| Border: | yes |
| Author: | Elena Ferrante |
| Isbn: | 9781609452865 |
| Pub Date: | 2014 |
| Series: | Neapolitan Novels |
| Preceded By: | My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay |
| Publisher: | Europa Editions |
| Title Orig: | Storia della bambina perduta |
| Translator: | Ann Goldstein |
| English Pub Date: | 2015 |
| Pages: | 480 |
The Story of the Lost Child (Italian: Storia della bambina perduta) is a 2014 novel written by Italian author Elena Ferrante. It is the fourth and final installment of her Neapolitan Novels, preceded by My Brilliant Friend and The Story of a New Name, and Those Who Leave and Those Who Stay. It was translated to English by Ann Goldstein in 2015.
Since 2018, the series of books has been adapted for a TV show, produced by HBO and RAI. The final season of the show will adapt the fourth novel.[1]
After spending two pleasant weeks with Nino in France, Lenù comes back home and insists on getting a divorce. She leaves her children with Pietro’s parents. After two years of relationships with Nino, she discovers that he had lied about leaving his wife. She decides however to continue with him, and to go back to Naples. There, she once again becomes pregnant. Lila becomes pregnant at the same time by Enzo, and they give birth to two daughters only three weeks apart. Lila names her daughter Nunzia (known as Tina), like her mother, and Lenù names her daughter Immacolata (known as Imma), also like her mother, who is dying of cancer.
Lenù discovers through Lila that Nino continues to be unfaithful, having had a series of affairs and even propositioned Lila again. She decides to leave him and goes back to the neighborhood, living close to Lila.
Michele Solara attacks Lila at the funeral of Alfonso Carracci, killed in a homophobic attack. In response, Lila and Lenù write an article denouncing the Solaras, who now sell heroin in the neighborhood. The article brings more fame to Lenù, who has just published her third book.
On September 16, 1984, Lenù invites Nino for lunch, asking him to see his daughter Imma more often. While everyone is outside, and Nino is speaking to Lila, Tina disappears mysteriously. In spite of all their efforts, they are unable to locate her or to find out what happened. Enzo becomes destroyed by pain, believing the Solaras have killed her as payback, while Lila believes that she is still alive. Their relationship falls apart after the loss of the child.
The Solaras are assassinated in front of the church a while later. Pasquale and Nadia are arrested for their role as communist activists during the seventies, but Pasquale refuses to answer if he is responsible for the Solaras' murder.
In 1992, Lenù leaves the neighborhood, moving with her daughters to Turin. Having lost touch with Lila, Lenù breaks a promise she had made and writes about her, publishing a book about their lives called A Friendship. After this, Lila never speaks to her again.
In the following years, Lenù's daughters move out of the country, and she becomes a grandmother.
In 2010, after receiving the news from Rino about his mother's disappearance, Lenù receives a package in the mail. Inside, she finds the dolls, Tina and Nu, that she and Lila played with as children, and that became a symbol of their friendship.
The novel was very well received by the critics, with The Guardian calling it "a frighteningly insightful finale".[2] According to Book Marks, the book received "rave" reviews (or a "A" [3]) based on fourteen critic reviews with nine being "rave" and five being "positive".[4] On Bookmarks November/December 2015 issue, a magazine that aggregates critic reviews of books, the book received a (4.0 out of 5) based on critic reviews with a critical summary saying, "The Story of the Lost Child brings this rich and sweeping quartet to a "masterful conclusion" (Los Angeles Times)."[5] [6] [7]
Elissa Schappel, writing for Vanity Fair, reviewed the last book of the Quartet as "This is Ferrante at the height of her brilliance."[8] Judith Shulevitz in The Atlantic, praised particularly how the books circle back to its start, to Lila and Lenu's childhood games, in the final installment.[9] Maureen Corregan has also praised the ending of the novels, calling it "Perfect Devastation".[10]
Roger Cohen wrote for The New York Review of Books: "The interacting qualities of the two women are central to the quartet, which is at once introspective and sweeping, personal and political, covering the more than six decades of the two women’s lives and the way those lives intersect with Italy’s upheavals, from the revolutionary violence of the leftist Red Brigades to radical feminism."[11]
Darren Franich has called the novels the series of the decade, saying: "The Neapolitan Novels are the series of the decade because they are so clearly of this decade: conflicted, revisionist, desperate, hopeful, revolutionary, euphorically feminine even in the face of assaultive male corrosion."[12] In 2024, the New York Times ranked The Story of the Lost Child as #80 of the best 100 books of the 21st century.[13]