robert gradually begins to regain his health. Once Robert's strength returns, he sees Bessie lying beside him on the table. Rising to his feet, he quickly heads over to her. They share a warm and loving embrace. After they have regained their health, they go back to the Goodman's sheep farm in Peace Valley. They live happily ever after.
| Actor | Role | ||
|---|---|---|---|
| Dorothy Davenport | Bessie Gale | ||
| Emory Johnson | Robert Goodman | ||
| Mattie Witting | Mrs. Goodman | ||
| Richard Morris | Henry Morton | ||
| Alfred Allen | Theatre Manager | ||
In the book, "American Cinema's Transitional Era," the authors point out, One aspect of this transition was the longer duration of films. Feature films were slowly becoming the standard fare for Hollywood producers. Before 1913, you could count the yearly features on two hands. Between 1915 and 1916, the number of feature movies rose times or from 342 films to 835. There was a recurring claim that Carl Laemmle was the longest-running studio chief resisting the production of feature films.[3] Universal was not ready to downsize its short film business because short films were cheaper, faster, and more profitable to produce than feature films.
Laemmle would continue to buck this trend while slowly increasing his output of features.In 1914, Laemmle published an essay titled - [4] In 1916, Laemmle ran an advertisement extolling Bluebird films while adding the following vocabulary on the top of the ad.Carl Laemmle released 91 feature-length films in 1916, as stated in Clive Hirschhorn's book,
Lloyd B. Carleton (–1933) started working for Carl Laemmle in the Fall of 1915.[9] Carleton arrived with impeccable credentials, having directed some 60 films for the likes of Thanhouser, Lubin, Fox, and Selig.[10]
Between March and December 1916, 44-year-old Lloyd Carleton directed 16 movies for Universal, starting with The Yaqui and ending with The Morals of Hilda. Emory Johnson acted in all 16 of these films. Of Carleton's total 1916 output, 11 were feature films, and the rest were two-reel shorts.
Carleton was given the task by Carl Laemmle to determine if the Davenport-Johnson duo had the desired on-screen chemistry. In 1916, Carleton directed 13 films pairing Dorothy Davenport and Emory Johnson. This film would be the ninth in the 13-film series.
| Doctor Neighbor | May-1 | L. B. Carleton | Hazel Rogers | Hamilton Powers | Drama | Feature | Lost | ||||||||||
| Her Husband's Faith | May-11 | L. B. Carleton | Mabel Otto | Richard Otto | Drama | Short | Lost | Laemmle | |||||||||
| Heartaches | May-18 | L. B. Carleton | Virginia Payne | S Jackson Hunt | Drama | Short | Lost | Laemmle | |||||||||
| Two Mothers | Jun-01 | L. B. Carleton | Violetta Andree | 2nd Husband | Drama | Short | Lost | Laemmle | |||||||||
| Her Soul's Song | Jun-15 | L. B. Carleton | Mary Salsbury | Paul Chandos | Drama | Short | Lost | Laemmle | |||||||||
| The Way of The World | Jul-03 | L. B. Carleton | Beatrice Farley | Walter Croyden | Drama | Feature | Lost | ||||||||||
| No. 16 Martin Street | Jul-13 | L. B. Carleton | Cleo | Jacques Fournier | Drama | Short | Lost | Laemmle | |||||||||
| A Yoke of Gold | Aug-14 | L. B. Carleton | Carmen | Jose Garcia | Drama | Feature | Lost | ||||||||||
| The Unattainable | Sep-04 | L. B. Carleton | Bessie Gale | Robert Goodman | Drama | Feature | 1 of 5 reels | ||||||||||
| Black Friday | Sep-18 | L. B. Carleton | Elionor Rossitor | Charles Dalton | Drama | Feature | Lost | ||||||||||
| The Human Gamble | Oct-08 | L. B. Carleton | Flavia Hill | Charles Hill | Drama | Short | Lost | Laemmle | |||||||||
| Barriers of Society | Oct-10 | L. B. Carleton | Martha Gorham | Westie Phillips | Drama | Feature | 1 of 5 reels | ||||||||||
| The Devil's Bondwoman | Nov-11 | L. B. Carleton | Beverly Hope | Mason Van Horton | Drama | Feature | Lost | ||||||||||
This film is based on a story by Elwood D. Henning.Eugene B. Lewis (1878–1924) created the screen adaptation for this film.
