| Preservation Hall Jazz Band | |
| Background: | group_or_band |
| Origin: | New Orleans, Louisiana, U.S. |
| Genre: | New Orleans jazz |
| Years Active: | 1963–present |
| Label: | Sony Legacy, Preservation Hall Recordings |
| Current Members: |
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| Past Members: | see below |
The Preservation Hall Jazz Band is a New Orleans jazz band founded in New Orleans by tuba player Allan Jaffe in the early 1960s. The band derives its name from Preservation Hall in the French Quarter. In 2005, the Hall's doors were closed for a period of time due to Hurricane Katrina, but the band continued to tour.
In the 1950s, Larry Borenstein, an art dealer from Milwaukee, managed Preservation Hall in the French Quarter as an art gallery. To attract customers, he invited local New Orleans jazz musicians to play. After their honeymoon in 1961, Allan Jaffe and his wife Sandra visited to hear some traditional New Orleans jazz. The Jaffes were from Pennsylvania. Allan Jaffe was a tuba player who had graduated from the Wharton School of Business in Philadelphia, while his wife had been employed at an advertising agency. They attended concerts, grew to love the French Quarter, and stayed longer than they had intended. Borenstein asked if they wanted to manage Preservation Hall, and they agreed.[1]
Allan Jaffe hired local musicians whose ages ranged from the 60s to the 90s. Many were struggling with poverty, racism, and illness. At first the Jaffes served no alcohol, used no amplification, and didn't advertise. In 1963, Allan Jaffe began to tour with bands in the U.S. and in other countries. These tours included such popular figures as pianist Sweet Emma Barrett, trumpeter Kid Thomas Valentine, brothers Percy Humphrey and Willie Humphrey, trumpeter De De Pierce and his wife, pianist Billie Pierce. The most popular was clarinetist George Lewis, whose reputation preceded the Hall. Fans from all over the world came to New Orleans to hear traditional jazz.
Barrett's health began to decline in the 1970s, which forced her to stop touring. She was replaced as leader by brothers Percy Humphrey (trumpet) and Willie Humphrey (clarinet). The lineup included Frank Demond (trombone), James Prevost (bass), James "Sing" Miller (piano), Cie Frazier (drums), Jim Robinson (trombone), Narvin Kimball (banjo), and Allan Jaffe (tuba).
During the late 1960s and early 1970s, many of the touring members were hired by Harold Dejan for his Olympia Brass Band. This band became not only a staple at Preservation Hall, but also influenced the Preservation Hall Jazz Band and future Preservation Hall musicians.
Dejan's regular sidemen included Andy Anderson (trumpet), Milton Batiste (trumpet), Kid Sheik Cola (trumpet), Paul Crawford (trombone) Gerald Joseph (trombone), Emanuel Paul (tenor saxophone), Andrew Jefferson (snare), John Smith, Henry "Booker T" Glass, Nowell "Papa" Glass. Cag Cagnolatti, Kid Thomas Valentine, Louis Nelson, Louis Cottrell, Jr., Cié Frazier, Emanuel Sayles, and Allan Jaffe on tuba were among those who played with the group. During the Olympia years, a young Harry Connick Jr. performed with Barrett and the band at Preservation Hall.
In 1977, Jaffe and Arthur Hall and his Afro-American Dance Ensemble released Fat Tuesday and All That Jazz! A Mardi Gras Dance Musical. The world premiere of the dance musical was on February 19, 1977, and was followed by a tour in the United States. Dejan's Olympia Brass Band was featured in Fat Tuesday and All That Jazz, in addition to the Arthur Hall Afro-American Dance Ensemble of Philadelphia, Pennsylvania.
In 1987, Allan Jaffe died of cancer at the age of fifty-one. After his son Ben graduated from Oberlin College, he became artistic director in 1993. Ben Jaffe toured with the Preservation Hall Jazz Band, playing double bass and tuba. He began the educational initiatives that his father developed.
