| Pat Boone | |
| Birth Name: | Patrick Charles Eugene Boone |
| Birth Date: | 1 June 1934 |
| Birth Place: | Jacksonville, Florida, U.S. |
| Origin: | Nashville, Tennessee, U.S. |
| Discography: | Pat Boone discography |
| Years Active: | 1953–present |
Patrick Charles Eugene Boone[1] (born June 1, 1934) is an American singer, actor, television personality, and composer. During his recording career, he sold nearly 50 million records and had 38 Top 40 hits; he also appeared in various Hollywood films.[2] [3]
According to Billboard, Boone was the only singer that could compete in popularity with Elvis Presley during the 1950s.[4] Billboard has ranked Pat as one of the biggest charting artists in the period 1955–1995.[5] Until the 2010s, Boone held the record for spending 220 consecutive weeks on the Billboard charts with one or more songs each week.[6]
During the 1950s and the 1960s Boone was one of the most popular entertainers in the United States, becoming a teen idol as a valid alternative to the hedonism of rock and roll, due to his activities as singer, writer, actor and religious motivational speaker. In 1957, the age of 23, Boone began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). Many musical performers including Edie Adams, Andy Williams, Pearl Bailey, and Johnny Mathis made appearances on the show.[7] His cover versions of rhythm and blues hits had a noticeable effect on the development of the broad popularity of rock and roll. Elvis Presley was the opening act for a 1955 Pat Boone show in Brooklyn, Ohio.[8] [9]
As an author, Boone had a number-one bestseller in the 1950s (
Boone was born on June 1, 1934 in Jacksonville, Florida, to Margaret Virginia (née Pritchard) and Archie Altman Boone. He grew up in Nashville, where his family moved when he was two years old. He graduated in 1952 from David Lipscomb High School in Nashville. His younger brother Cecil (1935–2023), professionally known as Nick Todd, was born a year later to the day,[11] and was also a pop singer in the 1950s and later a church music leader.[12]
In a 2007 interview on The 700 Club, Boone claimed to be the great-great-great-great-grandson of the American pioneer Daniel Boone.[13]
Pat primarily attended David Lipscomb College, and later Lipscomb University in Nashville. He graduated in 1958 from Columbia University School of General Studies magna cum laude[14] having previously attended North Texas State University, now known as the University of North Texas, in Denton, Texas.[15]
Boone began his career by performing in Nashville's Centennial Park.[16] He began recording in April 1953 for Republic Records (not to be confused with the current label with that name), and by 1955, for Dot Records. His 1955 version of Fats Domino's "Ain't That a Shame" was a hit. This set the stage for the early part of Boone's career, which focused on covering R&B songs by Black artists for a white American market.[17] Randy Wood, the owner of Dot, had issued an R&B single by the Griffin Brothers in 1951 called "Tra La La-a"—a different song from the later LaVern Baker one—and he was keen to put out another version after the original had failed. This became the B-side of the first Boone single "Two Hearts Two Kisses", originally by the Charms – whose "Hearts Of Stone" had been covered by the label's Fontane Sisters.
A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song "I Almost Lost My Mind", by Ivory Joe Hunter, which was originally covered by another Black star, Nat King Cole. According to an opinion poll of high-school students in 1957, the singer was nearly the "two-to-one favorite over Elvis Presley among boys and preferred almost three-to-one by girls ..."[18] During the late 1950s, he made regular appearances on ABC-TV's Ozark Jubilee, hosted by his father-in-law. He cultivated a safe, wholesome, advertiser-friendly image that won him a long-term product endorsement contract from General Motors during the late 1950s, lasting through the 1960s. He succeeded Dinah Shore singing the praises of the GM product: "See the USA in your Chevrolet ... drive your Chevrolet through the USA, America's the greatest land of all!" GM had also sponsored The Pat Boone Chevy Showroom.
Many of Boone's hit singles were covers of hits from Black Rock and Roll artists. These included: "Ain't That a Shame" by Fats Domino; "Tutti Frutti" and "Long Tall Sally" by Little Richard;[19] "At My Front Door (Crazy Little Mama)" by The El Dorados; and the blues ballads "I Almost Lost My Mind" by Ivory Joe Hunter, "I'll be Home" by the Flamingos and "Don't Forbid Me" by Charles Singleton. Boone has been highlighted as an example of whitewashing by taking songs by black artists and sanitizing them to make them more palatable for a white audience, denying exposure to these black artists.[20]
Boone also wrote the lyrics for the instrumental theme song for the movie Exodus, which he titled "This Land Is Mine". (Ernest Gold had composed the music.)