To capture the rustic atmosphere called for in the film, director Lloyd Carleton's company paid a visit to a big sheep ranch located near Los Angeles, California. The ranch was located in the northwestern San Fernando Valley region of Los Angeles. The surrounding area provided one of several ideal backgrounds for the film. Hence, broad segments of the film's exteriors were shot in Chatsworth Park, California.[11] Another area ideally suited for background footage was the Sierra Nevada Mountains located in the state of Nevada.
The beginning scenes of the film stand out because they showcase over 3,000 sheep filmed at Chatsworth Park ranch in California.[12]
The blood transfusion procedure in the hospital scene is portrayed realistically and follows the correct protocols. Universal City's state-of-the-art hospital was the location for shooting the transfusion scenes.[12]
On March 15, 1915, Laemmle opened the world's largest motion picture production facility, Universal City Studios.[13] The interiors were filmed in the studio complex at Universal City, California.[1]
During the production of films, a project must have a way to be referenced. The project is given a working title. An is another term for a Working Title. Frequently, the working title turns into the release title.
During this film's development, the working title was listed as - [1]
The theatrical release of this film totaled five reels or 5,000 feet of film. As is often the case, the listed time for this feature-length movie varies. The average time per 1,000-foot 35mm reel varied between ten and fifteen minutes per reel at the time. Thus, the total time for this movie is computed between fifty and seventy-five minutes.
The copyright was filed with U.S. Copyright Office on August 10, 1916.[14] and entered in the record as shown:
The official film release date to US theaters was September 4, 1916.
Advertising plays a vital role in ensuring a movie's success by bringing paying customers to the theater. By providing details about plotlines, actors, release dates, and other key information, a successful marketing campaign boosts excitement among potential stakeholders.This knowledge empowered theater owners to make smarter booking decisions in a competitive market. In addition to an advertising campaign for a movie, Carl Laemmle added another wrinkle to assist potential stakeholders in deciding to view or book a new film.
In 1916, Universal became the first Hollywood studio to classify feature films based on production cost. One of the reasons behind this move was that the "Big Five" film studios owned their own movie houses, enabling them to have guaranteed outlets for their entertainment products. Unlike the majors, Universal did not own any theaters or theater chains. Branding all Universal-produced feature films would give theater owners another tool to judge the films they were about to lease and help fans decide which movies they wanted to see.
In 1916, Universal produced 91 branded feature films, consisting of 44 and 47 productions. This film carried the designation of Universal's "Bluebird" brand. The branding system had a brief existence and, by 1920, had faded away.
Movie posters are a specific form of poster art that advertises a certain film. Advertising movies in magazines can be an effective way to appeal to a viewership and theater owners. The Bluebird Photoplay ads signaled the start of a new period of creativity in the movie ad industry.Chicago graphic artist Burton Rice became part of the Universal advertising department.He was years of age.Most of Universal's 1916 bluebird advertisements featured Rice's abstract poster art and his inserts gathered worldwide attention. His brief tenure ended in December 1916, when he set sail for Europe to become an Ambulance driver in World War I.
The critics generally panned this film.
In the September 2, 1916 issue of The Moving Picture World, movie critic Margaret McDonald observed:[15]
In the September 2, 1916 issue of the Motion Picture News, movie critic Harvey Thew discerns:[16]
Many silent-era films did not survive for reasons as explained on this Wikipedia page.
In 1978, an extraordinary discovery was made in Dawson City located in Yukon's Canadian territory. The city unknowingly had used a large cache of silent films to bolster a sagging hockey rink in 1929. The permafrost preserved them. The 1978 discovery would yield 533 reels of nitrate film containing numerous lost movies. The discovery was chronicled in the movie - . Among the Dawson Film Find were the 5-reel bluebird production of The Unattainable, released in September 1916, and Barriers of Society released on October 16, 1916. In both cases, only one reel was recoverable from each of the 5 reel feature films. The finders turned over these recovered reels to the Library of Congress. The website of the Library of Congress displays the following: