| The Scholar of Moab | |
| Author: | Steven L. Peck |
| Country: | United States |
| Language: | English |
| Genre: | Black comedy, Fiction, Mormon fiction, Satire |
| Published: | December 2011 (Torrey House Press)[1] |
| Media Type: | Print (paperback) |
| Pages: | 302 |
| Isbn: | 978-1-937226-02-2 |
| Website: | https://www.torreyhouse.org/the-scholar-of-moab |
The Scholar of Moab is a 2011 American novel written by Steven L. Peck. Considered an important work of Mormon fiction, it explores themes of belief, faith, science, Mormonism, superstition, and mysticism through the use of satire and an unreliable first-person narrative. The novel has been recognized by the Association for Mormon Letters and By Common Consent.
The plot of The Scholar of Moab centers on Hyrum Thayne, a high-school dropout from Moab, Utah. Considered an unreliable narrator,[2] Thayne works for the United States Geological Survey and longs be a scientist and a scholar, but displays little understanding of what scientific inquiry entails. Thayne is poorly educated, and his writing features frequent misspellings.[3]
The book is told from four points of view: Thayne, poet and mistress Dora Daphne Tanner, conjoined twins William and Edward Babcock, and a frame narrator known as the "Redactor."[4] [2] Some sections have characteristics of mysticism and magic realism.[2]
Over time, Thayne becomes morally corrupt and begins to produce fictional stories which are believed by the superstitious Moab community. He comes to believe that his flaws are preventing him from becoming the scholar that he wants to be.[3] Critics have characterized Thayne as an antihero.[3]
The Scholar of Moab is cited as an example of Mormon literature.[5] It was included in By Common Consent's essential readings in Mormonism[6] and received the 2011 AML Award for best novel from the Association for Mormon Letters.[4] Rosalynde Welch, writing for Dialogue, called the novel "a wonderfully strange, deeply philosophical narrative that interrogates the nature of the first person" while drawing on Mormon traditions of diaries and regionalism.[7] In 2017 also for Dialogue, Shane R. Peterson stated that with The Scholar of Moab and A Short Stay in Hell, Peck "moved the [Mormon Literature] genre into the twenty-first century because of his willingness to push boundaries, embrace the unorthodox, and explore difficult themes."[8]