As a conservative Christian, Boone declined certain songs and movie roles that he felt might compromise his beliefs—including a role with sex symbol Marilyn Monroe. In one of his first films, April Love, the director, Henry Levin, wanted him to give co-star Shirley Jones a kiss, which was not in the script. Since this would be his first onscreen kiss, Boone said that he wanted to talk to his wife first, to make sure it was all right with her.[21] He had his own film production company, Cooga Mooga Productions.[22]
He appeared as a regular performer on Arthur Godfrey and His Friends from 1955 through 1957, and later hosted his own The Pat Boone Chevy Showroom, on Thursday evenings. In 1959, Boone's likeness was licensed to DC Comics, first appearing in Superman's Girl Friend, Lois Lane No. 9 (May 1959) before starring in his own series from the publisher, which lasted for five issues from September 1959 to May 1960.[23] [24] In the early 1960s, he began writing a series of self-help books for adolescents, including 'Twixt Twelve and Twenty. The British Invasion ended Boone's career as a hitmaker, though he continued recording throughout the 1960s. In 1966, he participated in the Sanremo Music Festival in Italy, performing the songs Mai mai mai Valentina alongside Giorgio Gaber and Se tu non-fossi qui with Peppino Gagliardi. During his trip to Italy, he visited the headquarters of Ferrari in Maranello, near Modena, with the intention of buying a Superamerica Sports Car, but Enzo Ferrari dissuaded him from purchasing that model by saying that there would not have been enough room for Boone's four daughters, and sold him a four-door Ferrari 2+2 instead. In a 2021 interview, Boone admitted having later sold the "Ferrari he didn't like" to Tom Smothers of the comedic duo Smothers Brothers.[25]
In the 1970s, he switched to gospel and country, and continued performing in other media as well. In the 1960s and 1970s the Boone family toured as gospel singers and made gospel albums, such as The Pat Boone Family and The Family Who Prays.
In the early 1970s, Boone founded the record label Lamb & Lion Records. It featured artists such as Pat, the Pat Boone Family, Debby Boone, Dan Peek, DeGarmo and Key, and Dogwood.[26] In 1974, Boone was signed to the Motown country subsidiary Melodyland.[27]
In 1978, Boone became the first target in the Federal Trade Commission's crackdown on false-claim product endorsements by celebrities. He had appeared with his daughter Debby in a commercial to claim that all four of his daughters had found a preparation named Acne-Statin a "real help" in keeping their skin clear. The FTC filed a complaint against the manufacturer, contending that the product did not really keep skin free of blemishes. Boone eventually signed a consent order in which he promised not only to stop appearing in the ads, but also to pay about 2.5% of any money that the FTC or the courts might eventually order the manufacturer to refund to consumers. Boone said, through a lawyer, that his daughters actually did use Acne-Statin, and that he was "dismayed to learn that the product's efficacy had not been scientifically established as he believed."[28]
Boone hosts a weekly radio show, the Pat Boone hour, on the 50s Gold channel on SiriusXM.
In 1956, Boone was one of the biggest recording stars in the US. Several film studios pursued him for movies; he decided to go with 20th Century Fox, which had made Elvis Presley's first movie.[29] Fox reworked a play he had bought, Bernardine, into a vehicle for Boone. The resulting film was a solid hit, earning $3.75 million in the US.[30] Even more popular was April Love (1957), a remake of Home in Indiana. Boone regards it as one of his favourites, "the kind of movie I wish I could have made 20 more of: a musical, appealing characters, some drama, a good storyline, a happy ending, it's the kind of film which makes you feel good. I never wanted to make a depressing or immoral film."[31]
Less popular was a musical comedy Mardi Gras (1958), which was the last movie of Edmund Goulding. However, Journey to the Center of the Earth (1959), a science fiction adventure tale, was a huge hit. Boone had been reluctant to do it, and needed to be persuaded by being offered the chance to sing several songs and given a percentage of the profits, but was glad he did.[32]
He produced and starred in a documentary, Salute to the Teenagers (1960), but did not make a film for a while, studying acting with Sanford Meisner. He returned with a military comedy, All Hands on Deck (1961), a mild hit.[33]
He was one of several names in another remake, State Fair (1962), a box office disappointment. Musicals were becoming less fashionable in Hollywood, so Boone decided to take on a dramatic role in the Metro-Goldwyn-Mayer-distributed movie The Main Attraction (1962) for Seven Arts Productions, his first movie outside Fox. It was an unhappy experience for Boone as he disliked the implication his character had sex with Nancy Kwan's and he got into several public fights with the producers.[34] He had a deal with Fox to make three films at $200,000 a film with his production company. This was meant to start with a thriller, The Yellow Canary (1963), in which Boone would play an unsympathetic character. New management came in at the studio, which was unenthusiastic about the picture but because Boone had a pay or play deal, they decided to make it anyway, only with a much shorter budget. Boone even paid some money out of his own pocket to help complete it.[35]
Boone's next movie for Fox was another low-budget effort, The Horror of It All (1963), shot in England. He made a comedy in Ireland, Never Put It in Writing (1964), for Allied Artists. Boone's third film for Fox was an "A" production, Goodbye Charlie (1964), but Boone was in support of Debbie Reynolds and Tony Curtis. He was one of the many names in The Greatest Story Ever Told (1965). He appeared in The Perils of Pauline (1967), a pilot for a TV series that did not eventuate, which was screened in some theatres. Boone's last film of note was The Cross and the Switchblade (1970).
