| The Subterraneans | |
| Director: | Ranald MacDougall |
| Producer: | Arthur Freed |
| Based On: | novel by Jack Kerouac |
| Starring: | George Peppard Leslie Caron Roddy McDowall Janice Rule |
| Music: | Andre Previn |
| Cinematography: | Joseph Ruttenberg |
| Editing: | Ben Lewis |
| Distributor: | Metro-Goldwyn-Mayer |
| Runtime: | 89 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $1,407,000[1] |
| Gross: | $765,000 |
The Subterraneans is a 1960 American drama film directed by Ranald MacDougall based on the 1958 novel of the same name by Jack Kerouac.
Leo is a 28-year-old novelist who still lives at home with his mother. One night he stumbles upon some beatniks at a coffee house. He falls in love with the beautiful but unstable Mardou Fox.
Roxanne warns Mardou away from Leo, who says his love for her is causing him writer's block. Mardou falls pregnant. She and Leo wind up together.
The novel was optioned by Arthur Freed of Metro-Goldwyn-Mayer as a possible follow up to Some Came Running. Like that film, it was originally intended to star Dean Martin.[2] Nicole Maurey was announced to play the female lead.[3]
Eventually George Peppard and Leslie Caron were signed. Roddy McDowall also joined the cast, his first film in nine years.[4] Janice Rule was then married to Robert Thom, who wrote the script.[5] [6]
This adaptation changed the African American character Mardou Fox, Kerouac's love interest, to a young French girl (played by Leslie Caron) to better pacify racists. While it was derided and vehemently criticized by Allen Ginsberg, among others, for its two-dimensional characters, it is an example of the way Hollywood attempted to exploit the emerging popularity of Beat culture as it grew in San Francisco and Greenwich Village, New York, without really understanding it.
A Greenwich Village beatnik bar setting had been used for scenes in Richard Quine's film Bell, Book and Candle (1958), but Ranald MacDougall's adaptation of Kerouac's novel, scripted by Robert Thom, was less successful.
The Subterraneans was one of the final films Arthur Freed produced for MGM and features a score by André Previn and brief appearances by jazz singer Carmen McRae singing "Coffee Time," and saxophonists Gerry Mulligan, as a street priest, and Art Pepper. Comedian Arte Johnson plays the Gore Vidal character, here named Arial Lavalerra.
According to MGM records, the film earned only $340,000 in the US and Canada and $425,000 elsewhere resulting in a loss of $1,311,000.[1]
| The Subterraneans | |
| Type: | Soundtrack |
| Artist: | André Previn |
| Released: | 1960 |
| Recorded: | September 2, 1959, and January 11 & 12 and February 3, 1960 MGM Studios, Culver City, CA |
| Genre: | Film score |
| Label: | MGM SE 3812 ST |
| Chronology: | André Previn |
| Prev Title: | West Side Story |
| Prev Year: | 1959 |
| Next Title: | Like Previn! |
| Next Year: | 1960 |
The film score was composed, arranged and conducted by André Previn, with the motion picture also featuring Previn's jazz trio. The soundtrack album was released on the MGM label in 1960.[7]
AllMusic's Jason Ankeny observed: "André Previn had the good sense to recruit cool jazz giants including Gerry Mulligan, Russ Freeman, and Dave Bailey to perform his Subterraneans score: jazz not only fueled Kerouac's work, but his prose sought to evoke the rhythms and energy of bebop. Indeed, this music comes far closer to accurately capturing Kerouac's writing than any of the film's dialogue. Previn also deserves credit for articulating the sadness of the original novel, deftly combining horns and strings to create a score that is dark and emotive".
All compositions by André Previn except as indicated