| The Station Agent | |
| Director: | Tom McCarthy |
| Producer: | Mary Jane Skalski Robert May Kathryn Tucker |
| Starring: | Peter Dinklage Patricia Clarkson Bobby Cannavale Raven Goodwin Paul Benjamin Michelle Williams |
| Music: | Stephen Trask |
| Cinematography: | Oliver Bokelberg |
| Editing: | Tom McArdle |
| Studio: | SenArt Films Next Wednesday |
| Distributor: | Miramax Films |
| Runtime: | 90 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $500,000 |
| Gross: | $8.7 million[1] |
The Station Agent is a 2003 American comedy-drama film written and directed by Tom McCarthy in his directorial debut. It stars Peter Dinklage as a man who seeks solitude in an abandoned train station in the Newfoundland section of Jefferson Township, New Jersey. It also stars Patricia Clarkson, Michelle Williams, Bobby Cannavale and John Slattery. For his writing achievement, McCarthy won the BAFTA Award for Best Original Screenplay, the Independent Spirit Award for Best First Screenplay and the Waldo Salt Screenwriting Award. The film itself also won the John Cassavetes Award.
Finbar McBride, a quiet, unmarried man with dwarfism, deeply loves railroads and leads a solitary existence. He works in a Hoboken, New Jersey, model train hobby shop owned by his elderly and similarly taciturn friend Henry. He keeps to himself and is uncomfortable when people react to his size.
When Henry dies, Fin learns that the hobby shop is to be closed and that Henry has bequeathed him a rural property with an abandoned train depot on it. He moves into the old building hoping for a life of solitude but becomes reluctantly enmeshed in the lives of his neighbors. Cuban American Joe Oramas operates his father's roadside snack truck while the elder man recovers from an illness, and artist Olivia Harris is trying to cope with the sudden death of her young son two years earlier and its ramifications on her marriage to David, from whom she is separated. Olivia's initial and second meetings with Fin involve her dangerously distracted driving. Cleo is a young girl who shares Fin's interest in trains and wants him to lecture her class about them. Emily, the local librarian, is a young woman dismayed to discover she is pregnant by her ne'er-do-well boyfriend.
Joe, relentlessly upbeat and talkative, cracks Fin's reserve. The two take daily walks along the tracks, and after Olivia gives Fin a movie camera, Joe drives alongside a passing train so that Fin can film it. Joe and Fin sleep at Olivia's house after watching the footage and the next morning, meet a flustered, unannounced David. The trio's tentative friendship is threatened when Olivia descends into a deep depression and disappears. Emily seeks solace in Fin, who realizes human interaction may not be wholly unpleasant. When Fin tries to protect Emily from her boyfriend at a bar he pushes Fin aside, causing Fin to lapse back into his asocial behavior. He gets frustrated with Joe and tells him he just wants to be left alone, which hurts Joe's feelings. Emily comes to apologize for the trouble earlier, and after she and Fin share a kiss, she spends the night with Fin after asking if she can "just sleep" there. Cleo asks Fin if Olivia is coming back; he replies that he doesn't know. Keeping an eye on Olivia's house, he sees her arguing on the phone with David and goes onto her porch. Olivia angrily tells him to leave. Fin spends the night drinking and, collapsing on the track is passed over by a train, unharmed but for his pocket watch. Fin walks to Olivia's home only to find she has attempted suicide. Olivia reveals that David is having another baby with a different woman. Fin takes care of Olivia's home while she recuperates in the hospital. Fin finds the courage to talk to the schoolchildren about trains.
Olivia, Joe, and Fin share a meal at Olivia's house, their conversation filled with some small talk and reconciliation. Olivia and Joe tease Fin about Emily, suggesting he seek her again.
The Station Agent was shot on 16 mm film in 20 days with a budget of half a million dollars.[2]
According to writer-director Tom McCarthy's commentary on the DVD release, the film was shot on a shoestring budget in a limited amount of time. Locations used included Lake Hopatcong, Dover, Hibernia, Rockaway Township, Rockaway Borough, Hoboken, Newfoundland and Oak Ridge, New Jersey, as well as Bucks County, Pennsylvania. The Newfoundland station, originally built by the New Jersey Midland Railway in 1872, is located in Newfoundland, New Jersey, on the active New York, Susquehanna and Western Railway.
The film premiered at the Sundance Film Festival and was shown at the Toronto International Film Festival and the San Sebastián Film Festival before going into limited release in the US on October 3, 2003. Playing in three theaters, it grossed $57,785 on its opening weekend, with an average of $19,261 per theater and ranking 55th at the box office. Its widest release was in 198 theaters where it earned $5,739,376 domestically and $2,940,438 internationally, for a total of $8,679,814, well above its estimated $500,000 production budget.[1]
The film received a very positive response from critics. It has a rating of 94% on Rotten Tomatoes based on 160 reviews with an average rating of 8.00/10. The website's critical consensus states, "A sweet and quirky film about a dwarf, a refreshment stand operator, and a reclusive artist connecting with one another."[3] It also has a score of 81 out of 100 on Metacritic based on 36 reviews.[4]
Elvis Mitchell of The New York Times observed, "Tom McCarthy has such an appreciation for quiet that it occupies the same space as a character in this film, a delicate, thoughtful and often hilarious take on loneliness . . . It's the kind of appetizing movie you want to share with others."[5]
Roger Ebert of the Chicago Sun-Times said, "[T]his is a comedy, but it's also sad, and finally, it's simply a story about trying to figure out what you love to do and then trying to figure out how to do it . . . It is a great relief . . . that The Station Agent is not one of those movies in which the problem is that the characters have not slept with each other and the solution is that they do. It's more about the enormous unrealized fears and angers that throb beneath the surfaces of their lives."[6]
Ruthe Stein of the San Francisco Chronicle called it "as touching and original a movie as you're likely to see this year" and "a remarkably assured first film."[7]
Peter Travers of Rolling Stone said, "Tom McCarthy has a gift for funny and touching nuances . . . The three actors could not be better. Huge feelings are packed into this small, fragile movie. It's something special."[8]
James Christopher of The Times stated, "The brilliance of Peter Dinklage's performance as the ironclad loner is that he doesn’t much care. Yet there’s something deeply affecting about his stoicism and suspicion that has nothing to do with artificial sweeteners, Disney sentiment, or party political broadcasts on behalf of dwarfs. Dinklage just gets on with his performance like an actor who can't understand why he's got the lead role. It's this tension between the film and the unwilling Romeo that makes The Station Agent such a hypnotic watch."[9]