In 1994, Pat Boone played the title role in The Will Rogers Follies in Branson, Missouri.[36]
In 1997, Boone released , a collection of heavy metal covers.[37] To promote the album, he appeared at the American Music Awards in black leather. He was then dismissed from Gospel America, a TV show on the Trinity Broadcasting Network. After making a special appearance on TBN with the president of the network, Paul Crouch, and his pastor, Jack Hayford, many fans accepted his explanation of the leather outfit being a "parody of himself". Trinity Broadcasting then reinstated him, and Gospel America was brought back.
In 2003, the Nashville Gospel Music Association recognized his gospel recording work by inducting him into its Gospel Music Hall of Fame. In September 2006, Boone released We Are Family: R&B Classics, featuring cover versions of 11 R&B hits, including the title track, plus "Papa's Got A Brand New Bag", "Soul Man", "Get Down Tonight", "A Woman Needs Love", and six other classics.[38]
In 2010, plans were announced for the Pat Boone Family Theater at Broadway at the Beach in Myrtle Beach, South Carolina.[39] The attraction was never built.[40]
In 2011, Boone acted as a spokesperson for Security One Lending, a reverse mortgage company.[41] Since at least 2007[42] Boone has acted as a spokesperson for Swiss America Trading Corporation, a broker of gold and silver coins that warns of "America's Economic Collapse".[43]
In 2023 Boone, at 89, is one of the guest vocalists on Born to Be Wild, an album by Ann-Margret. Together they perform the song "Teach Me Tonight" on the album.[44]
In 2024, at age 90, he released a single, "Where Did America Go?"[45]
In November 1953, 19-year-old Boone married Chicago-born Tennesseean Shirley Lee Foley (April 24, 1934 – January 11, 2019[46]), also 19 years old, daughter of country-music great Red Foley and his wife, singer Judy Martin. They had four daughters: Cheryl "Cherry" Lynn, Linda "Lindy" Lee, Deborah "Debby" Ann, and Laura "Laury" Gene. Starting in the late 1950s, Boone and his family were residents of Teaneck, New Jersey.[47] Shirley Boone was a lesser-known recording artist and television personality than her husband. She also founded a hunger-relief Christian ministry that evolved into Mercy Corps. She died at age 84 in 2019, at the couple's Beverly Hills home, of complications from vasculitis, which she had contracted less than a year earlier.
Boone grew up in the Church of Christ.[48] In the 1960s, Boone's marriage to Shirley Foley nearly came to an end because of his use of alcohol and his preference for attending parties. However, after coming into contact with the Charismatic Movement, Shirley began to focus more on her religion and eventually influenced Pat and their daughters to have a similar religious focus.[49] At the time they attended the Inglewood Church of Christ in Inglewood, California.
In the spring of 1964, Boone spoke at a "Project Prayer" rally attended by 2,500 at the Shrine Auditorium in Los Angeles. The gathering, which was hosted by Anthony Eisley, a star of ABC's Hawaiian Eye series, sought to flood the United States Congress with letters in support of mandatory school prayer, following two decisions in 1962 and 1963 of the United States Supreme Court that struck down mandatory prayer as conflicting with the Establishment Clause of the First Amendment to the United States Constitution.[50] Joining Boone and Eisley at the Project Prayer rally were Walter Brennan, Lloyd Nolan, Rhonda Fleming, Gloria Swanson, and Dale Evans. Boone declared, "what the communists want is to subvert and undermine our young people... I believe in the power of aroused Americans, I believe in the wisdom of our Constitution.... the power of God." It was noted that Roy Rogers, John Wayne, Ronald Reagan, Mary Pickford, Jane Russell, Ginger Rogers, and Pat Buttram had endorsed the goals of the rally and would also have attended had their schedules not been in conflict.