"As many as 20 different bands, drawn from a pool of about 150 local musicians, had played at Preservation Hall in the 1960s, but by 1999 virtually all of the older generation of musicians had died and the band members were a mixture of younger African-American players and white musicians from overseas. Most notable among the former were Michael White (ii), Wendell Brunious (who gradually took over the leadership of Valentine's band in the elder trumpeter's final years, as well as the touring band), Freddie Lonzo, and the tuba player Walter Payton; Europeans included the Swedish pianist Lars Edegran, the English trumpeter Clive Wilson, Orange Kellin, and Jacques Gauthé" (Hazeldine, Kernfeld).
The Preservation Hall Jazz Band continued to tour nationally and internationally. The band was led by trumpeter Wendell Brunious, later replaced by his older brother, John Brunious.
In 2006, the Preservation Hall Jazz Band was awarded the National Medal of Arts, the nation's highest honor for artistic excellence. The award was presented to Benjamin Jaffe and co-founder of Preservation Hall, Sandra Jaffe, who accepted the award from President and Mrs. Laura Bush in an Oval Office ceremony on November 9, 2006. The citations read: "With enormous talent and pride, this ageless ensemble has toured the world displaying the unbreakable spirit of New Orleans and sharing the joy of New Orleans jazz with us all."
Nearing Preservation Hall's 45th anniversary, the band collaborated with musicians from other genres, such as Blind Boys of Alabama on their Grammy Award winning album Down in New Orleans. The band's benefit album in 2010 contained contributions from Andrew Bird, Del McCoury Band, Jim James, Dr. John, Pete Seeger, and Tom Waits. The Hall band supported My Morning Jacket on tour. The album American Legacies was a collaboration with the Del McCoury band, uniting New Orleans jazz and bluegrass music.
In 2014, the Preservation Hall Jazz Band made a guest appearance on the Foo Fighters' eighth studio album Sonic Highways.[2]
The Trey McIntyre Project dance ensemble collaborated with the Preservation Hall Jazz Band to create Ma Maison and The Sweeter End, two contemporary dance works set. The two ensembles toured numerous dates nationally, including performances at the Hollywood Bowl and the Lincoln Center.
In 2018 the documentary A Tuba to Cuba was released.[3]
Preservation Hall celebrated its Golden Anniversary from 2011 to 2012. Projects included:
In 2006, President George W. Bush and the National Endowment for the Arts awarded the Preservation Hall Jazz Band with the National Medal of Arts, the highest honor given to artists and arts patrons by the United States government. A writer for the NEA commented, "Whether performing at Carnegie Hall or Lincoln Center, for British Royalty or the King of Thailand, the band conveys a joyful, timeless spirit. Under the auspices of current director, Ben Jaffe, the son of founders Allan and Sandra, Preservation Hall continues with a deep reverence and consciousness of its impressive history as a venue, band, and record label."[4]
| 2013 | Jazz Album | The Preservation Hall 50th Anniversary Collection | [5] | ||
| 2018 | Outstanding Jazz Album | So It Is | [6] |
| 2000 | Best Traditional Jazz Band or Performer | [7] | ||
| 2007 | Best Traditional Jazz Band or Performer | |||
| 2008 | Best Traditional Jazz Band or Performer | |||
| 2011 | Best Traditional Jazz Band or Performer | |||
| 2012 | Best Traditional Jazz Album (for St. Peter & 57th St.) | |||
| 2015 | Best Music Video (for "That's It!" with Lyrics Born and director Jermaine Quiz) | |||
| 2016 | Best Traditional Jazz Band or Performer | |||
| 2017 | Best Traditional Jazz Band or Performer | |||
| Best Traditional Jazz Album (for So It Is) | ||||
| 2018 | Best Traditional Jazz Band or Performer | |||
| 2019 | Best Traditional Jazz Band or Performer | |||
| 2020 | Best Traditional Jazz Band or Performer | |||
| 2021-22 | Best Traditional Jazz Band or Performer | |||
| 2023 | Best Traditional Jazz Artist |
Past members