| Series: | The Twilight Zone |
| Season: | 2 |
| Episode: | 9 |
| Production: | 173-3649 |
| Director: | Buzz Kulik |
| Music: | Jeff Alexander |
| Season Article: | The Twilight Zone (1959 TV series) (season 2) |
| Episode List: | List of The Twilight Zone (1959 TV series) episodes |
| Prev: | The Lateness of the Hour |
| Next: | A Most Unusual Camera |
"The Trouble with Templeton" is episode 45 of the American television anthology series The Twilight Zone starring Brian Aherne, Pippa Scott and Sydney Pollack. The episode originally aired on December 9, 1960 on CBS.
Aging Broadway actor Booth Templeton is at home, watching his much-younger wife, Doris,[1] flirting with a gigolo by the pool. Booth notes that he hasn't achieved any contentment with his wife and reminisces about the happiness he had with his first wife, Laura, who died after seven years of marriage. Booth leaves to attend the first rehearsal of his new play, where he learns the director has been replaced. The new director, Arthur Willis, shows no respect for the experienced Booth and questions his commitment to the play.
Pressured and desperately unhappy, Booth runs out the stage door and discovers he has been transported back 30 years to the early days of his career. A stagehand informs him that his wife, Laura, is waiting for him at the speakeasy around the corner. He finds her there, flirting with a much younger man, Barney. Laura is cavalier toward Booth, and in his frustration, he snatches a script Laura uses to fan herself and implores Laura to appreciate their life together. Laura rebuffs all Booth's attempts at conversation, laughing at him with Barney, and eventually she tells Booth to leave. As he does so, everyone in the speakeasy stops and looks on with slight sadness, the music stops, and the room grows dark.
Booth runs back into the theater and the present. He fans himself with Laura's script, and notices that it is for a play titled What to Do When Booth Comes Back. Booth sees that ghosts from his past were not mocking him but actually had staged a performance for him in order to break him free from his paralyzing nostalgia and longing for the old days. Realizing that Laura loved him and didn’t want him to be stuck in the past, Booth returns to the rehearsal, asserts himself, dismisses the producer of the play and tells director Willis that he will no longer tolerate any invalidation. Commanding the respect that is his due as a distinguished actor, Booth begins to live happily in the present time with a new future.