In the early 1970s, the Boones hosted Bible studies for celebrities such as Doris Day, Glenn Ford, Zsa Zsa Gabor, and Priscilla Presley at their Beverly Hills home. The family then began attending The Church on the Way in Van Nuys, a Foursquare Gospel megachurch pastored by Jack Hayford.[51]
On an April 22, 2016, broadcast of Fox News Radio's The Alan Colmes Show, Boone discussed an episode of Saturday Night Live that included a sketch entitled God Is a Boob Man; the sketch parodied the film God's Not Dead 2, in which Boone had a role.[52] He described the sketch as "blasphemy", stating that the Federal Communications Commission should forbid any such content, and that it should revoke the broadcast licenses of any "network, or whoever is responsible for the shows".
At a 1961 gathering at Pepperdine College, Pat Boone said, "I would rather see my four girls shot and die as little girls who have faith in God than leave them to die some years later as godless, faithless, soulless communists."[53]
Boone supported Barry Goldwater in the 1964 United States presidential election.[54]
In the 2007 Kentucky gubernatorial election, Boone campaigned unsuccessfully for incumbent Republican Ernie Fletcher with a recorded automated telephone message stating that the Democratic Party candidate Steve Beshear would support "every homosexual cause." As part of the campaign, Boone asked, "Now do you want a governor who'd like Kentucky to be another San Francisco?"[55] On August 29, 2009, Boone wrote an article comparing American political liberalism to cancer, likening it to "black filthy cells".[56]
In December 2009, Boone endorsed conservative Republican John Wayne Tucker's campaign in Missouri's 3rd congressional district against incumbent Russ Carnahan (D) in the 2010 midterm elections.[57] In 2010, Boone endorsed Republican Clayton Trotter in the race for Texas's 20th congressional district with an ad campaign referencing his song "Speedy Gonzales", about the Looney Tunes character, which critics have characterized as offensive stereotypes.[58] [59] Boone received a lifetime achievement award at the 38th annual Conservative Political Action Conference held in February 2011.[60]
In June 2016, Boone, along with Mike Huckabee and executive producer Troy Duhon, all of whom were involved in the film God's Not Dead 2, sent a letter to California Governor Jerry Brown in opposition to Senate Bill 1146,[61] which "prohibits a person from being subjected to discrimination" at California colleges. Other than schools that train pastors and theology teachers, schools "might no longer be allowed to hire Christian-only staff, teach religious ideas in regular classes, require attendance at chapel services, or keep bathrooms and dormitories restricted to either males or females."[62]
Boone is a basketball fan and had ownership interests in two teams. He owned a team in the Hollywood Studio League called the Cooga Moogas. The Cooga Moogas included Bill Cosby, Rafer Johnson, Gardner McKay, Don Murray, and Denny "Tarzan" Miller.[63]
When the American Basketball Association began, Boone became the majority owner of the league's team in Oakland, California, on February 2, 1967. The team was first named the Oakland Americans, but was renamed the Oakland Oaks, the name under which it played from 1967 to 1969. The Oaks won the 1969 ABA championship.[64]
Despite the Oaks' success on the court, the team had severe financial problems. By August 1969, the Bank of America was threatening to foreclose on a $1.2 million loan to the Oaks,[65] and the team was sold to a group of businessmen in Washington, D.C., and became the Washington Caps.[66]
Boone later played for the Virginia Creepers, an 80–84 age group Senior Olympics team that narrowly lost to the gold medal-winning team; Boone aged out (by turning 85) on June 1, 2019.[67]
During his career, he performed many musical genres such as pop, country music, rock and roll, R&B, gospel and soul. His vocal style was similar to many crooners of his time like Frank Sinatra and Perry Como, despite that, he wasn't a baritone like them, instead he had a tenor voice. He was also popular for his wide vocal range.Pat Boone is one of the most prolific artists of all time with nearly 2,600 recorded songs.
See main article: Pat Boone discography. Studio albums
Boone was considered one of the most popular box-office stars in the U.S. as judged by the Quigley Poll of Movie Exhibitors in its Annual "Top Ten MoneyMakers Poll":[68]
Pat talks to Teenagers (1958) Prentice Hall
. Kristin Kobes Du Mez . Kristin Kobes Du Mez . Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation . 2020 . WW Norton . 9781631495731.